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Book
Metareference across media
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ISBN: 9789042026704 9042026707 9789042026711 9042026715 Year: 2009 Volume: 4 Publisher: Amsterdam New York Rodopi

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Abstract

Strange as it may seem, Cervantes’s novel Don Quixote, Marc Forster’s film Stranger than Fiction, Shakespeare’s play A Midsummer Night’s Dream, Pere Borrell del Caso’s painting “Escaping Criticism” reproduced on the cover of the present volume and Mozart’s sextet “A Musical Joke” all share one common feature: they include a meta-dimension. Metaization – the movement from a first cognitive, referential or communicative level to a higher one on which first-level phenomena self-reflexively become objects of reflection, reference and communication in their own right – is in fact a common feature not only of human thought and language but also of the arts and media in general. However, research into this issue has so far predominantly focussed on literature, where a highly differentiated, albeit strictly monomedial critical toolbox exists. Metareference across Media remedies this onesidedness and closes the gap between literature and other media by providing a transmedial framework for analysing metaphenomena. The essays transcend the current notion of metafiction, pinpoint examples of metareference in hitherto neglected areas, discuss the capacity for metaization of individual media or genres from a media-comparative perspective, and explore major (historical) forms and functions as well aspects of the development of metaization in cultural history. Stemming from diverse disciplinary and methodological backgrounds, the contributors propose new and refined concepts and models and cover a broad range of media including fiction, drama, poetry, comics, photography, film, computer games, classical as well as popular music, painting, and architecture. This collection of essays, which also contains a detailed theoretical introduction, will be relevant to students and scholars from a wide variety of fields: intermediality studies, semiotics, literary theory and criticism, musicology, art history, and film studies.


Book
Handbook of Narratology

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Abstract

Das englischsprachige Handbuch bietet einen systematischen Überblick über den aktuellen Stand der internationalen Forschung zur Narratologie. In detaillierten Einzeldarstellungen erläutern namhafte Narratologen aus dem In- und Ausland 34 zentrale Termini. Die Artikel stellen eigenständige Forschungsbeiträge dar und sind in vergleichbarer Weise strukturiert: Sie enthalten jeweils eine knappe Definition sowie eine ausführliche Erläuterung des betreffenden Begriffs, im Hauptteil referieren und kritisieren sie die unterschiedlichen Forschungspositionen in ihrer historischen Entwicklung und weisen Desiderate auf, um abschließend ausgewählte bibliographische Hinweise zu geben. Zeitlich versetzt zur zitierfähigen Druck- soll eine Online-Version mit Kommentarfunktion erscheinen. Der anhaltenden Entwicklung des Narratologie-Diskurses wird mit regelmäßigen Erweiterungen und Aktualisierungen des Handbuchs Rechnung getragen.

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