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In The Afterlife of Property, Jeff Nunokawa investigates the conviction passed on by the Victorian novel that a woman's love is the only fortune a man can count on to last. Taking for his example four texts, Charles Dickens's Little Dorrit and Dombey and Son, and George Eliot's Daniel Deronda and Silas Marner, Nunokawa studies the diverse ways that the Victorian novel imagines women as property removed from the uncertainties of the marketplace. Along the way, he notices how the categories of economics, gender, sexuality, race, and fiction define one another in the Victorian novel. If the novel figures women as safe property, Nunokawa argues, the novel figures safe property as a woman. And if the novel identifies the angel of the house, the desexualized subject of Victorian fantasies of ideal womanhood, as safe property, it identifies various types of fiction, illicit sexualities, and foreign races with the enemy of such property: the commodity form. Nunokawa shows how these convergences of fiction, sexuality, and race with the commodity form are part of a scapegoat scenario, in which the otherwise ubiquitous instabilities of the marketplace can be contained and expunged, clearing the way for secure possession. The Afterlife of Property addresses literary and cultural theory, gender studies, and gay and lesbian studies.
Domestic fiction, English --- Domestic relations in literature. --- English fiction --- Homosexuality in literature. --- Marriage in literature. --- Property in literature. --- Sex in literature. --- Women in literature. --- History and criticism. --- Woman (Christian theology) in literature --- Women in drama --- Women in poetry
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It's fatal making a fuss ... . -Jean Rhys, Quartet. Cathleen Maslen's Ferocious Things: Jean Rhys and the Politics of Women's Melancholia closely engages with the most obvious theme of Rhys's writing: the speaking and inscription of feminine anguish. Maslen resists easy generalisations with respect to Rhys's portrayal of women's psychic pain, attending carefully to the nuances of sexual, cultural and ethnic displacement which inform the suffering of Rhys's protagonists. Acknowledging the m...
Rhys, Jean --- --Critique et interprétation --- Depression, Mental, in literature. --- Women in literature. --- Woman (Christian theology) in literature --- Women in drama --- Women in poetry --- Williams, Ella Gwendolen Rees --- Rees Williams, Ella Gwendolen --- Criticism and interpretation.
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La relevancia que tiene actualmente en nuestras sociedades el avance de la igualdad de género justifica la necesidad de indagar en los procesos históricos y culturales que dan cuenta de cómo ha transcurrido el avance de las mujeres en su camino hacia la emancipación. Los ensayos publicados en este volumen muestran la relevancia de la recreación literaria de los roles de género en la configuración de la sociedad española a lo largo del siglo XX. Los cambios y permanencias en la definición de la identidad femenina son objeto de reflexión por parte de reconocidos especialistas en el ámbito de los Estudios de Género y el Hispanismo internacional. Se abordan en ellos cuestiones fundamentales como el acceso de las mujeres a nuevas profesiones, las relaciones de pareja, la particular vivencia de la soledad, la maternidad y la sexualidad de las españolas contemporáneas, la recreación artística de modelos femeninos, el testimonio autobiográfico de las escritoras y su inserción en la sociedad literaria en diferentes períodos, así como los cruces e inversiones en la definición de los géneros que algunos autores y textos reflejan. Se hace patente en estos ensayos las manifestaciones múltiples de la desigual situación social de mujeres y hombres en España a lo largo del pasado siglo, mientras que se plantea paralelamente la necesidad de seguir promoviendo el cambio hacia la igualdad efectiva a través de la creación cultural.
Spanish literature --- Women in literature. --- Sex role in literature. --- Social change in literature. --- Spanish literature. --- Woman (Christian theology) in literature --- Women in drama --- Women in poetry --- Women as literary characters --- History and criticism. --- 1900-1999
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In contrast to the widespread view that the Middle Ages were a static, unchanging period in which attitudes to women were uniformly negative, D. H. Green argues that around 1200 the conventional relationship between men and women was subject to significant challenge through discussions in the vernacular literature of the period. Hitherto scholarly interest in gender relations in such literature has largely focused on French romance or on literature in English from a later period. By turning the focus on the rich material to be garnered from Germany - the romances Erec, Tristan and Parzival - Professor Green shows how some vernacular writers devised methods to debate and challenge the undoubted antifeminism of the day by presenting a Utopian model, supported by a revision of views by the Church, to contrast with contemporary practice.
