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In this book, edited by Roberto Illiano and Massimiliano Sala, twenty-four scholars investigate the relationship between music and dictatorship in twentieth-century Europe and Latin America. The music is explored as a political phenomenon in fifteen nations under totalitarian regimes: Argentina, Brazil, Chile, Cuba, France, Greece, Germany, Italy, Mexico, Poland, Portugal, Russia, Serbia, Spain, and Hungary. Historical and aesthetical articles face both individual people (for instance, Chavez, Ligeti, Massarani or Villa-Lobos) as well whole generations of composers operating under dictatorship (for example, in the communist regimes of Poland and Serbia; in France under Vichy; in Franco's Spain, Salazar's Portugal, or in Revolutionary Cuba).

Music --- Totalitarianism and music --- Fascism and music --- National socialism and music --- Communism and music --- Musique --- Totalitarisme et musique --- Fascisme et musique --- Nazisme et musique --- Communisme et musique --- Political aspects --- Aspect politique --- muziekgeschiedenis --- anno 1900-1999 --- Latin America --- Europe --- Music and fascism --- Music and totalitarianism --- Art music --- Art music, Western --- Classical music --- Musical compositions --- Musical works --- Serious music --- Western art music --- Western music (Western countries) --- Dictatorship