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Musical analysis. --- Music --- Analyse musicale --- Musique --- Philosophy and aesthetics. --- Philosophie et esthétique --- #KVHA:Taalkunde --- #KVHA:Discoursanalyse --- #KVHA:Muziek --- Philosophie et esthétique --- Musical analysis --- Hermeneutics (Music) --- Musical aesthetics --- Aesthetics --- Music theory --- Analysis, Musical --- Analytical guides (Music) --- Music analysis --- Music appreciation --- Philosophy and aesthetics --- Philosophy --- Analysis, appreciation --- Analytical guides --- Instruction and study

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The pioneering film director and theorist Sergei Eisenstein is known for the unequalled impact his films have had on the development of cinema. Less is known about his remarkable and extensive writings, which present a continent of ideas about film._x000D__x000D_Robert Robertson presents a lucid and engaging introduction to a key area of Eisenstein's thought: his ideas about the audiovisual in cinema, which are more pertinent today than ever before. With the advent of digital technology, music and sound now act as independent variables combined with the visual medium to produce a truly audiov

Sound in motion pictures. --- Motion picture music --- Filmmusik --- Audiotechnik --- Film --- Geräusch --- Photomontage --- Eisenstein --- Sound in motion pictures --- Analysis, appreciation. --- Sergei --- 1898-1948 --- Analysis, appreciation --- Eisenstein, Sergei, --- Ėjzenštejn, Sergej M. --- Criticism and interpretation. --- film --- filmtheorie --- geluid --- filmmuziek --- filmtechniek --- montage --- Eisenstein Sergei --- twintigste eeuw --- 791.471 EISENSTEIN --- Eisenstein, Sergei, 1898-1948 -- Criticism and interpretation. --- Motion picture music -- Analysis, appreciation. --- Music, Dance, Drama & Film --- Filmmusik. --- Audiotechnik. --- Film. --- Geräusch. --- Photomontage. --- 1898-1948.

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'August Halm: A Critical and Creative Life in Music' begins by setting the cultural stage and examining Halm's life with rich details from unpublished personal letters, diaries, notebooks, and lecture notes. Further chapters explore Halm's notion of musical logic and his proposal that the evolution of compositional technique had, by his day, culminated in three successive musical 'cultures' epitomized in Bach (fugue), Beethoven (sonata), and Bruckner (symphony). Another chapter examines, for the first time anywhere, Halm's own compositions, their motivating aesthetic premises, and their connection with late twentieth-century postmodernism. The volume closes with an assessment of Halm's significance for present-day music theory, including its branches that deal with narrativity, plot theory, embodiment, and semiotics. Halm's subject matter and creative activities ranged widely, and he aimed at maintaining a style that would be accessible and intriguing to music amateurs and music educators at all levels. Lee Rothfarb's book-written in the same spirit-will interest not only music theorists and musicologists but also composers and classroom and private music teachers. Lee Rothfarb is professor of music at the University of California, Santa Barbara. His previous publications include 'Ernst Kurth as Theorist and Analyst' and 'Ernst Kurth: Selected Writings'.

Music theorists --- Composers --- Musical analysis. --- Halm, August, --- Analysis, Musical --- Analytical guides (Music) --- Hermeneutics (Music) --- Music --- Music analysis --- Music theory --- Music appreciation --- Music theoreticians --- Musicians --- Analysis, appreciation --- Analytical guides --- Instruction and study --- Halm, A. --- Halm, August Otto (1869-1929) --- Componisten --- Leraars --- Duitsland --- Muziekanalyses --- 19e eeuw --- 20e eeuw --- Germany. --- Alemania --- Ashkenaz --- BRD --- Bu̇gd Naĭramdakh German Uls --- Bundesrepublik Deutschland --- Deguo --- Deutsches Reich --- Deutschland --- Doitsu --- Doitsu Renpō Kyōwakoku --- Federal Republic of Germany --- Federalʹna Respublika Nimechchyny --- FRN --- Gėrman --- German Uls --- Germania --- Germanii︠a︡ --- Germanyah --- Gjermani --- Grossdeutsches Reich --- Jirmānīya --- KhBNGU --- Kholboony Bu̇gd Naĭramdakh German Uls --- Nimechchyna --- Repoblika Federalin'i Alemana --- República de Alemania --- República Federal de Alemania --- Republika Federal Alemmana --- Vācijā --- Veĭmarskai︠a︡ Respublika --- Weimar Republic --- Weimarer Republik --- Germany (East) --- Germany (West) --- Europe --- August Halm. --- Critic. --- Educator. --- Music.

