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Mass media and the arts --- Mass media and literature --- Intermediality
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Considering texts by Henry James, Gertrude Stein, James Weldon Johnson, F. Scott Fitzgerald, Ralph Ellison, Richard Wright, James Agee, and William Carlos Williams, alongside film, painting, music, and popular culture, Mark Goble explores the development of American modernism as it was shaped by its response to technology and an attempt to change how literature itself could communicate.Goble's original readings reinterpret the aesthetics of modernism in the early twentieth century, when new modes of communication made the experience of technology an occasion for profound experimentation and reflection. He follows the assimilation of such "old" media technologies as the telegraph, telephone, and phonograph and their role in inspiring fantasies of connection, which informed a commitment to the materiality of artistic mediums. Describing how relationships made possible by technology became more powerfully experienced with technology, Goble explores a modernist fetish for media that shows no signs of abating. The "mediated life" puts technology into communication with a series of shifts in how Americans conceive the mechanics and meanings of their connections to one another, and therefore to the world and to their own modernity.
American literature --- Interpersonal communication --- Mass media and culture --- Mass media and literature --- Social interaction --- History and criticism. --- Technological innovations --- Social aspects --- Human interaction --- Interaction, Social --- Symbolic interaction --- Exchange theory (Sociology) --- Psychology --- Social psychology --- Communication --- Interpersonal relations --- Literature and mass media --- Literature --- massemedia --- amerikansk litteratur --- kommunikasjon --- teknologi --- innovasjon --- sosiale aspekter --- media --- massemedier --- USA --- Forente stater
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In his novel Mao II, Don DeLillo lets his protagonist say, 'Years ago I used to think it was possible for a novelist to alter the inner life of the culture. Now bomb-makers and gunmen have taken that territory. They make raids on human consciousness.' DeLillo suggests that while the collective imagination of the past was guided by the creative order of narrative fictions, our contemporary fantasies and anxieties are directed by the endless narratives of war and terror relayed by the mass media. To take DeLillo's literary reflections on media, terrorism, and literature seriously means to engage with the ethical implications of his media critique. This book departs from existing works on DeLillo not only through its focus on the function of literature as public discourse in culture, but also in its decidedly transatlantic perspective. Bringing together prominent DeLillo scholars in Europe and in the US, it is the first critical book on DeLillo to position his work in a transatlantic context
Terrorism in mass media --- Mass media and literature --- Politics and literature --- Terrorism in literature --- Ethics in literature --- History --- DeLillo, Don --- Criticism and interpretation --- Political and social views --- Literature --- Literature and politics --- Literature and mass media --- Mass media --- Political aspects --- Lillo, Don De --- Делилло, Дон --- דלילו, דון --- דלילו, דן --- DeLillo, Donald Richard --- Birdwell, Cleo --- DeLillo, Don (1936-....) --- Morale --- Médias et littérature --- Terrorisme --- Politique et littérature --- Critique et interprétation --- Dans la littérature --- Dans les médias --- Etats-Unis --- Histoire --- 21e siècle --- 20e siècle
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