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Modern movement (Architecture) --- Modernism (Art) --- Modernism (Aesthetics) --- Mouvement moderne (Architecture) --- Modernisme (Art) --- Modernisme (Esthétique) --- Exhibitions --- Exhibitions. --- Expositions

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In ""Between Garden and City"", Dorothee Imbert examines the career of Belgian landscape architect Jean Canneel-Claes (1909-1989), firmly establishing his place in the modernist movement. Canneel's theoretical positions and innovative designs sought to align the emergent landscape profession with architecture and urbanism while demonstrating its potential to address the needs of modern society. Canneel studied at La Cambre (Belgium's equivalent to the Bauhaus) under landscape urbanist Louis van der Swaelmen and graduated as the school's first landscape architect in 1931. Dedicated to connecting architecture and garden design, he commissioned a house from Le Corbusier and collaborated with prominent Belgian modernist architects Louis Herman De Koninck, Huib Hoste, and Victor Bourgeois. Seeing the garden as part of a larger design environment, Canneel expanded the scale of his interventions to urban greening and the planning of cities. In 1938, Canneel joined forces with Christopher Tunnard to found the International Association of Modernist Garden Architects and further the cause of landscape modernism across Europe. Two years later, Canneel applied his theory of the functionalist garden to postwar reconstruction with designs for cemeteries, sports grounds, and town squares. Imbert examines the social context and the aesthetic and theoretical influences that shaped Canneel's work. She positions him as a major figure at the confluence of art, architecture, and urbanism in the early twentieth century and opens new avenues for understanding the relationship of modernism to gardens, nature, and the city.

Canneel-Claes, Jean --- Landscape architects --- Modern movement (Architecture) --- Architectes paysagistes --- Mouvement moderne (Architecture) --- Biography. --- Biographies --- Canneel-Claes, Jean, --- Modern movement (Architecture). --- Architecture du paysage --- Cités-jardins --- Mouvement moderne (architecture) --- Canneel-Claes, Jean (1909-1989) --- Critique et interprétation --- Cités-jardins --- Critique et interprétation --- Environmental planning --- landscape architecture [discipline]

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7.038 --- kunstgeschiedenis --- Le Corbusier --- Heidi Weber museum --- Centre Le Corbusier --- kunstgeschiedenis - kunst na 1945 --- Exhibitions --- Art --- Mouvement moderne (architecture) --- Artistes et architectes --- Weber, Heidi --- Collections d'art --- Artistic collaboration --- Collaboration, Artistic --- Creation (Literary, artistic, etc.) --- Group work in art --- Le Corbusier, --- Jeanneret-Gris, Charles Edouard, --- Gris, Charles Edouard Jeanneret-, --- Jeanneret, Charles Edouard, --- Corbusier, Edouard le, --- Le Corbusier, Eduard, --- Le Corbusier-Saugnier, --- Corbusier, --- Kebiyi, --- Korubyujie, --- Le Korbi︠u︡zʹe, --- Le Kebuxiye, --- Lu Kūrbūziyah, --- Ru Korubyujie, --- Rangnalei, Chaersi Aidehua, --- 勒・柯布西耶, --- 让纳雷, 查尔斯・爱德华, --- Friends and associates --- Artistes et architectes. --- Ле Корбюзьє, --- Collections d'art.

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Comparing a number of radical movements in Architecture in the 1960s’, this book traces a moment in the history of architecture when revolutionary ideals were paramount and dreams became drawings.The ensuing disillusionment as well as a contemporary revival of this period are enclosed within their very premises. This book explores three radical critiques of modernist architecture throughout the work of the Situationist International, Venturi and Scott Brown and Archigram. Situated on the cusp of a new time, of postmodernity and global capitalism, these critical reactions to their forebears demonstrate a perceptively critical understanding of modernism and a prescience towards contemporary conditions.At the same time, however, their dreams were so entwined with the modern project that they have created an untenable position for the contemporary architecture debate.Lara Schrijver is an assistant professor at the Faculty of Architecture of Delft University of Technology. Her current research revolves around the work of Koolhaas and Ungers, and the role of the public domain in the architecture of the city.

architectuur --- architecture [discipline] --- Architecture --- anno 1960-1969 --- Modern movement (Architecture) --- Nineteen sixties --- Architecture, Modern --- Nineteen sixties. --- Philosophy. --- Internationale situationniste --- Influence --- 72.036 --- 72.03 --- 1960-1969 --- Internationaal Situationisme --- Situationisme --- Situationist International (SI) --- Venturi Scott Brown --- Venturi, Robert --- Scott Brown, Denise --- Archigram --- 72.039 --- 72.01 --- 20ste eeuw (architectuur) --- Twintigste eeuw (architectuur) --- Architectuur (geschiedenis) --- Architectuurgeschiedenis --- Moderne bouwkunst. Architectuur van de 20e eeuw --- Hedendaagse architectuur. Bouwkunst sinds 1960 --- Architectuurtheorie. Bouwprincipes. Esthetica van de bouwkunst. Filosofie van de bouwkunst --- 72.01 Architectuurtheorie. Bouwprincipes. Esthetica van de bouwkunst. Filosofie van de bouwkunst --- 72.039 Hedendaagse architectuur. Bouwkunst sinds 1960 --- 72.036 Moderne bouwkunst. Architectuur van de 20e eeuw --- Modern movement (Architecture). --- Influence. --- 1960s --- 60s (Twentieth century decade) --- Sixties (Twentieth century decade) --- Twentieth century --- Modernism (Architecture) --- Modernist architecture --- International style (Architecture) --- 72.01 Theory and philosophy of architecture. Principles of design, proportion, optical effect --- Theory and philosophy of architecture. Principles of design, proportion, optical effect --- Mouvement moderne (Architecture) --- Années soixante (Vingtième siècle) --- 72.038 --- Pop architectuur --- Venturi, Robert °1925 (°Philadelphia, Verenigde Staten) --- Scott Brown, Denise (Denise Lokofski) °1931 (°Nkana, Zambia) --- Architectuur en maatschappij ; protest ; jaren 60 --- Architectuur en technologie --- Architectuurgeschiedenis ; 1950 - 2000