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Uniquely revealing interviews with one of the world's greatest living composers. Gy©œrgy Kurt©Łg (b. 1926) is widely regarded as one of the foremost composers in the second half of the twentieth century and the early twenty-first. Born in Romania, he received crucial training in Paris from Olivier Messiaen and Marianne Stein. He was also shaped by his broadening contact there with the music of Webern and such challenging literary works as the plays of Samuel Beckett. After many years in Hungary, teaching at the Budapest Academy of Music,Kurt©Łg settled near Bordeaux with his wife M©Łrta. The two regularly perform duo-recitals of his music. In 2006, his . . . concertante . . . (2003, for violin, viola and orchestra) won the coveted Grawemeyer Award for MusicComposition. This unique set of interviews with Kurt©Łg, alone or with his wife, gives a fascinating insight into the composer's personality, which is marked by shyness but also an unquenchable thirst for impressions of every kind [artistic, natural and human]. The two speak with disarming openness about their lives -- the background against which masterpieces like Messages of the Late Miss R. V. Troussova (1976-80, for soprano and chamber orchestra) or Stele (1994, for orchestra) were written. The analysis of certain of Kurt©Łg's works, especially of . . . concertante . . ., shows the way that his mind works: no system, no dogma, no formulae -- rather, basic human emotions expressed through means that speak directly to the listener's innermost feelings. The Hungarian music publisher B©Łlint Andr©Łs Varga has spent nearly forty years working for and with composers.He has published several books, including extensive interviews with Lutoslawski, Berio, and Xenakis.

Composers --- Kurtág, György --- Songwriters --- Musicians --- Hungary. --- Dēmokratia tēs Oungarias --- Gweriniaeth Hwngari --- Hanekeria --- Hangarī --- Hongaarse Republiek --- Hongaria --- Hongarije --- Hongarye --- Hŏnggari --- Hongria --- Hongrie --- Honharije --- Hunakalia --- Hungara Respubliko --- Hungari --- Hungaria --- Hungariako Errepublika --- Hungarian Republic --- Hungariar Errepublika --- Hungario --- Hungarujo --- Hungaryah --- Hungría --- Hungrii --- Hwngari --- Jamhuri ya Hungaria --- Lepulika o Hungary --- Lýðveldið Ungverjaland --- Macaristan --- Macaristan Cumhuriyeti --- Macarıstan Respublikası --- Mađarska --- Mad̕arská republika --- Maďarsko --- Madi︠a︡rshchyna --- Madjaristan --- Madžarska --- Madźary --- Madzhar --- Madzhar Respublika --- Magyar Köztársaság (Republic) --- Magyar Népköztársaság --- Magyar Republic --- Magyar Tanácsköztársaság --- Magyarország (Republic) --- Majarstan Jȯmḣu̇rii︠a︡te --- Majoriston --- Mazharstan --- Mazharstan Respublikasy --- Ohorsʹka Respublika --- Ongaria --- Ongiri --- Ongria --- Oonguri --- Oungaria --- Pobblaght ny h-Ungaar --- Poblacht na hUngáire --- Republic of Hungary --- República da Hungria --- República de Hungría --- República d'Hongria --- Republica d'Ongria --- Republica Ungară --- Republica Ungaria --- Republica Ungrese --- Republiek van Hongarye --- Republik bu Oonguri --- Republik Hongaria --- Republik Ungarn --- Republika e Hungarisë --- Republika Mađarska --- Republika Madžarska --- Republika ng Unggarya --- Republika Ungarija --- Republika Węgierska --- Republikang Unggaro --- Republiken Ungern --- Republikken Ungarn --- République de Hongrie --- Repúvlika de Madjaristan --- Respublica Hungarica --- Tjóðveldið Ungarn --- Tlācatlahtohcāyōtl Hungria --- Uhorshchyna --- Uhorsʹka Respublika --- Ungaar --- Ungaïa --- Ungáir --- Ungar --- Ungari --- Ungari Vabariik --- Ungaria --- Ungarii︠a︡ --- Ungārija --- Ungārijas Republika --- Ungarn --- Ungarskata republika --- Ungerija --- Ungern --- Unggarya --- Unggriya --- Ungheria --- Unghirìa --- Ungri --- Ungverjaland --- Unkari --- Unkarin tasavalta --- V.N.R. --- Vengerskai︠a︡ Narodnai︠a︡ Respublika --- Vengerskai︠a︡ Respublika --- Vengrėjė --- Vengrėjės Respoblėka --- Vengrii︠a︡ --- Vengrii︠a︡ Respublikasy --- Vengrija --- Vengrijos respublika --- Vengriya --- Vengriya Respublikasi --- Venhryi︠a︡ --- VNR --- Węgry --- Xiongyali --- Xiongyali gong he guo --- Xiongyali Gongheguo --- Composers. --- Cultural Influences. --- Emotions. --- György Kurtág. --- Interviews. --- Modern Music. --- Music Analysis. --- Music Composition. --- Samuel Beckett. --- Kurt́ag, György