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ZERO (Düsseldorf, Deutschland) (1957-1967) --- Exhibitions --- Art --- Germany --- 20th century
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Zowel voor kleine, middelgrote als grote ondernemingen is de budgettering, naast de algemene en de analytische exploitatieboekhouding, een onmisbaar instrument voor een evenwichtig en doordacht beleid. Door het nut en de mogelijkheden van de budgettering aan te tonen, willen de auteurs de lezer vooral budget-minded maken. Veel aandacht wordt besteed aan de systematische opbouw en de samenhang van de budgetten. Casestudy's per hoofdstuk en een geïntegreerde casestudy die doorheen de verschillende hoofdstukken loopt, laten toe de verschillende technieken in te oefenen. Voor de docenten is er een handleiding, die gratis te downloaden is. U vindt het bestand onder het tabblad 'Downloads'.
Budgettering. --- #SBIB:35H221 --- budgettering --- financieel management --- jaarrekening --- planning --- verkoop --- Financieel management bij de overheid: budgettering --- Budgettering --- Kerntakenbudgettering --- Zero-base budgeting --- Kostencalculatie --- Financieel management
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Art styles --- Iconography --- Sculpture --- motion --- Kinetic Art --- preparatory studies --- sculpting --- zero --- Colombo, Gianni --- anno 1960-1969 --- anno 1900-1999 --- anno 2000-2099 --- Italy
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Art styles --- Art --- art [discipline] --- kunstmanifest --- Zero (kunststroming) --- zero --- Spoerri, Daniel --- Tinguely, Jean --- Luther, Adolf --- Armando --- Verheyen, Jef --- Fontana, Lucio --- Vigo, Nanda --- Klein, Yves --- Manzoni, Piero --- Graevenitz, von, Gerhard --- Mack, Heinz --- Megert, Christian --- Morellet, François --- Peeters, Henk --- Piene, Otto --- Schoonhoven, Jan --- Uecker, Günther --- Vries, de, Herman --- Henderikse, Jan --- Castellani, Enrico --- Arman --- anno 1960-1969 --- anno 1900-1999
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This volume deals with the various types of the courtyard house, which utilizes the courtyard as an intimate outdoor living space. A presentation of the courtyard as a building block of the city is followed by coverage of the complete spectrum of types-cluster, network, carpet, terraces, etc. To continue developing existing building types in an intelligent way is a crucial task in the field of residential building. A deeper understanding of the underlying types is indispensable for the success of the individual design, as well as for ensuring that tried and tested structures can be utilized, repeated, and varied in a wide variety of situations. For this typology of residential buildings, the authors have developed systematic new presentations of the most innovative types. Each individual volume lays out the possibilities for using and transforming a particular form of residential structure. The first volume deals with the various types of the courtyard house, which utilizes the courtyard as an intimate outdoor living space. A presentation of the courtyard as a building block of the city is followed by coverage of the complete spectrum of types - cluster, network, carpet, terraces, etc. The second volume is devoted to the various types of row house, a particularly widespread form of residential structure. A general discussion of the row as organizing principle - the row as urban building block, linear space, ways of handling corners - is followed by the systematic presentation of the different types. Within each type, variants are distinguished according to how they organize space, their number of floors, etc. The range of possible solutions is presented in uniform ground plans newly drawn to scale.
Courtyard houses --- Room layout (Dwellings) --- Dwellings --- Layout, Room (Dwellings) --- Room arrangement (Dwellings) --- Room planning (Dwellings) --- Architecture, Domestic --- Interior architecture --- Domestic space --- Atrium houses --- Houses, Atrium --- Houses, Courtyard --- Houses, Patio --- Patio houses --- Zero lot line housing --- Layout
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An exploration of women's contributions to visual culture in major urban centres between the wars (1918-1939), this collection sheds new light on women's relationships with the processes of modernism and modernization. Women's work in a variety of mediums is explored, including design, print, illustration, murals, poster art, and costume design, as well as more conventional forms of painting and sculpture. International in scope, the volume discusses artists and exhibitions from the United Kingdom, Greece, Mexico, France, Ireland and the United States. The contributors place a strong emphasis on archival research yet each addresses contemporary concerns in feminist art history. By focusing on a very specific time period, the essays place a central concern on the history and theory of art and gender and are united by their coherent focus on women's role in the agency and mediation of artistic production in the interwar period.
