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Amrouche, Jean --- Gide, André --- Correspondance --- Correspondance.

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Oscar Wilde (1854-1900) is now widely recognised not only as one of the most representative figures of the British fin de siècle, but as one of the most influential Anglophone authors of the nineteenth century. In Britain Wilde suffered a long period of comparative neglect following the scandal of his conviction for 'gross indecency' in 1895; and it is only recently that his works have been reassessed. But while Wilde was subjected to silence in Britain, he became a European phenomenon. His famous dandyism, his witticisms, paradoxes and provocations became the object of imitation and parody; h

Wilde, Oscar, --- Gide, André, --- Wilde, Oscar. --- Appreciation --- Translations --- History and criticism. --- Stage history --- Influence. --- Geschichte --- Europa. --- Gide, Andre,

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Wilde, Oscar, --- Gide, André, --- Appreciation --- Translations --- History and criticism --- Stage history --- Influence --- Gide, André, --- Wilde, Oscar --- Žid, Andre, --- Zhiīd, Andrah, --- Jīd, Āndrah, --- Chi-te, --- Gide, André Paul Guillaume, --- Jiddo, Andore, --- Zhid, A. --- Zhid, Andre, --- L̲īṭu, Āntrē, --- Zint, Antre, --- Jit, Ān̲ṭrē, --- چيد، اندريه --- History and criticism. --- Influence. --- Ke-ke-neh-che-ke --- Ka-kan-dji-ga --- Gide, André --- Gide, André Paul Guillaume --- Zhiīd, Andrah --- Jīd, Āndrah --- Chi-te --- Gide, André Paul Guillaume --- Jiddo, Andore --- Zhid, Andre --- L̲īṭu, Āntrē --- Zint, Antre --- Jit, Ān̲ṭrē --- Melmoth, Sebastian, --- Uaĭlʹd, Oskar, --- C. 3. 3, --- C. Three Three, --- Ṿild, Osḳar, --- Wilde, Oscar Fingall O'Flahertie Wills, --- Ṿaild, Osḳar, --- Vaildas, Oskaras, --- Author of Lady Windermere's fan, --- Lady Windermere's fan, Author of, --- Vailds, Oskars, --- Ouailnt, Oskar, --- Uaylt, Ōskʻar, --- Уайльд, Оскар, --- Уальд, Оскар, --- וויילד, אוסקר, --- וויילד, אסקאר --- וויילד, אסקאר, --- ווילד, אסקאר --- ויילד, אוסקר --- ויילד, אוסקר, --- וילד, אוסקר --- וילד, אוסקר, --- וילד, אסקר, --- װײלד, אסקאר --- װײלד, אסקאר, --- وايلد، أوسكار --- وايلد، اسكار --- オスカー・ワイルド --- Wilde, Oscar, - 1854-1900 - Appreciation - Europe --- Gide, André, - 1869-1951 - Translations - History and criticism --- Wilde, Oscar, - 1854-1900 - Stage history - Europe --- Wilde, Oscar, - 1854-1900 - Influence --- Wilde, Oscar, - 1854-1900 --- Gide, André, - 1869-1951

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Narziss ist eine viel genannte Schlüsselfigur der literarischen Dekadenz. Doch welche theoretischen Überlegungen, Analogien und Umkehrschlüsse zwischen Mythologie, Ästhetik und Psychologie verbinden sich mit und in ihm? Es lässt sich hinsichtlich des westeuropäischen Theaters der Jahrhundertwende und der Zeit zwischen den Weltkriegen davon ausgehen und erkunden, wie Künstlerfiguren dieser Epoche eine Aura und eine Charakterisierung eingeräumt werden, die sich an der sozialen Realität orientieren - oder von dieser mitunter stark divergieren. Die im 19. Jahrhundert noch weit verbreiteten Gattungen des Künstlerdramas und -romans weichen zu Beginn des 20. Jahrhunderts zudem neuen Formen und Spielarten von "Gesamtkunstwerken" und der Selbst-Inszenierung. Den gemeinhin bekannten "Narzissten" wie Oscar Wilde oder André Gide stehen Dramatiker und Opernkomponisten wie J. M. Barrie oder Franz Schreker gegenüber, die Künstlerleben zwischen Selbsthass und -zerstörung auf die Bühne bringen.

Aesthetics. --- Narcissism. --- Musical theater --- Music --- Performing arts. --- Show business --- Arts --- Performance art --- Hermeneutics (Music) --- Musical aesthetics --- Aesthetics --- Music theory --- Lyric theater --- Theater --- Ego erotism --- Erotism, Ego --- Narcism --- Egoism --- Psychology, Pathological --- Beautiful, The --- Beauty --- Esthetics --- Taste (Aesthetics) --- Philosophy --- Art --- Criticism --- Literature --- Proportion --- Symmetry --- History and criticism. --- Philosophy and aesthetics. --- Psychology --- Radio broadcasting Aesthetics --- Gide, André. --- Literary Studies. --- Shaw, George Bernhard. --- Theater Studies. --- Weininger, Otto.