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Classical Latin literature --- Drama --- Latin drama --- History and criticism
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Ce volume réunit les trois tragédies, intégralement conservées, composées après l'Ecerinis d'Albertino Mussato (1315). Antonio Loschi, Gregorio Correr et Leonardo Dati partagent la même conception du tragique héritée de Sénèque (1-65). Les crimes de la Guerre Civile de Lucain (39-65) et des Tragédies de Sénèque avaient déjà inspiré Albertino Mussato. Pour bâtir sa tragédie sur la mort d’Achille (Achilles, vers 1390), Antonio Loschi continue de s’inspirer des tragédies sénéquiennes, mais il renouvelle son inspiration en multipliant les emprunts à d’autres modèles, de l’Antiquité, du Moyen Âge et du premier humanisme italien. Gregorio Correr emprunte au livre VI des Métamorphoses d’Ovide (43 av. J.-C.-18 ap. J.-C.), mais aussi à Sénèque et à Boccace (1315-1375), un nouveau modèle d’horreur tragique pour composer sa Progne en 1426-1427. Enfin Leonardo Dati, entre 1440 et 1442, reprend à la Guerre de Jugurtha de Salluste (86-34) l’épisode de l’assassinat d’Hiempsal pour composer la tragédie qui porte le nom de ce héros (Hiensal). Dans ces trois tragédies, des femmes commettent un sacrilège pire que ceux commis par des princes sanguinaires. Hécube ourdit la mort d’Achille en attirant celui-ci dans un guet-apens (dans l’Achilles d’Antonio Loschi) ; Procné immole son fils et le sert en guise de dîner à son époux, le roi de Thrace Térée, père de l’enfant (dans Progne de Gregorio Correr) ; Inuidia, allégorie de l’Envie, attise la haine entre les héritiers du royaume de Numidie pour obtenir la mort d’Hiempsal (dans Hiensal de Leonardo Dati). Richement documenté, ce volume insiste sur les renouvellements, autant dans la forme que dans l’inspiration, de la tragédie latine entre 1390 et 1442 et sur la théâtralité de pièces qui, même si elles n’étaient pas destinées à la scène, multiplient les effets dramatiques spectaculaires.
Latin drama, Medieval and modern --- Latin drama (Tragedy) --- Théâtre latin médiéval et moderne --- Tragédie latine --- Translations into French. --- Traductions françaises --- Théâtre latin médiéval et moderne --- Tragédie latine --- Traductions françaises --- Latin literature, Medieval and modern --- Latin drama (Tragedy). --- Latin drama, Medieval and modern.
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Latin drama (Comedy) --- Comédie latine --- History and criticism --- Histoire et critique --- Plautus, Titus Maccius. --- Plautus, Titus Maccius --- Comédie latine --- Plautus, Titus Maccius - Asinaria
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This is a newly revised, critical text of the fragments attributed to the Roman knight and mimographer Decimus Laberius, a witty and crudely satirical contemporary of Cicero and Caesar. Laberius is perhaps the most celebrated comic playwright of the late Republic, and the fragments of plays attributed to him comprise the overwhelming majority of the extant evidence for what we conventionally call 'the literary Roman mime'. The volume also includes a survey of the characteristics and development of the Roman mime, both as a literary genre and as a type of popular theatrical entertainment, as well as a re-evaluation of the place of Laberius' work within its historical and literary context. This is the first English translation of all the fragments, and the first detailed English commentary on them from a linguistic, metrical, and (wherever possible) theatrical perspective.
