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Male Confessions demonstrates that men are able to talk about themselves intimately and shows how the religious imagination helps them to do so while critically examining the limits of such intimate male talk.
Confession in literature. --- Christian literature --- Masculinity --- Male authors --- History and criticism. --- Religious aspects --- Christianity. --- Confession in literature --- -Masculinity --- -Male authors --- -History and criticism --- -Christianity
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Confession in literature --- Christian literature --- -Masculinity --- -Male authors --- -History and criticism --- Religious aspects --- -Christianity
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Both masculinity and the Northern Irish conflict have been the subjects of a great deal of recent scholarship, yet there is a dearth of material on Northern Irish masculinity. Northern Ireland has a remarkable literary output relative to its population, but the focus of critical attention has been on poetry rather than the fine novels that have been written in and about Ulster. This book goes some way towards remedying the deficiency in critical attention to the Northern Irish novel and the lack of gendered approaches to Northern Irish literature and society. Sons of Ulster explores the representation of masculinity within a number of Northern Irish novels written since the mid-1990s, focusing on works by Eoin McNamee, Glenn Patterson and Robert McLiam Wilson. One of the key aims of the book is to disrupt notions of a hegemonic Northern Irish masculinity based on violent conflict and hyper-masculine sectarian rhetoric. The author uses the three sections of the text to represent the three key facets of Northern Irish masculinity: bodies, performances and subjectivity bound up with violence.
English fiction --- Masculinity in literature. --- Men in literature. --- Literature and society --- Irish authors --- History and criticism. --- Male authors --- History --- Northern Ireland --- In literature.
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Desire in literature --- Feminist literary criticism --- French fiction --- French literature --- Politics and literature --- Women in literature --- 82.04 --- 82.09 --- 840-3 "18" --- Woman (Christian theology) in literature --- Women in drama --- Women in poetry --- Literature --- Literature and politics --- Literary criticism, Feminist --- Feminism and literature --- Feminist criticism --- 82.09 Literaire kritiek --- Literaire kritiek --- 840-3 "18" Franse literatuur: proza--19e eeuw. Periode 1800-1899 --- Franse literatuur: proza--19e eeuw. Periode 1800-1899 --- 82.04 Literaire thema's --- Literaire thema's --- History and criticism --- Male authors&delete& --- Political aspects --- Male authors
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English fiction --- Literature and society --- Masculinity in literature --- Men in literature --- 820-31 "19" --- 820 <417> --- 82.04 --- 820 <417> Ierse literatuur --- Ierse literatuur --- Literature --- Literature and sociology --- Society and literature --- Sociology and literature --- Sociolinguistics --- Masculinity (Psychology) in literature --- English literature --- 820-31 "19" Engelse literatuur: novel; roman--20e eeuw. Periode 1900-1999 --- Engelse literatuur: novel; roman--20e eeuw. Periode 1900-1999 --- 82.04 Literaire thema's --- Literaire thema's --- Irish authors&delete& --- History and criticism --- Male authors&delete& --- History --- Social aspects --- Northern Ireland --- In literature. --- Irish authors --- Male authors
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Pinks, Pansies, and Punks charts the construction of masculinity within American literary culture from the 1930s to the 1970s. Penner documents the emergence of "macho criticism," and explores how debates about "hard" and "soft" masculinity influenced the class struggles of the 1930s, anti-communism in the 1940s and 1950s, and the clash between the Old Left and the New Left in the 1960s. By extending literary culture to include not just novels, plays, and poetry, but diaries, journals, manifestos, screenplays, and essays on psychology and sociology, Penner unveils the multiplicity of gender attitudes that emerge in each of the decades he addresses.
Literature and society --- Gender identity in literature. --- Social classes in literature. --- Masculinity in literature. --- Men in literature. --- American literature --- Masculinity (Psychology) in literature --- English literature --- Agrarians (Group of writers) --- History --- Male authors --- History and criticism. --- 20th century --- History and criticism --- Men in literature --- Masculinity in literature --- Gender identity in literature --- United States --- Gold, Michael --- Leary, Timothy Francis --- Ginsberg, Allen --- Eliot, Thomas Stearns --- Cleaver, Eldridge --- Living Theatre (New York, N.Y.) --- Baldwin, James --- Fiedler, Leslie Aaron --- Criticism and interpretation --- Mailer, Norman, 1923-2007. The White Negro
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