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kunst --- kunsttheorie --- cultuursociologie --- kunst en sociologie --- Kunst en politiek --- kunst en openbare ruimte --- mythes --- 7.01
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kunst --- kunsttheorie --- cultuursociologie --- kunst en sociologie --- kunst en openbare ruimte --- 7.01
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art criticism --- Art --- kunstkritiek --- Aesthetics of art --- 7.01 --- Esthetica. Kunstfilosofie. Kunsttheorie. Algemene problemen inzake kunst --- 7.01 Esthetica. Kunstfilosofie. Kunsttheorie. Algemene problemen inzake kunst --- departement Beeldende Kunst 11 --- Arteconomy --- Kunst ; theorie, filosofie, esthetica
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kunsttheorie --- nieuwe media --- kunst en technologie --- esthetica --- computerkunst --- video --- videokunst --- digitale kunst --- schilderkunst --- fotografie --- interactieve kunst --- mediatheorie --- 7.01
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literatuur --- literatuurtheorie --- 7.01 --- 8 --- narratologie --- autobiografie --- zelfportret --- portret --- kunst --- kunsttheorie --- Autobiography. --- Autobiography --- Autobiographies --- Egodocuments --- Memoirs --- Biography as a literary form --- History and criticism --- Technique
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Relational form -- Contemporary artistic practice and its cultural plan ; Artwork as social interstice ; Relational aesthetics and random materialism ; Form and others' gaze -- Art of the 1990s. Participation and transitivity ; Typology ; Connections and meetings ; Convivialities and encounters ; Collaborations and contracts ; Professional relations : clienteles ; How to occupy a gallery -- Space-time exchange factors -- Artworks and exchanges ; The subject of the artwork ; Space-time factors in 1990s' art -- Joint presence and availability : the theoretical legacy of Felix Gonzalez-Torres -- Homosexuality as a paradigm of cohabitation ; Contemporary forms of the monument ; The criterion of co-existence (works and individuals) ; The aura of artworks has shifted towards their public ; Beauty as a solution?. Screen relations -- Today's art and its technological models ; Art and goods. The law of relocation ; Technology as an ideological model (from trace to programme) ; The camera and the exhibition ; The exhibition-set ; Extras ; Post VCR art ; Rewind/play/fast forward ; Towards a democratisation of viewpoints? -- Towards a policy of forms -- Cohabitations : notes on some possible extensions of a relational aesthetics ; Visual systems ; The image is a moment ; What artists show ; The boundaries of individual subjectivity ; The engineering of intersubjectivity ; An art with no effect? ; The political development of forms ; Rehabilitating experimentation ; Relational aesthetics and constructed situations ; The aesthetic paradigm (Félix Guattari and art) ; Subjectivity pursued and produced ; De-naturalising subjectivity ; Status and operation of subjectivity ; Subjectivization units ; The aesthetic paradigm ; The critique of scientistic paradigm ; Ritournelle, symptom and work ; The work of art as partial object ; For an artistic-ecosophical practice ; The behavioural economy of present-day art
Bourriaud, Nicolas --- relationele esthetica --- Konstestetik --- Konstestetik. --- kunst --- twintigste eeuw --- kunsttheorie --- esthetica --- interactiviteit --- kunst en technologie --- Gonzalez-Torres Felix --- homoseksualiteit --- Guattari Félix --- 7.01 --- Aesthetics. --- Kunst ; theorie, filosofie, esthetica
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Philosophy --- China --- Aesthetics, Chinese --- S17/0430 --- 111.852 --- 7.01 --- Kunsttheorie ; Chinese cultuur --- History --- China: Art and archaeology--Esthetics --- Filosofie ; Kunstfilosofie. Esthetica --- Kunst ; theorie, filosofie, esthetica
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Aesthetics. --- Esthetica. --- Ästhetik. --- Philosophie. --- kunst --- Aesthetics --- filosofie --- 7.01 --- muziek --- literatuur --- esthetica --- kunsttheorie --- Radio broadcasting Aesthetics --- Hegel, Georg --- fine arts [discipline] --- aesthetics --- Hegel, Georg W.F.
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This book is not concerned with the use of Freudian concepts for the interpretation of literary and artistic works. Rather, it is concerned with why this interpretation plays such an important role in demonstrating the contemporary relevance of psychoanalytic concepts. In order for Freud to use the Oedipus complex as a means for the interpretation of texts, it was necessary first of all for a particular notion of Oedipus, belonging to the Romantic reinvention of Greek antiquity, to have produced a certain idea of the power of the thought that does not think, and the power of the speech that remains silent. From this it does not follow that the Freudian unconscious was already prefigured by the aesthetic unconscious. Freud's "aesthetic" analyses reveal instead a tension between the two forms of unconscious. --From publisher's description.
7.01 --- 82:159.9 --- 82:159.9 Literatuur en psychologie. Literatuur en psychoanalyse --- Literatuur en psychologie. Literatuur en psychoanalyse --- 7.01 Esthetica. Kunstfilosofie. Kunsttheorie. Algemene problemen inzake kunst --- Esthetica. Kunstfilosofie. Kunsttheorie. Algemene problemen inzake kunst --- Aesthetics --- Subconsciousness --- Unconscious (Psychology) --- Unconsciousness --- Psychology --- Psychological aspects --- Freud, Sigmund, --- Freud, Sigmund --- Aesthetics. --- Radio broadcasting Aesthetics
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