Art, Modern --- Women artists --- History --- Artists, Women --- Women as artists --- Artists --- Affichistes (Group of artists) --- Fluxus (Group of artists) --- Modernism (Art) --- Schule der Neuen Prächtigkeit (Group of artists) --- Zero (Group of artists)
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Art --- 705.8 --- conceptuele kunst --- kunstgeschiedenis, 20e eeuw --- Contemporary art --- Belgium --- Artists --- Art, Modern --- Art collectors --- Affichistes (Group of artists) --- Fluxus (Group of artists) --- Modernism (Art) --- Schule der Neuen Prächtigkeit (Group of artists) --- Zero (Group of artists) --- Collectors and collecting
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Michael Corris examines Ad Reinhardt's life and work, charting the development of his entire oeuvre - from abstract paintings, to graphic artwork, to illustrations and cartoons.
Reinhardt, Ad. --- Visual Arts --- Painting --- Art, Architecture & Applied Arts --- Art, Modern --- Reinhardt, Ad, --- Criticism and interpretation. --- Reinhardt, Adolph Frederick, --- Reinhardt, Adolph Frederick. --- Affichistes (Group of artists) --- Fluxus (Group of artists) --- Modernism (Art) --- Schule der Neuen Prächtigkeit (Group of artists) --- Zero (Group of artists)
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Ben Vautier, Niki De Saint Phalle, François Morellet, Louise Bourgeois, Alexandre Hollan, Claude Viallat, Sophie Calle, Bernard Pagès, Jean-Pierre Pincemin, Annette Messager, Gérard Titus-Carmel: eleven major French artists of the last forty years or so, examined in the light of their uniqueness and their rootedness, the specificities of their differing and at times overlapping plastic practices and the swirling and often highly hybridised conceptions entertained in regard to such practices. Thus does analysis range from discussion of the feisty, Fluxus-inspired, free-spirited funkiness of Ben Vautier’s work to the various modes of transcendence of trauma and haunting fear generated by the exceptional gestures of Niki de Saint Phalle and Louise Bourgeois, to the alyrical formalism yet imbued with irony and ludicity of François Morellet, through to the serene intensities of Alexandre Hollan’s vies silencieuses , the infinite a-signatures of Claude Viallat’s adventure in the sheer joy of a poiein of self-reflexive coloration, the powerfully elegant and muscular disarticulations of Bernard Pagès’ sculpture, the great sweep through art’s history implied by Jean-Pierre Pincemin’s chameleon-like gestures, the vast swirling programme of socio-psychological analysis the arts of Annette Messager and Sophie Calle offer in their radically distinctive manners, the obsessively serialised oeuvre of Gérard Titus-Carmel allowing a burrowing deep into the opaque logic of a real though dubious ‘presence to the world’.
Art, Modern --- Art, Modern. --- Affichistes (Group of artists) --- Fluxus (Group of artists) --- Modernism (Art) --- Schule der Neuen Prächtigkeit (Group of artists) --- Zero (Group of artists) --- Modern art --- Nieuwe Ploeg (Group of artists) --- 1900-1999 --- Art, French --- Faisant (Group of artists) --- Figuration libre (Group of artists) --- Untel (Group of artists) --- Pérav' Prod (Group of artists)
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2009 Association of American University Presses Award for Jacket Design. In the 1990's, improving the quality of life became a primary focus and a popular catchphrase of the governments of New York and many other American cities. Faced with high levels of homelessness and other disorders associated with a growing disenfranchised population, then mayor Rudolph Giuliani led New York's zero tolerance campaign against what was perceived to be an increase in disorder that directly threatened social and economic stability. In a traditionally liberal city, the focus had shifted dramatically
Quality of life --- Sociological aspects --- Political aspects --- New York (N.Y.) --- Politics and government. --- Giulianis. --- Republicans. --- Through. --- Vitale. --- York. --- administration. --- been. --- case. --- city. --- citys. --- elections. --- explains. --- fascinating. --- four. --- have. --- historically. --- impact. --- itself. --- known. --- last. --- liberalism. --- long-term. --- mayoral. --- method. --- several. --- studies. --- tolerance. --- what. --- zero.
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