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Founding. --- Metal castings.

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A portfolio of avante-garde graphic design and typography by Vier5. Marco Fiedler and Achim Reichert from Paris-based design team Vier5 seek toexplore the possibilities of creating what they call new forward-looking images in the field of visual communication .The mainstay of Vier5 s design is cutting-edge typography. Adamant about creating and applying their own contemporary typefaces for each project and client, their unique letterforms have a carefree and often inconsistent appearance. Many look hand-drawn, scribble-like and others are pixilated or have a stronggeometric element but essentially, they possess a disproportionate and slightlyoff-balance form that is atypical in classic typography.This book presents a collection of photographs, posters and visual identityprojects they've done for forward thinking clients such as the Museum for Applied Art, Frankfurt, the Center for Contemporary Art, Bretigny as well as thecontemporary art exhibition Documenta XII. Vier5 are not your average design collective. They also publish the independent fashion, photography, graphic design and art magazine Fairy Tale (FT) and run their own fashion label Vier5fashion department.

Vier5 (Designers) --- Type and type-founding --- History

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Cet ouvrage propose un ensemble de polices de caractère qui répondent aux besoins des concepteurs graphiques d'aujourd'hui. Chaque police est accompagnée du jeu de caractères de base auquel répondent des exemples de police plus spécifiques. Les caractéristiques de chaque police sont mises en évidence et la police principale est juxtaposée à d'autres polices similaires pour faciliter le référencement croisé.

Book history --- Graphics industry --- Type and type-founding --- Typographie --- Caractère --- Type and type-founding - Specimens

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Das internationale Schriftschaffen nach 1950 wurde massgeblich geprägt vom Schweizer Adrian Frutiger. Sein Schriftprogramm Univers und die zum ISO-Standard erklärte maschinenlesbare Schrift OCR-B sind Meilensteine wie auch die zur Frutiger weiterentwickelte Schrift der Pariser Flughäfen - ein Qualitätsstandard für Signalisationsschriften. Mit den Corporate Types prägte er Firmenauftritte wie jenen der japanischen Kosmetiklinie Shiseido. Insgesamt entstanden rund 50 Schriften, darunter Ondine, Méridien, Avenir, Vectora.Auf Gesprächen mit Frutiger basierend sowie auf umfangreichen Recherchen in Frankreich, England, Deutschland und der Schweiz zeichnet die Publikation den gestalterischen Werdegang des Schriftkünstlers exakt nach. Erstmals werden alle Schriften - vom Entwurf bis zur Vermarktung - abgebildet sowie mit Bezug zu Technik und zu artverwandten Schriften analysiert. Bisher unveröffentlichte, nicht realisierte Schriften sowie über 100 Logos vervollständigen das Bild. The international creation of typefaces after 1950 was decisively influenced by the Swiss type designer Adrian Frutiger. His Univers typeface and the machine-readable font OCR-B, which was adopted as an ISO standard, are milestones, as is his type for the Paris airports, which set new standards for signage types and evolved into the Frutiger typeface. With his corporate types, he helped to define the public profiles of companies such as the Japanese Shiseido line of cosmetics. In all he created some fifty types, including Ondine, Méridien, Avenir, and Vectora.Based on conversations with Frutiger himself and on extensive research in France, England, Germany, and Switzerland, this publication provides a highly detailed and accurate account of the type designer's artistic development. For the first time, all of his types - from the design phase to the marketing stage - are illustrated and analyzed with reference to the technology and related types. Hitherto unpublished types that were never realized and more than one hundred logos complete the picture.

Type and type-founding. --- Fonts (Printing) --- Founts (Printing) --- Metal types --- Type faces --- Typefaces --- Founding --- Printing --- Typesetting --- Frutiger, Adrian,

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This German doctoral thesis challenges the orthodox view that the South-Caucasian culture of the Late Bronze Age played a decisive role in early iron production. The region is characterized, on the contrary, as a traditionally-bound aristocratic society with an impressive bronze industry. It was the underestimated nomad population of South-Eastern Turkey that first made use of the new metal and discovered the art of steel making. Climatic changes forced a southward migration, which not only brought the two cultures into contact, but also into conflict, with each other. A process of successful

Iron age --- Iron founding --- Industries, Primitive --- Civilization --- Primitive technology --- Technology, Primitive --- Archaeology --- Ethnology --- Industrial arts --- Material culture --- Casting of iron --- Iron casting --- Founding --- Cast-iron --- Age du fer --- Fer --- Industries primitives --- Fonderie --- Industries --- Industries, Prehistoric