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"Perspective, trompe-l'oil, anamorphose - l'histoire de l'art abonde en exemples de simulacres - d'ailleurs la peinture n'est-elle pas une grande illusion? Aujourd'hui, à l'heure des nouveaux médias, le bombardement d'images a contribué à l'essor d'un univers virtuel devenu "plus réel que le réel". Les artistes actuels, comme un certain Magritte en 1929, nous mettent en garde contre "la trahison des images"."

Art, Belgian --- Art, French --- Mimesis in art --- Imitation in art --- Realism in art --- Art belge --- Art français --- Mimêsis --- Imitation dans l'art --- Réalisme dans l'art --- Themes, motives --- Exhibitions --- Exhibitions. --- Thèmes, motifs --- Expositions --- Art français --- Mimêsis --- Réalisme dans l'art --- Thèmes, motifs --- Contemporary art --- Catalogs --- kunst --- trompe‑l’oeils --- ana­mor­fo­sen --- hyperrealisme --- simulacres --- conceptuele kunst --- installaties --- beeldhouwkunst --- België --- kunstenaars --- 20e eeuw (twintigste eeuw) --- 21e eeuw (eenentwintigste eeuw) --- 706.9 --- Bijl, Guillaume --- Carez, Christian --- Charlier, Jacques --- De Broyer, René --- De Gobert, Philippe --- Grimonprez, Johan --- Hucleux, Jean-Olivier --- Lavier, Bertrand --- Van Lennep, Jacques --- Levine, Sherrie --- Ramette, Philippe --- Rousse, Georges --- Art, Modern --- French art --- Ecole de Nice (Group of artists) --- Forces nouvelles (Group of artists) --- Nabis (Group of artists) --- Ne pas plier (Group of artists) --- Belgian art --- Sint-Martens-Latem (Group of artists) --- XX (Group of artists) --- Zwarte Panter (Group of artists) --- kunstgeschiedenis, België, 21e eeuw --- bedriegertjes --- optische illusies --- 705.9 --- kunst; algemeen ; beeldende kunst; algemeen ; 21e eeuw --- 7.038/039 --- Art, Belgian - 21st century - Themes, motives - Exhibitions --- Art, Belgian - 20th century - Themes, motives - Exhibitions --- Art, French - 21st century - Themes, motives - Exhibitions --- Art, French - 20th century - Themes, motives - Exhibitions --- Mimesis in art - Exhibitions --- Imitation in art - Exhibitions --- Realism in art - Exhibitions

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Important documents and appraisals of appropriation art from Duchamp's readymades to feminist and postcolonial critique. Scavenging, replicating, or remixing, many influential artists today reinvent a legacy of “stealing” images and forms from other makers. Among the diverse, often contestatory strategies included under the heading “appropriation” are the readymade, détournement, pastiche, rephotography, recombination, simulation and parody. Although appropropriation is often associated with the 1980s practice of such artists as Peter Halley, Sherrie Levine, Richard Prince, and Cindy Sherman, as well as the critical discourse of postmodernism and the simulacral theory of Jean Baudrillard, appropriation's significance for art is not limited by that cultural and political moment. In an expanded art-historical frame, this book recontextualizes avant-garde photomontage, the Duchampian readymade, and the Pop image among such alternative precursors as Francis Picabia, Bertolt Brecht, Guy Debord, Akasegawa Genpei, Dan Graham, Cildo Meireles, and Martha Rosler. In the recent work of many artists, including Mike Kelley, Glenn Ligon, Pierre Huyghe, and Aleksandra Mir, among others, appropriation is central to their critique of the contemporary world and vision for alternative futures. Artists surveyed include Akasegawa Genpei, Santiago Álvarez, Art Workers Coalition, Ross Bleckner, Marcel Broodthaers, Victor Burgin, Maurizio Cattelan, Hans-Peter Feldmann, Douglas Gordon, Johan Grimonprez, Peter Halley, Hank Herron, Pierre Huyghe, Mike Kelley, Idris Khan, Barbara Kruger, Sherrie Levine, Glenn Ligon, Steve McQueen, Alexandra Mir, Keith Piper, Richard Prince, Jorma Puranen, Cindy Sherman, John Stezaker, Retort, Martha Rosler, Philip Taaffe. Writers include Malek Alloula, Jean Baudrillard, Walter Benjamin, Nicolas Bourriaud, Benjamin H. D. Buchloh, Johanna Burton, Douglas Crimp, Thomas Crow, Guy Debord, Georges Didi-Huberman, Marcel Duchamp, Okwui Enwezor, Jean-Luc Godard, Isabelle Graw, Boris Groys, Raoul Hausmann, Sven Lütticken, Cildo Meireles, Kobena Mercer, Slobodan Mijuskovic, Laura Mulvey, Jo Spence, Elisabeth Sussman, Lisa Tickner, Reiko Tomii, Andy Warhol.

