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Diese Studie stellt die Kurzprosa des jüdischen Schriftstellers Ernst Weiß in den Mittelpunkt. Weiß, 1882 in Brünn geboren, nahm sich 1940 beim Einmarsch der deutschen Truppen in Paris das Leben. Von der Germanistik wird sein Werk seit den 1980er-Jahren erforscht. Bislang widmete sich jedoch keine Arbeit explizit der Kurzprosa des Autors. Die Studie typologisiert den Werkausschnitt, bestimmt seine Thematik und arbeitet in sechs Interpretationsskizzen einen Erzähltypus heraus, und bezeichnet diesen als parabolisch. Sie erläutert Weiß' Position zur Existenz- und Erkenntnisproblematik, den Begriff der parabolischen Erzählkonzeption und zeigt narrative Merkmale dieser Konzeption auf.

Existentialism in literature. --- Weiss, Ernst, --- Criticism and interpretation. --- Existentialism in literature --- Weiss, Ernst, - 1882-1940 - Criticism and interpretation --- History of Literature/Germany. --- Short Prose. --- Weiss, Ernst. --- Weiss, Ernst, - 1882-1940

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Art styles --- Iconography --- Art --- installations [visual works] --- motion --- Kinetic Art --- Elmgreen, Michael --- Dragset, Ingar --- Barta, Robert --- Baumann, Thomas --- Kempinas, Zilvinas --- Popp, Julius --- Sailstorfer, Michael --- Schlesinger, Ariel --- Smiatek, Johanna --- Fischli, Peter --- Weiss, David --- anno 1900-1999 --- anno 2000-2099

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This book is an exercise in the recovery of historical memory about a set of thinkers who have been forgotten or purposely ignored and, as a result, never made it into the canon of Western political philosophy. Penny Weiss calls them “canon fodder,” recalling the fate of soldiers in war who are treated by their governments and military leaders as expendable. Despite some real progress at recovery over the past few decades, and the now-frequent references to a few female thinkers like Mary Wollstonecraft, Hannah Arendt, and Simone de Beauvoir, the surface has only been scratched, and the rich resources of women’s writings about political ideas remain still largely untapped. Included here, and intended to further whet the palate, are figures from Sei Shōnagon, Christine de Pizan, and Mary Astell to Elizabeth Cady Stanton, Anna Julia Cooper, and Emma Goldman. Restoring female thinkers to the conversation of political philosophy is the primary goal of this book. Part I deploys a range of these thinkers to discuss the nature of political inquiry itself. Part II focuses on alternative approaches to and visions of core political ideas: equality, power, revolution, childhood, and community. While mainly an intellectual act of revival, this book also affects practical political life, because “remote and academic as they sometimes appear, debates about what to include in the canon ultimately touch almost everyone: students handed texts from lists of ‘great books’ to guide them . . . and citizens whose governments justify their actions with ideas from political texts deemed classic.";

Women political scientists. --- Women political scientists --- Feminism --- Political scientists --- Women social scientists --- History. --- Political aspects. --- Anna Julia Cooper. --- Canon Fodder. --- Christine de Pizan. --- Elizabeth Cady Stanton. --- Emma Goldman. --- Hannah Arendt. --- Mary Astell. --- Mary Wollstonecraft. --- Sei Shōnagon. --- Simone de Beauvoir. --- Weiss. --- Western political philosophy. --- gender. --- history. --- politics. --- rhetoric. --- thinkers. --- women.

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83-5

grafisch ontwerp --- grafische vormgeving --- grafisch design --- typografie --- druktechnieken --- boeken --- drukwerk --- naslagwerk --- inkt --- vernis --- print finishing --- Gremmen Hans --- Karlssonwilker inc. --- Yang Liu --- Hoon Kim --- Mellier Fanette --- Illenberger Sarah --- Weiss-heiten Design --- Troxler Annik --- Lombardo Mario --- Onlab --- Pixelgarten --- Node Berlin Oslo --- Jung + Wenig --- LUST --- Mischen --- Schmieskors Viola --- Welcometo.as --- 123buero --- Mayfried Thomas --- Antoine + Manuel --- Project projects --- Mooren Maureen --- Hort --- Spanier Ariane --- Üppig --- Pankow Drushba --- Catalogtree --- OK-RM --- Fons Hickmann m23 --- Rimini Berlin --- 766.02 --- Veredeling (drukwerk) --- Üppig --- Karlssonwilker inc

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Museology --- Iconography --- Sculpture --- Painting --- Photography --- Film --- painting [image-making] --- photography [process] --- museology --- video art --- sculpting --- tentoonstellingsorganisme --- Broodthaers, Marcel --- Ervinck, Nick --- Vermeersch, Robin --- Leblon, Stéphanie --- Garabedian, Mekhitar --- Grunewald, Manor --- Demeulenaere, Hans --- Nollen, Arno --- Huyghe, Philip --- Bailly, Virginie --- Beggs, Neal --- Bogaert, Eva-Maria --- Catrysse, Wim --- Denicolai & Provoost --- Derweduwé, Yvan --- Groenhart, Viola --- Geys, Jef --- Lerooy, Thomas --- McKenzie, Lucy --- Moore, Ben --- Neirings, David --- Schepens, Steve --- Shipsides, Dan --- Stallaerts, Helmut --- Weiss, Erich --- Geluwe, van, Johan --- Crabeels, Cel --- Imschoot, Van, Jan --- Koelewijn, Job --- Venlet, Richard --- Maier Neustadt, Hermann --- Deprez, Dany --- Coussement, Yves --- Dheedene, Stefaan --- Sauter, De, Willy --- Atelier Van Lieshout [Rotterdam] --- anno 1900-1999 --- anno 2000-2099