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Catholic Church --- Catholic church buildings --- Church property --- Massalski, Ignacy Jakub, - 1726-1794

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" Inauguration ", " consécration ", " orientation ", " autel ", " basilique ", " sanctuaire "... Tous ces mots semblent parler d'eux-mêmes pour définir une église. Ce que l'on sait le moins pourtant, c'est que ce vocabulaire n'a été intégré qu'au moment de la reconnaissance officielle de l'Eglise quand Constantin choisit un bâtiment de culte archétype : la basilique. Longtemps l'étude du lieu de culte chrétien a consisté à opposer " église " et " temple " polythéiste, sans s'interroger sur le sens des mots. Or, ce n'est pas le temple qui est l'équivalent de l'église mais le " sanctuaire ", ainsi que le montre l'analyse structurale des mythes étiologiques de fondation. Cet essai, en soulignant les spécificités de la religion chrétienne, montre à l'évidence l'importance de l'héritage transmis dans la fondation des lieux de culte et dans l'architecture, des civilisations du bassin méditerranéen, de l'Antiquité à la fin du Moyen Age.

Church architecture --- Spirituality in architecture --- Christian art and symbolism --- Liturgie et architecture --- Eglises catholiques --- 726 --- 726 Religieuze bouwkunst. Kerkelijke bouwkunst. Sacrale architectuur --- Religieuze bouwkunst. Kerkelijke bouwkunst. Sacrale architectuur --- Architecture --- Ecclesiastical architecture --- Rood-lofts --- Religious architecture --- Architecture, Gothic --- Church buildings --- Art, Christian --- Art, Ecclesiastical --- Arts in the church --- Christian symbolism --- Ecclesiastical art --- Symbolism and Christian art --- Religious art --- Symbolism --- Church decoration and ornament --- Liturgy and architecture --- Catholic church buildings --- History. --- Histoire --- Symbolism in art --- Sanctuaires chrétiens --- Eglises --- Jusqu'à 1500

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Introducing fresh archival evidence, author Lisa Banner here demonstrates how Francisco Gomez de Sandoval y Rojas, first Duke of Lerma, served as a vital link in Habsburg architectural patronage. She traces Lerma's trajectory as, beginning with the ancient royal city of Valladolid, he embarked on a career of renovating or building religious foundations in various towns and cities around seventeenth -century Spain. The unintended consequence of his architectural patronage and involvement was to proliferate the distinctive royal architectural style developed under Philip II, which connected the foundations of Lerma indelibly with the traditions of noble patronage in Habsburg Spain.

Religious architecture --- Sandoval y Rojas, de, Francisco Gómez --- Art patronage --- Catholic church buildings --- Monasticism and religious orders --- Mécénat --- Eglises catholiques --- Monachisme et ordres religieux --- History --- Histoire --- Lerma, Francisco Gómez Sandoval y Rojas, --- Art patronage. --- Lerma, Francisco Sandoval y Rojas, --- Mécénat --- Lerma, Francisco Gómez Sandoval y Rojas, --- Monachism --- Monastic orders --- Monasticism and religious orders for men --- Monasticism and religious orders of men --- Orders, Monastic --- Orders, Religious --- Religious orders --- Brotherhoods --- Christian communities --- Brothers (Religious) --- Friars --- Monks --- Superiors, Religious --- Churches, Catholic --- Church buildings --- Arts patronage --- Business patronage of the arts --- Corporations --- Maecenatism --- Patronage of art --- Art and industry --- De Lerma, Francisco Sandoval y Rojas, --- Denia, Francisco Gómez de Sandoval y Rojas, --- Gómez de Sandoval y Rojas, Francisco, --- Gómez de Sandoval y Roxas, Francisco, --- Lerma, --- Lerma, Duque de, --- Rojas, Francisco Sandoval y, --- Roxas, Francisco Gómez de Sandoval y, --- Sandoval y Rojas, Francisco, --- churches [buildings] --- religious art --- architecture [discipline] --- patronage --- anno 1600-1699 --- Spain