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Lewitt, Sol --- kunst --- twintigste eeuw --- Verenigde Staten --- concept art --- conceptuele kunst --- LeWitt Sol --- kunstenaarsboeken --- artists' books --- boeken --- 766.023 --- 7.071 LEWITT --- Exhibitions

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Art [Conceptual] --- Art conceptuel --- Art povera --- Art video --- Arte povera --- Concept art --- Conceptual art --- Conceptuele kunst --- Installaties (Kunst) --- Installations (Art) --- Language art (Fine arts) --- Possible art --- Post-object art --- Video art --- Videokunst --- kunst --- twintigste eeuw --- eenentwintigste eeuw --- Verenigde Staten --- Kruger Barbara --- conceptuele kunst --- concept art --- woord en beeld --- fotografie --- kunst en politiek --- feminisme --- gender studies --- 7.071 KRUGER --- Art vidéo --- Art électronique --- Electronic art --- Experimental television --- Vidéo expérimentale --- Vidéo formelle --- Vidéo-art --- Kruger, Barbara --- Catalogs --- Criticism and interpretation

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Asher, Michael --- Criticism and interpretation. --- Criticism and interpretation --- kunst --- conceptuele kunst --- concept art --- Verenigde Staten --- twintigste eeuw --- eenentwintigste eeuw --- Asher Michael --- kunsttheorie --- politiek --- kunst en politiek --- installaties --- sociologie --- kunst en sociologie --- musea --- galeries --- institutionele kritiek --- minimalisme --- minimal art --- tentoonstellingen --- 7.071 ASHER --- Asher, Michael - Criticism and interpretation

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Jacques Lennep a l'intuition de son Musée de l'homme en 1974 quand il encadre un gardien du musée des Beaux-Arts de Bruxelles qui l'emploie. Au debut de 1976, il consacre une première exposition à l'une de ces personnes qui font de leur existence un espace de création. D'autres suivront, jusqu'à aujourd'hui, et parmi eux, un retraité, un collectionneur, une fermière, un fleuriste, un ingenieur, un supporter. Pour Lennep, le Musée de l'homme est le champ d'expérimentation de l'esthètique relationnelle qu'il a formulée dès 1972 et dont il définit les principes dans sa 'théorie des trois RE': la RElation structurale, la RElation/récit et la RElation sociale. Il vise à mettre l'homme au centre de l'art et des relations qu'il suppose, à s'interroger sur la nature et le role de l'art aujourd'hui. Forgée dans les glorieuses années 70, cette démarche pluridisciplinaire fait appel à la video, à la performance, à l'installation, au texte, et depuis quelques années à Internet avec le blog "On est tous artistes."

Lennep, Jacques --- museologie --- musea --- antropologie --- kunst --- twintigste eeuw --- eenentwintigste eeuw --- humor --- installaties --- schilderkunst --- 7.071 LENNEP --- relationele esthetica --- Van Lennep Jacques --- Lennep Jacques --- België --- concept art --- conceptuele kunst --- Aesthetics --- Artists and museums --- Human beings in art --- Humans in art --- Museums and artists --- Art museums --- Beautiful, The --- Beauty --- Esthetics --- Taste (Aesthetics) --- Philosophy --- Art --- Criticism --- Literature --- Proportion --- Symmetry --- Psychology --- Lennep, Jacques. --- Lennep, J. --- Radio broadcasting Aesthetics --- Museology --- Lennep, Van, Jacques

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In 1964, at age forty, Marcel Broodthaers (1924–1976) proclaimed that his years of writing poetry—of being "good for nothing" in his words—were over, and a brief but dazzling artistic career began. Considered a founding father of institutional critique, Broodthaers created hundreds of objects, books, films, photographs and exhibitions, including a "fictive" museum of modern art that evolved from an installation in his own home to a massive exhibition of over three hundred works representing eagles. In The Absence of Work, Rachel Haidu argues that all of Broodthaers's art is defined by its relationship to language. His perception of his poetry's "failure to communicate" led him to explore in his art the noncommunicative, nontransparent uses of words. Haidu's characterization of Broodthaers's contribution to institutional critique represents a major departure from the usual approach to this movement. With The Absence of Work, one of the first monographs on Broodthaers in English, Haidu demystifies a crucial and enigmatic figure in postwar and contemporary art.

Broodthaers, Marcel --- Criticism and interpretation --- Art --- Criticism and interpretation. --- 7.07 --- 7.038 --- 7.01 --- Beeldende kunst ; 20ste eeuw ; Marcel Broodhaers --- Dada ; assemblages ; ready-made --- Belgische kunstenaars --- Kunst en tekst --- Kunsttheorie ; over Marcel broodthaers --- Broodthaers, Marcel 1924-1976 (°Brussel, België) --- kunst --- België --- twintigste eeuw --- Broodthaers Marcel --- pop art --- conceptuele kunst --- concept art --- surrealisme --- installaties --- 7.071 BROODTHAERS --- Kunstenaars met verschillende disciplines, niet traditioneel klasseerbare, conceptuele kunstenaars A - Z --- Kunstgeschiedenis ; 1950 - 2000 --- Kunst ; theorie, filosofie, esthetica --- Conceptual art --- Conceptual art. --- Brodhers, Marsel --- ברוסהרס, מרסל --- Broodthaers, Marcel - Criticism and interpretation