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Summary: En Giorgio De Chirico, un critique a dénombré jusqu'à douze peintres différents : le copiste, le portraitiste, le peintre de gladiateurs, le peintre de chevaux, l'orientaliste, le peintre de mythologie, de natures mortes... Pour beaucoup, c'est avant tout le génial inventeur de la peinture métaphysique, mais le présent ouvrage de Giovanni Lista (CNRS) donne à voir et à comprendre tous les aspects de son oeuvre énigmatique, dominé par la passion du bien peint. Réédition augmentée de l'édition de 1991, cette monographie est complétée en annexe par la reproduction des textes théoriques de De Chirico regroupés sous le titre L'Art métaphysique

Painting, Italian --- Peinture italienne --- De Chirico, Giorgio, --- metafysica --- Chirico, Giorgio de --- Castagno, Andrea del --- Apollinaire, Guillaume --- Ecrit d'artiste --- Métaphysique --- Monographie d'artiste --- Peintre --- Peinture --- Sculpteur --- Surréalisme --- Histoire de la peinture --- De Chirico, Giorgio --- Criticism and interpretation. --- Monographie --- De Chirico, Giorgio, - 1888-1978 --- De Chirico, Giorgio, - 1888-1978 - Criticism and interpretation. --- metafysica. --- Chirico, Giorgio de. --- Castagno, Andrea del. --- Apollinaire, Guillaume.

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de Chirico, Giorgio --- Piranesi, Giovanni Battista --- Italië --- Schilderkunst --- 20e eeuw --- 18e eeuw --- Etstechniek --- Tekenkunst

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The dream of scientific management was a rationalized machine world where life would approach the perfection of an assembly line. But since its early twentieth-century peak this dream has come to seem a dehumanizing nightmare. Henry Ford's assembly lines turned out a quarter of a million cars in 1914, but all of them were black. Forgotten has been the unparalleled new aesthetic beauty once seen in the ideas of Ford and scientific management pioneer Frederick Winslow Taylor. In The Taylorized Beauty of the Mechanical, Mauro Guillen recovers this history and retells the story of the emergence of modernist architecture as a romance with the ideas of scientific management--one that permanently reshaped the profession of architecture. Modernist architecture's pioneers, Guillen shows, found in scientific management the promise of a new, functional, machine-like--and beautiful--architecture, and the prospect of a new role for the architect as technical professional and social reformer. Taylor and Ford had a signal influence on Bauhaus founder Walter Gropius and on Le Corbusier and his Towards a New Architecture, the most important manifesto of modernist architecture. Architects were so enamored with the ideas of scientific management that they adopted them even when there was no functional advantage to do so.

Modern movement. --- Industrial management. --- Engineering --- Architecture and society. --- Architecture --- Architectural practice --- Management. --- Economic aspects. --- History --- Adler-Automobilwerke. --- Art Nouveau. --- Bauhaus. --- Behrens, Peter. --- Bourdieu, Pierre. --- Carnegie-Mellon University. --- Chicago Movement, in architecture. --- Confindustria. --- Constructivism. --- DIN (Deutsche Industrie-Normen). --- De Chirico, Giorgio. --- Eiffel, Gustave. --- Fascism. --- Fordism. --- GATEPAC. --- Galeries Lafayette. --- Gosplan. --- Gropius, Walter. --- Harvard University. --- Hitler, Adolf. --- Illinois Institute of Technology. --- Jencks, Charles. --- Jugendstil. --- Kahlo, Frida. --- Kitsch art. --- Labayen, Joaquín. --- Labor unions. --- Mallet-Stevens, Rob. --- Mannesmann AG. --- May, Ernst. --- Modern colonial. --- Mondrian, Piet. --- Napoleon III. --- Neue Sachlichkeit. --- New Deal. --- Nuove Tendeze. --- Obelisk (Prebisch). --- Office landscaping. --- Paz, Octavio. --- Perret, Auguste. --- Pirelli SpA. --- Progressivism. --- Residencia de Estudiantes. --- Sauvage, Henri. --- Segura, Juan. --- Tafuri, Manfredo. --- Time League. --- University of Pennsylvania. --- Wagner, Martin. --- Yale University.