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This innovative volume discusses the significance of home and global mobility in contemporary diasporic fiction written in English. Through analyses of central diasporic and migrant writers in the United Kingdom and the United States, the timely volume exposes the importance of home and its reconstruction in diasporic literature in the era of globalization and increasing transnational mobility. Through wide-ranging case studies dealing with a variety of black British and ethnic American writers, Home, Identity, and Mobility in Contemporary Diasporic Fiction shows how new identities and homes are constructed in the migrants' new homelands. The volume examines how diasporic novels inscribe hybridity and multiplicity in formerly uniform spaces and subvert traditional understandings of nation, citizenship, and history. Particular emphasis is on the ways in which diasporic fictions appropriate and transform traditional literary genres such as the Bildungsroman and the picaresque to explore the questions of migration and transformation. The authors discussed include Caryl Phillips, Jamal Mahjoub, Mike Phillips, Hari Kunzru, Kamila Shamsie, Benjamin Zephaniah, Abdulrazak Gurnah, Cynthia Kadohata, Ana Castillo, Diana Abu-Jaber, and Bharati Mukherjee. The volume is of particular interest to all scholars and students of post-colonial and ethnic literatures in English.
Émigration et immigration --- Roman anglais --- Roman américain --- Dans la littérature --- Auteurs appartenant à des minorités --- Thèmes, motifs
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The twentieth-century English novel encompasses a vast body of work, and one of the most important and most widely read genres of literature. Balancing close readings of particular novels with a comprehensive survey of the last century of published fiction, this Companion introduces readers to more than a hundred major and minor novelists. It demonstrates continuities in novel-writing that bridge the century's pre- and post-War halves and presents leading critical ideas about English fiction's themes and forms. The essays examine the endurance of modernist style throughout the century, the role of nationality and the contested role of the English language in all its forms, and the relationships between realism and other fictional modes: fantasy, romance, science fiction. Students, scholars and readers will find this Companion an indispensable guide to the history of the English novel.
Fiction --- English literature --- anno 1900-1999 --- English fiction --- Roman anglais --- History and criticism. --- Histoire et critique --- 820-31 "19" --- Engelse literatuur: novel; roman--20e eeuw. Periode 1900-1999 --- 820-31 "19" Engelse literatuur: novel; roman--20e eeuw. Periode 1900-1999 --- History and criticism --- English --- English Literature --- Languages & Literatures
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"Novel Definitions captures the lively critical debate surrounding the invention of the English novel, showing how the rise of the novel is accompanied by a rise in popular literary criticism. The over 135 pieces here, many newly-discovered, include essays, prefaces, reviews, and sermons written by authors ranging from Aphra Behn to Walter Scott. Novel Definitions brings together authors' commentary on their work; debates concerning the novel's formal qualities and cultural position, including who should read novels; reviewers' definitions of the qualities that make a novel successful; and literary historians' first attempts to write the history of the novel."--Publisher's website.
Criticism --- Criticism. --- Critique --- English fiction --- English fiction --- English fiction. --- Intellectual life. --- Literary criticism --- Literature and society --- Literature and society --- Literature and society. --- Littérature et société --- Roman anglais --- History --- Histoire --- History and criticism --- History and criticism --- History --- History --- Histoire --- Histoire et critique --- 1700-1799. --- Grande-Bretagne --- Great Britain --- Great Britain. --- Vie intellectuelle --- Intellectual life
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Postmodern fiction presents a challenge to the reader: instead of enjoying it passively, the reader has to work to understand its meanings, to think about what fiction is, and to question their own responses. Yet this very challenge makes postmodern writing so much fun to read and rewarding to study. Unlike most introductions to postmodernism and fiction, this book places the emphasis on literature rather than theory. It introduces the most prominent British and American novelists associated with postmodernism, from the 'pioneers', Beckett, Borges and Burroughs, to important post-war writers such as Pynchon, Carter, Atwood, Morrison, Gibson, Auster, DeLillo, and Ellis. Designed for students and clearly written, this Introduction explains the preoccupations, styles and techniques that unite postmodern authors. Their work is characterized by a self-reflexive acknowledgement of its status as fiction, and by the various ways in which it challenges readers to question common-sense and commonplace assumptions about literature.
American literature --- English literature --- anno 1980-1989 --- anno 1960-1969 --- anno 1950-1959 --- anno 1970-1979 --- Littérature anglaise --- --Postmodernisme --- --Fiction --- Postmodernism (Literature) --- History and criticism --- Fiction --- History and criticism. --- 820-31 "19" --- Engelse literatuur: novel; roman--20e eeuw. Periode 1900-1999 --- 820-31 "19" Engelse literatuur: novel; roman--20e eeuw. Periode 1900-1999 --- Literary movements --- Literature, Modern --- Modernism (Literature) --- Post-postmodernism (Literature) --- Arts and Humanities --- Literature --- Postmodernisme --- Fiction - 20th century̨ - History and criticism --- Postmodernisme et littérature --- Roman anglais --- Roman américain --- 20e siècle --- Histoire et critique --- Postmodernisme et littérature --- Roman américain --- 20e siècle
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Satire plays a prominent and often controversial role in postcolonial fiction. Satire and the Postcolonial Novel offers the first study of this topic, employing the insights of postcolonial comparative theories to revisit Western formulations of ""satire"" and the ""satiric.""
Satire, English --- Commonwealth fiction (English) --- English fiction --- Postcolonialism --- Postcolonialism in literature. --- History and criticism. --- Naipaul, V. S. --- Achebe, Chinua --- Rushdie, Salman --- Criticism and interpretation. --- Rushdī, Salmān --- Rüşdı̂, Salman --- Ruždi, Salman --- Salamāna Raśdī --- Raśdī, Salamāna --- Рушди, Салман --- רושדי, סלמאן --- רושדי, סלמן --- رشدى، سلمان --- Anton, Joseph --- Achebe, Albert Chinua --- Achebe, Chinualumogu Albert --- Ats'ebeh, Ts'inuʼa --- Acībī, Cinūā --- Achebe, Albert Chinualumogu --- אצ׳בה, צ׳ינוא --- أتشينى، شينوا --- Naipaul, Vidiadhar Surajprasad, --- Naĭpol, V. S., --- נאיפול, ו. ס. --- Naipaul, Vidiadhar S. --- 820-7 --- Engelse literatuur: humor satire --- 820-7 Engelse literatuur: humor satire --- Naipaul, V.S. --- Naĭpol, Vidiadkhar Suradzhprasad, --- Найпол, В. С., --- Найпол, Видиадхар Сураджпрасад, --- Postcolonialism in literature --- 820-7 Engelse literatuur: humor; satire --- Engelse literatuur: humor; satire --- History and criticism --- English literature --- Thematology --- Naĭpol, V. S. --- SATIRE ANGLAISE --- ROMAN DU COMMONWEALTH --- ROMAN ANGLAIS --- NAIPAUL (VIDIADHAR SURAJPRASAD), 1932 --- -ACHEBE (CHINUA), 1930 --- -RUSHDIE (SALMAN), 1947 --- -POSTCOLONIALISME --- Postcolonialisme --- HISTOIRE ET CRITIQUE --- 20E SIECLE --- PAYS DE LANGUE ANGLAISE --- Dans la littérature
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