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Dans une société où la lecture, source de questionnement et de réflexion, est considérée comme un acte antisocial, un corps spécial de pompiers est chargé de brûler tous les livres dont la détention est interdite pour le bien collectif. Montag, le pompier pyromane, se met pourtant à rêver d'un monde différent qui ne bannirait pas la littérature et l'imaginaire au profit d'un bonheur immédiatement consommable. Il devient dès lors un dangereux criminel, impitoyablement pourchassé par une société qui désavoue son passé.
Littérature --- Roman --- Bradbury, Ray
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As television transformed American culture in the 1950's, critics feared the influence of this newly pervasive mass medium on the nation's literature. While many studies have addressed the rhetorical response of artists and intellectuals to mid-twentieth-century mass culture, the relationship between the emergence of this culture and the production of novels has gone largely unexamined. In A Novel Marketplace, Evan Brier illuminates the complex ties between postwar mass culture and the making, marketing, and reception of American fiction. Between 1948, when television began its ascendancy, and 1959, when Random House became a publicly owned corporation, the way American novels were produced and distributed changed considerably. Analyzing a range of mid-century novels-including Paul Bowles's The Sheltering Sky, Ray Bradbury's Fahrenheit 451, Sloan Wilson's The Man in the Gray Flannel Suit, and Grace Metalious's Peyton Place-Brier reveals the specific strategies used to carve out cultural and economic space for the American novel just as it seemed most under threat. During this anxious historical moment, the book business underwent an improbable expansion, by capitalizing on an economic boom and a rising population of educated consumers and by forming institutional alliances with educators and cold warriors to promote reading as both a cultural and political good. A Novel Marketplace tells how the book trade and the novelists themselves successfully positioned their works as embattled holdouts against an oppressive mass culture, even as publishers formed partnerships with mass-culture institutions that foreshadowed the multimedia mergers to come in the 1960's. As a foil for and a partner to literary institutions, mass media corporations assisted in fostering the novel's development as both culture and commodity.
Bradbury, Ray, 1920-2012. Fahrenheit 451 --- Sociology of literature --- Fiction --- American literature --- anno 1900-1999 --- American fiction --- Authors and publishers --- Literature publishing --- Literary publishing --- Literature --- Publishers and publishing --- Metafiction --- Novellas (Short novels) --- Novels --- Stories --- Novelists --- History and criticism --- History --- Publishing --- Economic aspects --- Philosophy --- 20th century --- United States --- Bowles, Paul Frederick --- Wilson, Sloan --- Metalious, Grace --- Mailer, Norman --- Criticism and interpretation --- Winfrey, Oprah --- Franzen, Jonathan --- History and criticism. --- Cultural Studies. --- Literature.
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