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Évaluer les frontières du faux et de l’authentique, en matière d’œuvres d’art, revient inévitablement à interroger le statut de l’artiste en tant qu’auteur. A examiner des notions essentielles à la pensée de l’histoire de l’art : la valeur de la signature et du style, la pratique de la copie et du pastiche, les liens entre maître et atelier, les méthodes d’attribution, l’histoire du goût et des institutions, enfin le questionnement de l’authentique dans la reproduction et le multiple. Les attitudes spéculatives et paradoxales des artistes eux-mêmes vis-à-vis de la falsification et de l’imposture ont souvent montré, par ailleurs, combien le faux a partie liée avec l’invention. Sans oublier que la notion du faux et du vrai, de l’original et de la copie, aux yeux des artistes diffère radicalement en Asie et en Occident. La présente publication pourrait se réclamer d’une approche encyclopédique, dans la mesure où toutes les disciplines, confiées aux meilleurs spécialistes, ont été mises à profit pour cerner les différents aspects du phénomènes : esthétique, technique, juridique, sociologique et culturelle, en couvrant principalement le champ des arts visuels, mais aussi celui de la littérature et de la musique.
Art --- Forgeries --- History --- Congresses --- Faux --- Histoire --- Congrès --- Copie --- Histoire de l'art --- Musique --- Littérature --- Authenticity (Philosophy) --- Congrès --- Congresses. --- Art - Forgeries - Congresses --- Authenticity (Philosophy) - Congresses
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Exploring the gray zone of infiltration and subversion in which the Nazi and Communist parties sought to influence and undermine each other, this book offers a fresh perspective on the relationship between Communism and Fascism-a key problem of twentieth-century German history. The struggle between Nazism and Communism is situated within a broader conversation among right and left-wing publicists, across the Youth Movement and in the "National Bolshevik" scene, thus revealing the existence of a discourse on revolutionary legitimacy fought according to a set of common assumptions about the qual
Radicalism --- National socialism --- Communism --- Authenticity (Philosophy) --- Group identity --- Militarism --- Youth movements --- Working class --- Masculinity --- History --- Political activity --- Political aspects --- Germany --- Politics and government
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"The patrimonial obsession of the authentic, which tends to turn the world into a museum and to make us, in a way, tourists of our own existence, may well substitute the reassuring and consensual virtue of exegetic comments to the critical faculty. This is indispensable to all living memory and all acts of creation. More than other art disciplines - those highly inventive skills -, and far from being a protective case or screen, architecture may provide a way to materialise and to feel the space that links us to the world and to others. I believe that this is the lesson the authors of this book invite us to meditate upon ... In other words, architecture is potentially a shared language, rather than a confiscated expert's word, and there is the possibility to act in and upon the world by jointly planned action of the disgno and the ingenio that convoke space and time, mixing together language and body"--Daniel Vander Gucht (p. [4] of cover).
Architecture and philosophy --- Architecture et philosophie --- Architectuur en filosofie --- Architecture --- Authenticity (Philosophy) --- Historic preservation --- Architecture, Modern --- Authenticité (Philosophie) --- Patrimoine historique --- Philosophy --- Philosophie --- Weinand, Yves, --- Authenticité (Philosophie) --- 21st century --- Design and construction --- Criticism and interpretation --- Weinand, Yves (1963-....)
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Authenticity (Philosophy) in literature. --- Commerce in literature. --- Commercial products --- Consumption (Economics) --- English literature --- Marketing --- Material culture in literature. --- Modernism (Literature) --- Nostalgia in literature. --- Psychological aspects. --- History and criticism. --- History --- Authenticity (Philosophy) in literature --- Commerce in literature --- Material culture in literature --- Nostalgia in literature --- Consumer demand --- Consumer spending --- Consumerism --- Spending, Consumer --- Demand (Economic theory) --- Commodities --- Economic goods --- Merchandise --- Products, Commercial --- Commodity exchanges --- Manufactures --- Substitute products --- Consumer goods --- Domestic marketing --- Retail marketing --- Retail trade --- Industrial management --- Aftermarkets --- Selling --- Psychological aspects --- History and criticism --- Contracting out
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Authenticity (Philosophy) --- Consumption (Economics) --- Cultural awareness --- Culture --- Group identity --- Collective identity --- Community identity --- Cultural identity --- Social identity --- Identity (Psychology) --- Social psychology --- Collective memory --- Cultural sociology --- Sociology of culture --- Civilization --- Popular culture --- Culture awareness --- Awareness --- Cultural intelligence --- Ethnic attitudes --- Consumer demand --- Consumer spending --- Consumerism --- Spending, Consumer --- Demand (Economic theory) --- Philosophy --- Psychological aspects --- Social aspects
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Arts and history. --- Authenticity (Philosophy). --- Historic preservation. --- Book conservation --- Conservation. Restoration --- Arts and history --- Authenticity (Philosophy) --- Arts et histoire --- Patrimoine historique --- Authenticité (Philosophie) --- 7.025.4 --- 7.061 --- Kunstwerken: restauratie; reinigen; herstellen; vernieuwen --- Etische aspecten van de kunst: vervalsingen; imitaties; plagiaat; namaak --- Architectuur: schade; verval; conservatie; restauratie; verandering van gebruik --- 72.025 Architectuur: schade; verval; conservatie; restauratie; verandering van gebruik --- 7.061 Etische aspecten van de kunst: vervalsingen; imitaties; plagiaat; namaak --- 7.025.4 Kunstwerken: restauratie; reinigen; herstellen; vernieuwen --- Authenticité (Philosophie) --- Historic preservation --- 025.7 --- 72.025 --- 025.7 Conserveren van boeken. Inbinden. Microfilmeren. Digitaliseren --- Conserveren van boeken. Inbinden. Microfilmeren. Digitaliseren --- Preservation, Historic --- Preservationism (Historic preservation) --- Cultural property --- Philosophy --- History and the arts --- History --- Protection --- Art et histoire --- Authenticité (philosophie)
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