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2010 (4)

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Object
Barock : Van Dyck, Rubens, Velázquez, Rembrandt, Caravaggio
Authors: --- --- --- --- --- et al.
ISBN: 9783869230009 3869230002 Year: 2010 Publisher: Halle (Saale) : Arthaus Musik,

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Abstract

Mit überwältigendem Prunk und Pathos beeindruckt die barocke Malerei des 17. Jahrhunderts. Im zeitalter wütender Pest, blutiger Glaubenskriege und exzessiven Adels-Pomp tritt die Kunst in den Dienst von Gegenreformation und Absolutismus. Zwischen Lebenslust und Todespein strahlt Ruhm und Glanz einer Epoche - dank grossartiger Meister wie van Dyck, Rubens, Veláquez, Rembrandt und Caravaggio.

Keywords

Malerei: Barock.


Book
˜Lesœ grands traités de peinture
Authors: ---
ISBN: 9782842787783 Year: 2010 Publisher: Paris Beaux Arts Éditions

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Abstract

Keywords

Painting --- Traktat --- Malerei --- Ästhetik --- Malerei. --- Ästhetik. --- Ästhetik. --- Traktat.


Book
New realisms, 1957-1962 : object strategies between readymade and spectacle
Authors: --- ---
ISBN: 9780262515221 0262515229 Year: 2010 Publisher: Madrid : Cambridge, MA : Museo Nacional Centro de Arte Reina Sofía ; MIT Press,


Book
Sacred painting ; Museum
Authors: --- --- ---
ISBN: 9780674047587 0674047583 Year: 2010 Volume: 44 Publisher: Cambridge London Harvard university press

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Abstract

Federico Borromeo, Cardinal-Archbishop of Milan (1564–1631), is well known as a leading Catholic reformer and as the founder of the Ambrosiana library, art collection, and academy in that city. Less known is the fact that the institution's art museum was the culmination of many decades of reflection on the aesthetic qualities and religious roles of art. Borromeo recorded his reflections in two treatises. De pictura sacra (Sacred Painting, 1624) laid out the rules that artists should follow when creating religious art. Borromeo touched on dozens of iconographical issues and in so doing drew on his deep knowledge not only of church fathers, councils, and scripture but also of classical art and literature. In Musaeum (1625) Borromeo showed a less doctrinaire and more personal side by walking the reader through the Ambrosiana and commenting on specific works in his collection. He offered some of the earliest and most important critiques to survive on works by artists such as Leonardo, Titian, and Jan Brueghel the Elder. This volume offers, for the first time, translations of the treatises directly into English as well as freshly edited Latin texts, an introduction, extensive notes, and an appendix on the Academy of Design that was established in conjunction with the museum.

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