Arthurian romances --- Marriage in literature --- Romances, German --- Women in literature --- Woman (Christian theology) in literature --- Women in drama --- Women in poetry --- History and criticism --- Women in literature. --- Marriage in literature. --- History and criticism. --- Arts and Humanities --- Literature
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Au cours des trois derniers siècles, bien des femmes ont participé à la circulation transnationale des idées. Nombre d'entre elles se sont attachées à déchiffrer d'autres cultures ou à représenter des identités plurielles, souvent en se situant sur des frontières linguistiques. Leurs activités littéraires ont pu produire des perspectives inédites déplaçant les rôles masculins et féminins, ou au contraire confirmer des normes de genre existantes. En présentant une série d'approches critiques permettant d'analyser ces politiques du genre, ce volume contribue à une histoire littéraire des écrivaines «entre les langues». Ce volume est issu du réseau européen New approaches to European Women's Writing (NEWW). Ce réseau est organisé autour d'une base de données consacrée à la réception internationale des écrivaines avant 1900. Il réunit des chercheurs et chercheuses préparant un renouvellement de l'historiographie littéraire à partir d'une perspective transnationale et de genre, qui met l'accent sur la circulation des écrits féminins dans l'espace européen (http://www.womenwriters.nl). During the last three centuries, many women participated in the transnational circulation of ideas. Some of them engaged in the task of deciphering other cultures or representing plural identities, often situating themselves on linguistic boundaries. Their literary activities may have produced new perspectives displacing male and female roles or on the contrary confirmed existing gender norms. By presenting a range of critical approaches that help analyse these gender politics, this volume contributes to a literary history of women writers «between languages». This volume is an output of the European scholarly network NEWW (New approaches to European Women's Writing). This network is organised around a database documenting the international reception of women writers before 1900. It brings together scholars preparing a renewal of literary historiography from a transnational and gender perspective, highlighting the circulation of women's writing across Europe. (http://www.womenwriters.nl).
Sociology of literature --- anno 1700-1799 --- anno 1800-1999 --- 82:396 --- Literatuur en feminisme --- 82:396 Literatuur en feminisme --- Women authors --- Women in literature --- Woman (Christian theology) in literature --- Women in drama --- Women in poetry --- Authors, Women --- Female authors --- Women as authors --- Authors --- Women and literature --- Criticism and interpretation --- Cultural identities --- Littérature --- Femmes et littérature --- Femmes écrivains --- Histoire et critique
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S16/0400 --- S16/0195 --- S11/0710 --- China: Literature and theatrical art--Traditional novels: studies --- China: Literature and theatrical art--Thematic studies --- China: Social sciences--Women: general and before 1949 --- Chinese literature --- Knights and knighthood in literature. --- Women in literature. --- History and criticism. --- Knights and knighthood in literature --- Women in literature --- Woman (Christian theology) in literature --- Women in drama --- Women in poetry --- History and criticism
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Djebar, Assia, --- Women in literature --- Woman (Christian theology) in literature --- Women in drama --- Women in poetry --- Djebbar, Assia, --- Jabbār, Āsiyā, --- Imalhayene, Fatma-Zohra, --- Criticism and interpretation. --- Criticism and interpretation --- Djebar, Assia, - 1936- - Criticism and interpretation --- Djebar, Assia, - 1936 --- -Women in literature --- Women in literature. --- Littérature algérienne de langue française --- Femmes --- Thèmes, motifs. --- Dans la littérature
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In Rewriting Womanhood, Nancy LaGreca explores the subversive refigurings of womanhood in three novels by women writers: La hija del bandido (1887) by Refugio Barragán de Toscano (Mexico; 1846–1916), Blanca Sol (1888) by Mercedes Cabello de Carbonera (Peru; 1845–1909), and Luz y sombra (1903) by Ana Roqué (Puerto Rico; 1853–1933). While these women were both acclaimed and critiqued in their day, they have been largely overlooked by contemporary mainstream criticism. Detailed enough for experts yet accessible to undergraduates, graduate students, and the general reader, Rewriting Womanhood provides ample historical context for understanding the key women’s issues of nineteenth-century Mexico, Peru, and Puerto Rico; clear definitions of the psychoanalytic theories used to unearth the rewriting of the female self; and in-depth literary analyses of the feminine agency that Barragán, Cabello, and Roqué highlight in their fiction. Rewriting Womanhood reaffirms the value of three women novelists who wished to broaden the ruling-class definition of woman as mother and wife to include woman as individual for a modern era. As such, it is an important contribution to women’s studies, nineteenth-century Hispanic studies, and sexuality and gender studies.
Spanish American literature --- Feminism and literature --- Women in literature --- Spanish Literature --- Romance Literatures --- Languages & Literatures --- Women authors --- History and criticism --- Woman (Christian theology) in literature --- Women in drama --- Women in poetry --- Literature --- Latin American literature --- Spanish literature --- Women in literature. --- History and criticism. --- Literature and feminism
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Feminism and literature --- Women and literature --- Sex role in literature. --- Women, White, in literature. --- Women in literature. --- American literature --- History --- History and criticism. --- Women authors --- English literature --- Agrarians (Group of writers) --- Woman (Christian theology) in literature --- Women in drama --- Women in poetry --- White women in literature
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This study examines the attribution of abstract values to women by analyzing four characters spanning literary genres and more that 2000 years. Penelope, Macrina, Philosophia, and Beatrice are connected by their contribution to the theme of wisdom through their use of reason against passion. Feminine personification of reason and wisdom makes its own contribution as antidote to traditional understanding of ""feminine"" as ""emotional"" or ""irrational"".
Personification in literature. --- Wisdom in literature. --- Wisdom. --- Women in literature. --- Wisdom --- Wisdom in literature --- Personification in literature --- Women in literature --- Philosophy --- Philosophy & Religion --- Speculative Philosophy --- Woman (Christian theology) in literature --- Women in drama --- Women in poetry --- Pathetic fallacy --- Allegory --- Experience --- Intellect --- Learning and scholarship --- Reason
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