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Blacks --- Architecture, Domestic --- Squatter settlements --- Slums --- Noirs --- Architecture domestique --- Bidonvilles --- Taudis --- Housing --- Social aspects --- Logement --- Aspect social --- Hutin, Christophe, --- Johannesburg (Afrique du Sud) --- Habitations --- Bidonvilles. --- Habitations. --- Hutin, Christophe --- Black people
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globalization --- art theory --- museology --- Museology --- Art --- art galleries [institutions] --- kunstmarkt --- globalisering --- musea --- collecties --- verzamelingen --- GAM --- Global art and the museum --- Afrika --- Spanje --- Sharjah biennial --- etnische kunst --- Brazilië --- Sao Paulo --- British Museum --- Istanbul --- Tate --- Azië --- Latijns-Amerika --- Manila --- Ateneo art gallery --- Chili --- Paraguay --- Japan --- Zuid-Afrika --- Johannesburg biennial --- Mexico --- MuAc --- etnografie --- Singapore --- 7.01 --- exhibition curators --- publiekswerking --- cultuurparticipatie
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This original book is a much needed and far reaching exploration of post-apartheid South African life worlds. Entanglement aims to capture the contradictory mixture of innovation and inertia, of loss, violence and xenophobia as well as experimentation and desegregation, which characterises the present. The author explores the concept of entanglement in relation to readings of literature, new media forms and painting. In the process, she moves away from a persistent apartheid optic, drawing on ideas of sameness and difference, and their limits, in order to elicit ways of living and imagining that are just starting to take shape and for which we might not yet have a name. In the background of her investigations lies a preoccupation with a future-oriented politics, one that builds on largely unexplored terrains of mutuality while being attentive to a historical experience of confrontation and injury.
City and town life in literature --- Cultural relations in literature --- Popular culture --- Race awareness in literature --- Race relations --- Race relations in literature --- South African literature --- Whites --- #SBIB:39A5 --- #SBIB:39A73 --- White people --- White persons --- Ethnology --- Caucasian race --- Integration, Racial --- Race problems --- Race question --- Relations, Race --- Social problems --- Sociology --- Ethnic relations --- Minorities --- Racism --- Culture, Popular --- Mass culture --- Pop culture --- Popular arts --- Communication --- Intellectual life --- Mass society --- Recreation --- Culture --- History and criticism --- Race identity --- Kunst, habitat, materiële cultuur en ontspanning --- Etnografie: Afrika --- Johannesburg (South Africa) --- South Africa --- Johannesburg --- Yohanesburg (South Africa) --- Jo'burg (South Africa) --- In literature. --- Race relations. --- Race relations in literature. --- Cultural relations in literature. --- Race awareness in literature. --- City and town life in literature. --- History and criticism.
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With a searing body of work ranging from drawings and films to prints, tapestries, and sculptures, William Kentridge (b. 1955) has offered a fresh and distinctive glimpse of the daily lives of South Africans - both during the apartheid regime and after its collapse. This extraordinary catalogue, produced in close collaboration with the artist, investigates the five primary themes that have engaged Kentridge over the course of his career: Soho and Felix: works featuring Kentridge's best-known characters, the businessman Soho Eckstein and his alter ego, the anxiety-ridden Felix Teitlebaum; Ubu and the Procession: inspired by Ubu Roi, these projects reflect the excitement, conflict, and rapid social changes in post-apartheid South Africa; Artist in the Studio: an examination of Kentridge's practice and his emergence as an installation artist; The Magic Flute: work related to the artist's set designs for Mozart's opera; The Nose: Kentridge's most recent production, including work inspired by his staging of the Shostakovich opera for New York's Metropolitan Opera in spring 2010." "Kentridge has created a DVD especially for this publication; it includes fragments from significant film projects (both known and newly completed) as well as commentary that sheds further light on the artist's work.
Kentridge, William --- (069) --- 7.07 --- Beeldende kunst ; animatiefilm ; 1980-2009 ; William Kentridge --- DVD's --- Houtskooltekeningen --- Kentridge, William °1955 (°Johannesburg, Zuid-Afrika) --- Kortfilms --- Kunst en politiek ; Zuid-Afrika ; apartheid --- Schaduwbeelden --- Tentoonstellingscatalogi ; San Francisco ; Museum of Modern Art --- 7.071 KENTRIDGE --- Kentridge William --- Zuid-Afrika --- animatie --- film --- grafiek --- kunst --- tekenkunst --- twintigste eeuw --- 737.8 --- animatiefilm --- schilderkunst --- (Musea. Collecties) --- Kunstenaars met verschillende disciplines, niet traditioneel klasseerbare, conceptuele kunstenaars A - Z --- schilder- en tekenkunst, 20e eeuw, overige landen, kunstenaars afzonderlijk --- Exhibitions --- Kentridge, William, --- Themes, motives --- Thèmes, motifs --- departement Beeldende Kunst 10 --- hedendaagse kunstenaars --- beeldende kunsten --- tentoonstellingscatalogus --- Kentridge, William, - 1955- - Thèmes, motifs - Expositions --- Kentridge, William, - 1955 --- -Kentridge, William
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le CIERL --- Jacques Marx --- Marie-Louise Huber --- orthodoxie --- modernité --- immigration juive en Belgique entre 1880 et 1914 --- Charles A. Rahlenbeck --- politique et religion --- histoire --- missionnaires --- les cultures amérindiennes --- l'histoire aztèque --- Fray Diego Duran --- migrants --- la Chine des Jésuites au XVIIIe siècle --- 'Anciennes relations des Indes et de la Chine' --- Eusèbe Renaudot --- théologie --- éthique --- baptême des morts chez les mormons --- Péladan --- Barbey d'Aurevilly --- islam --- christianisme --- judaïsme --- littérature johannique --- la tradition biblique --- la New Testament Society of South Africa --- NTSSA --- Johannesburg --- Afrique du Sud
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