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Aristotle's De anima shaped philosophical debates far beyond the Middle Ages and gave rise to a number of theories about the nature of the soul, its various functions and its relation to the body. The ten contributions to this book, a special issue of the journal Vivarium, examine some of these theories in the period between Albertus Magnus and Descartes. They pay particular attention to the question of how the metaphysical status of the soul and its parts was explained, and analyze Aristotelian accounts of cognitive activities such as perceiving, imagining and thinking. The ten case studies focus both on defenders of the Aristotelian paradigm and on its critics, arguing that one should not look for a moment of break with Aristotelianism, but for various stages of transformation.
Âme --- Albert le Grand (saint ; 1200?-1280) --- Duns Scotus, Johannes (1265-1308) --- Guillaume d'Ockham (1285?-1347) --- Jean de Jandun --- Valla, Lorenzo (1407-1457) --- Scaliger, Jules César (1484-1558) --- Cardano, Gerolamo (1501-1576) --- Descartes, René (1596-1650) --- Cureau de La Chambre, Marin (1594-1669) --- Âme --- Histoire --- 13e-17e siècle --- Albert le Grand (saint ; 1200?-1280) --- Contribution au concept d'âme --- Duns Scotus, Johannes (1265-1308) --- Contribution au concept d'âme --- Guillaume d'Ockham (1285?-1347) --- Contribution au concept d'âme --- Jean de Jandun --- Contribution au concept d'âme Philo-L. --- Valla, Lorenzo (1407-1457) --- Contribution au concept d'âme Philo-L. --- Scaliger, Jules César (1484-1558) --- Contribution au concept d'âme --- Cardano, Gerolamo (1501-1576) --- Contribution au concept d'âme --- Descartes, René (1596-1650) --- Contribution au concept d'âme --- Cureau de La Chambre, Marin (1594-1669) --- Contribution au concept d'âme
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Roland Barthes's 1980 book Camera Lucida is perhaps the most influential book ever published on photography. The terms studium and punctum, coined by Barthes for two different ways of responding to photographs, are part of the standard lexicon for discussions of photography; Barthes's understanding of photographic time and the relationship he forges between photography and death have been invoked countless times in photographic discourse; and the current interest in vernacular photographs and the ubiquity of subjective, even novelistic, ways of writing about photography both owe something to Barthes. Photography Degree Zero, the first anthology of writings on Camera Lucida, goes beyond the usual critical orthodoxies to offer a range of perspectives on Barthes's important book. Photography Degree Zero (the title links Barthes's first book, Writing Degree Zero, to his last, Camera Lucida) includes essays written soon after Barthes's book appeared as well as more recent rereadings of it, some previously unpublished. The contributors' approaches range from psychoanalytical (in an essay drawing on the work of Lacan) to Buddhist (in an essay that compares the photographic flash to the mystic's light of revelation); they include a history of Barthes's writings on photography and an account of Camera Lucida and its reception; two views of the book through the lens of race; and a provocative essay by Michael Fried and two responses to it.
77.01 --- fotografietheorie --- fotografie --- Barthes Roland --- semiotiek --- La chambre claire --- psychoanalyse --- fotografie en psychoanalyse --- boeddhisme --- fotografie en boeddhisme --- filosofie --- kunsttheorie --- 7.01 --- 77.01 Fotografie--Semiotiek van de fotografie. Theorie --- Fotografie--Semiotiek van de fotografie. Theorie --- Photographie. --- Kunstbeschouwing. --- Photographic criticism --- Photography, Artistic --- Photography --- Artistic photography --- Photography, Pictorial --- Pictorial photography --- Art --- Photography criticism --- Criticism --- Philosophy --- Aesthetics --- Barthes, Roland. --- Fotografie. --- Philosophie. --- Photographic criticism. --- Photography, Artistic. --- Philosophy. --- PHL-Research 13 --- kunst --- Critique photographique --- Photographie --- Photographie artistique --- Philosophie
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