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History of Italy --- History of France --- History of civilization --- Philosophy and psychology of culture --- anno 1910-1919 --- anno 1900-1909 --- futurisme --- avant-garde --- expressionisme --- Wereldoorlog I --- Marinetti, Filippo Tommaso --- Apollinaire, Guillaume --- Dermée, Paul --- Seuphor, Michel --- Prampolini, Enrico --- 1909 - 1919 --- 20ste eeuw --- Italië --- Frankrijk --- futurisme. --- avant-garde. --- expressionisme. --- Wereldoorlog I. --- Marinetti, Filippo Tommaso. --- Apollinaire, Guillaume. --- Dermée, Paul. --- Seuphor, Michel. --- Prampolini, Enrico. --- 1909 - 1919. --- 20ste eeuw. --- Italië. --- Frankrijk. --- Futurisme (mouvement littéraire) --- France --- Italie
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In 1909 werd het 'Futuristisch Manifest' gepubliceerd. Twee jaar eerder had Picasso met zijn schilderij 'Les demoiselles d'Avignon' een totaal nieuwe beeldperceptie geïntroduceerd. Daarna ontstonden in snel tempo nieuwe artistieke stromingen als kubisme, dadaïsme, constructivisme en surrealisme. De standpunten van deze avantgarde t.a.v. het theater waren zeer verschillend en leidden tot verrassende en soms schokkende voorstellingen. De nieuwe inzichten die ze op de planken en in manifesten propageerden, hebben tot vandaag de wereld van de podiumkunsten sterk beïnvloed. Deze publicatie belicht de relatie tussen de verschillende avantgardebewegingen en het Europese theaterleven tijdens het interbellum.
Avant-garde (esthétique) --- Théâtre expérimental --- Theater in art --- Dans l'art --- Art --- Théâtre --- Avant-garde (Aesthetics) --- Art, European --- Experimental theater --- Theater --- History --- avant-garde --- theatergeschiedenis --- Theatrical science --- anno 1910-1919 --- anno 1930-1939 --- anno 1940-1949 --- anno 1920-1929 --- 20th century --- Congresses --- Avant-Garde (Aesthetics) --- Dans l'art. --- theater, toneel, toneelvoorstelling. --- avant-garde. --- filosofie. --- interbellum. --- dadaïsme. --- surrealisme. --- futurisme. --- Jarry, Alfred. --- Maiakovski, Vladimir Vladimirovitch. --- Apollinaire, Guillaume. --- Teirlinck, Herman. --- de Ghelderode, Michel. --- Linze, Georges. --- Marinetti, Filippo Tommaso. --- 20ste eeuw. --- Europa. --- Avant-garde (esthétique) --- Théâtre expérimental --- Théâtre --- Dada --- Avant-garde --- Entre-deux-guerres (1918-1939) --- Maïakovsky, Vladimir Vladimirovitch --- Linze, Georges --- Marinetti, Filippo Tommaso --- Teirlinck, Herman --- Jarry, Alfred --- Apollinaire, Guillaume
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[back cover:] This book is the first attempt to chart the history of art and its interaction with written language. Art, Word and Image examines the use of words (or language) in many genres of art – most often painting, but including prints, the book as art, sculpture, installation,and performance. This book asks what does it mean when a painting is 'invaded' by language? How do the two forms converse and combine, and what messages are intended for the viewer? In addition, other important themes that are also addressed include the naming or titling of paintings, the uses of narrative in art, and the literary connections and aspirations of artists. ## Art, Word and Image is constructed around three wide-ranging essays by John Dixon Hunt, David Lomas and Michael Corris. These essays discuss the use and significance of words in art – from Classical Greece and Assyria, through to the Middle Ages and the Renaissance, to modern times and today’s digital media, where the words and imagequestion has become a central issue. The essays cover a variety of movements (Pre-Raphaelites, Cubists, Surrealists, and Lettrists, for example) and many artists, among them Duchamp, Picasso, Ernst, Twombly, Michaux, Warhol and Kruger. The book also includes ‘spotlight’ essays on artists whose work engages substantially with questions ofword and image: Blake, Klee, Schwitters, Haack, Pettibon, McCahon and Walla. ## This ground-breaking book will form a new framework for thinking about the interactions between word and image in the visual arts. ## With contributions by Jeremy Adler, Stephen Barber, Rex Butler and Laurence Simmons, Michael Corris, John Dixon Hunt, Michael R. Leaman, David Lomas, Joseph Viscomi, Hamza Walker, Barbara Weyandt and Michael White.
Beeldende kunst ; kunst en tekst --- Beeld en woord ; beeld en tekst --- Blake, William --- Klee, Paul --- Schwitters, Kurt --- Walla, August --- McCahon, Colin --- Haack, Horst --- Pettibon, Raymond --- Kruger Barbara --- Warhol Andy --- Twombly Cy --- Ernst Max --- Picasso Pablo --- lettrisme --- prerafaëlieten --- Pettibon Raymond --- Haack Horst --- McCahon Colin --- Walla August --- Klee Paul --- Blake William --- woord en beeld --- Iconografie ; verschillende onderwerpen --- texts [documents] --- art theory --- Finlay, Ian Hamilton --- Johns, Jasper --- Fulton, Hamish --- Kosuth, Joseph --- Dubuffet, Jean --- Warhol, Andy --- Ruscha, Ed --- Basquiat, Jean-Michel --- Weiner, Lawrence --- Rodtschenko, Alexander Michajlowitsch --- Picasso, Pablo --- Picabia, Francis --- Lichtenstein, Roy --- Baldessari, John --- Ernst, Max --- Jaar, Alfredo --- Lissitzky, Eliezer --- Jorn, Asger --- Kiefer, Anselm --- Höch, Hannah --- Moholy-Nagy, László --- Cornell, Joseph --- Gilbert and George --- Hausmann, Raoul --- Morris, Robert --- Michaux, Henri --- Delaunay, Sonia --- Miró, Joan --- Broodthaers, Marcel --- Dalí, Salvador --- Scanlan, Joe --- Hamilton, Richard --- Matta-Clark, Gordon --- Twombly, Cy --- Wearing, Gillian --- Rauschenberg, Robert --- Schneeman, Carolee --- Magritte, René --- Dean, Tacita --- Opałka, Roman --- Indiana, Robert --- Holman Hunt, William --- Bulatov, Erik --- 7.049 --- Michaux Henri --- Duchamp Marcel --- surrealisme --- kubisme --- 7.036 --- twintigste eeuw --- 7.03 --- kunst --- Art --- History --- Iconography --- Semiotics --- language [general communication] --- art history --- Man Ray --- Kruger, Barbara --- Holzer, Jenny --- Marinetti, Filippo Tommaso --- Braque, Georges --- Duchamp, Marcel --- Rosler, Martha --- Art & Language --- Lissitzky, El --- Hunt, William Holman --- Sémiotique et art. --- Sémiotique et art.
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