Satire, Latin --- Latin drama --- Mime --- History and criticism --- Satire, Latin. --- Mime. --- Satire latine --- Théâtre latin --- Théâtre latin --- Classical Latin literature --- Latin satire --- Latin wit and humor --- Acting --- Pantomime --- History and criticism. --- Histoire et critique --- Arts and Humanities --- History --- Satire, Latin - Translations into English --- Latin drama - History and criticism
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Latin drama (Comedy) --- Plays on words. --- Puns and punning in literature. --- Greek influences. --- Plautus, Titus Maccius --- Language. --- Literary style. --- Puns and punning in literature --- Plays on words --- Latin drama --- Play of words --- Play on words --- Word play --- Wordplay --- Semantics --- Wit and humor --- Greek influences --- Plaute --- Plauto, Tito Maccio --- Language --- Literary style --- Plavt, Tit Makt︠s︡iĭ --- Plautus, M. Accius --- Plautus --- Plautus, M. Attius --- Plautus, Marcus Actius --- Plautus, Marcus Accius --- Plautus, Marcus Attius --- Plauto, Marco Accio --- Plautos, Titos Makkios --- פלאוטוס --- Latin drama (Comedy) - Greek influences --- Plautus, Titus Maccius - Language --- Plautus, Titus Maccius - Literary style
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Epistolary poetry, Latin. --- Latin drama (Comedy) --- Verse satire, Latin. --- Verse satire, Latin --- Epistolary poetry, Latin --- Comédie latine --- Poésie satirique latine --- Poésie épistolaire latine --- History and criticism. --- Histoire et critique --- Plautus, Titus Maccius --- Horace --- Criticism and interpretation. --- Littérature latine --- Français (langue) --- Signum (The Latin word) --- Latin language --- Signs and symbols --- Etymology --- Horace, --- Plaute, --- Comédie latine --- Poésie satirique latine --- Poésie épistolaire latine --- Histoire et critique. --- Plaute
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In this book Professor Mastronarde draws on the seventeen surviving tragedies of Euripides, as well as the fragmentary remains of his lost plays, to explore key topics in the interpretation of the plays. It investigates their relation to the Greek poetic tradition and to the social and political structures of their original setting, aiming both to be attentive to the great variety of the corpus and to identify commonalities across it. In examining such topics as genre, structural strategies, the chorus, the gods, rhetoric, and the portrayal of women and men, this study highlights the ways in which audience responses are manipulated through the use of plot structures and the multiplicity of viewpoints expressed. It argues that the dramas of Euripides, through their dramatic technique, pose a strong challenge to simple formulations of norms, to the reading of consistent human character, and to the quest for certainty and closure.
Thyestes (Greek mythology) in literature. --- Tragedy. --- Latin drama (Tragedy) --- History and criticism --- Seneca, Lucius Annaeus, --- Euripides --- Greek drama (Tragedy) --- Tragédie grecque --- Tragedies. --- Tragédie grecque --- Euripides. --- Thyestes (Greek mythology) in literature --- Tragedy --- Drama --- History and criticism. --- Histoire et critique --- Tragédie grecque. --- Ėvripid --- Yūrībīdīs --- Euripide --- Euripedes --- Eŭripido --- Eurypides --- Euripidesu --- אוריפידס --- エウリーピデース --- Εὐριπίδης --- Arts and Humanities --- History --- Thyestes, --- In literature.
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Neo-Latin literature --- Thematology --- Drama --- Latin drama, Medieval and modern --- College and school drama, Latin (Medieval and modern) --- Jesuit drama, Latin (Medieval and modern) --- Benedictine drama --- Drama in Christian education --- Theater --- Théâtre latin médiéval et moderne --- Théâtre scolaire et universitaire latin médiéval et moderne --- Théâtre jésuite latin médiéval et moderne --- Théâtre bénédictin --- Théâtre dans la catéchèse --- Théâtre --- History and criticism. --- History. --- History --- Histoire et critique --- Histoire --- Benediktineruniversität Salzburg --- Théâtre latin médiéval et moderne --- Théâtre scolaire et universitaire latin médiéval et moderne --- Théâtre jésuite latin médiéval et moderne --- Théâtre bénédictin --- Théâtre dans la catéchèse --- Théâtre --- Benediktineruniversität Salzburg --- Dramatics --- Histrionics --- Professional theater --- Stage --- Theatre --- Performing arts --- Acting --- Actors --- Christian education --- Christian drama --- Latin Jesuit drama, Medieval and modern --- Latin college and school drama, Medieval and modern --- Latin literature, Medieval and modern --- History and criticism --- Benediktineruniversität Salzburg.
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