Appropriation (Art) --- Art, Modern --- kunst --- appropriation art --- appropriation --- eenentwintigste eeuw --- twintigste eeuw --- Alvarez Santiago --- Genpei Akasegawa --- Art Workers Coalition --- Broodthaers Marcel --- Burgin Victor --- Cattelan Maurizio --- Gordon Douglas --- Grimonprez Johan --- Halley Peter --- Huyghe Pierre --- Kelley Mike --- Khan Idris --- Kruger Barbara --- Levine Sherrie --- Ligon Glenn --- McQueen Steve --- Mir Aleksandra --- Piper Keith --- Prince Richard --- Puranen Jorma --- Retort --- Rosler Martha --- Sherman Cindy --- Stezaker John --- Taaffe Philip --- Alloula Malek --- Baudrillard Jean --- Benjamin Walter --- Bourriaud Nicolas --- Buchloh Benjamin H.D. --- Burton Johanna --- Crimp Douglas --- Crow Thomas --- Debord Guy --- Didi-Huberman Georges --- Duchamp Marcel --- Enwezor Okui --- Godard Jean-Luc --- Graw Isabelle --- Groys Boris --- Hausmann Raoul --- Lüttiken Sven --- Meireles Cildo --- Mercer Kobena --- Mijuskovic Slobodan --- Mulvey laura --- Spence Jo --- Sussman Elisabeth --- Tickner Lisa --- Tomii Reiko --- Warhol Andy --- Welchman John C. --- 7.01 --- Kunst ; theorie, filosofie, esthetica --- Kunsttheorie ; 21ste eeuw --- Appropriaton Art --- hedendaagse kunst --- Contemporary [style of art] --- Art --- appropriation [imagery] --- anno 1900-1999 --- Appropriation (Art). --- Buchloh Benjamin H.D --- Welchman John C --- Affichistes (Group of artists) --- Fluxus (Group of artists) --- Modernism (Art) --- Schule der Neuen Prächtigkeit (Group of artists) --- Zero (Group of artists) --- Appropriated imagery --- Appropriated images --- Appropriationism (Art) --- Postmodernism --- Imitation in art --- Iconographie --- Art contemporain --- Processus de création --- Création artistique --- Objet de récupération --- Ready made --- Dadaïsme --- Situationnisme --- Kunst --- pastiche [ontlening] --- Appropriation (art) --- Simulationnisme. --- Art, Modern - 20th century

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Iconography --- Art --- Feldmann, Hans-Peter --- Starling, Simon --- Mir, Aleksandra --- Macuga, Goshka --- Gowda, Sheela --- Håfström, Jan --- Chan, Paul --- Pisano, Falke --- Gyatso, Gonkar --- Barba, Rosa --- Toderi, Grazia --- Khedoori, Toba --- Saraceno, Tomás --- Bartolini, Massimo --- Zamora, Héctor --- White, Pae --- Chen, Zhen --- Huang, Yong Ping --- Ono, Yoko --- Parreno, Philippe --- Tayou, Pascale Marthine --- Wentworth, Richard --- Friedman, Yona --- Abboud, Jumana Emil --- Adéagbo, Georges --- Berti, Simone --- Bestué/Vives --- Bouchet, Mike --- Chopra, Nikhil --- Chu Yun --- Conrad, Tony --- Cuoghi, Roberto --- Cytter, Keren --- Dodiya, Anju --- Elagina, Elena --- Favaretto, Lara --- Finch, Spencer --- Pistoletto, Michelangelo --- Gawde, Sunil --- Grcic, Tamara --- Guyton, Wade --- Yang, Haegue --- Haloba, Anawana --- Hecker, Florian --- Hefuna, Susan --- July, Miranda --- Khedoori, Rachel --- Koo Jeong-a --- Langa, Moshekwa --- Lindsay, Arto --- Lucas, Renata --- Makarevich, Igor --- Otero-Pailos, Jorge --- Pape, Lygia --- Parkina, Anna --- Poomtangon, Att --- Ramo, Sara --- Roccasalva, Pietro --- Simon, Amy --- Tian Tian Wang --- Brandenburg, von, Ulla --- Vriesendorp, Madelon --- Walker, Kelley --- Xu Tan --- Zholud, Anya --- Forsythe, William --- Jonas, Joan --- Meireles, Cildo --- Tillmans, Wolfgang --- Bayrle, Thomas --- Gilbert and George --- Levine, Sherrie --- Pepperstein, Pawel --- Tiravanija, Rirkrit --- Höller, Carsten --- Baldessari, John --- Cadere, André --- Dominicis, de, Gino --- Fahlstrom, Öyvind --- Floyer, Ceal --- Palermo, Blinky --- Pessoli, Alessandro --- Potrč, Marjetica --- Rehberger, Tobias --- Evans, Cerith Wyn --- Gonzalez-Foerster, Dominique --- Harrison, Rachel --- Matta-Clark, Gordon --- Djurberg, Nathalie --- Moscow Poetry Club --- Gutai Group --- anno 1900-1999 --- anno 2000-2099