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In Pizza peperkoek beschrijft Luuk Gruwez hoe de dichter de contratenor van de literatuur is. "Mannen zonder kloten (...) die seksueel hoogstens te kwalificeren zijn als schitterende nichten en als man misschien weinig imposant lijken, maar die dragers zijn van de lichte angst en de verslavende melancholie die beluisterbare schoonheid inboezemt.' De beluisterbare schoonheid is wat Gruwez aantrekt in de poëzie. Het is de schoonheid waarmee de dichter de liefde opluistert. Want het begin van alle lyriek is de liefdeslyriek. De zang van de vogels voor de paring. Dichten om harten te veroveren: het is wat elke dichter doet.
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In May 1860, Walt Whitman published a third edition of Leaves of Grass. His timing was compelling. Printed during a period of regional, ideological, and political divisions, written by a poet intimately concerned with the idea of a United States as "essentially the greatest poem," this new edition was Whitman's last best hope for national salvation. Now available in a facsimile edition, Leaves of Grass, 1860 faithfully reproduces Whitman's attempt to create a "Great construction of the New Bible" to save the nation on the eve of civil war and, for the first time, frames the book in historical
American poetry --- Poetry, Modern --- Poetry
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