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Imperialism in literature --- Space in literature --- Place (Philosophy) in literature
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Place (Philosophy) in literature --- Regionalism in literature --- Mitchell, Margaret --- Nordan, Lewis
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"This study examines the importance of space for the way contemporary novelists experiment with style and form, offering an account of how British writers from the past three decades have engaged with landscape description as a catalyst for innovation. David James considers the work of more than fifteen major British novelists to offer a wide-ranging and accessible commentary on the relationship between landscape and narrative design, demonstrating an approach to the geography of contemporary fiction enriched by the practice of aesthetic criticism. Moving between established and emerging novelists, the book reveals that spatial poetics allow us to chart distinctive and surprising affinities between practitioners, showing how writers today compel us to pay close attention to technique when linking the depiction of physical places to new developments in novelistic craft." --Book Jacket This study examines the importance of space for the way contemporary novelists experiment with style and form, offering an account of how British writers from the past three decades have engaged with landscape description as a catalyst for innovation. David James considers the work of more than fifteen major British novelists to offer a wide-ranging and accessible commentary on the relationship between landscape and narrative design, demonstrating an approach to the geography of contemporary fiction enriched by the practice of aesthetic criticism. Moving between established and emerging novelists, the book reveals that spatial poetics allow us to chart distinctive and surprising affinities between practitioners, showing how writers today compel us to pay close attention to technique when linking the depiction of physical places to new developments in novelistic craft
English fiction --- Landscapes in literature. --- Cities and towns in literature. --- Place (Philosophy) in literature. --- Landscape in literature --- English literature --- History and criticism. --- Littérature anglaise --- Espace --- Littérature --- Roman anglais --- Paysage --- Villes --- Lieu (philosophie) --- 20e siècle --- Histoire et critique --- 21e siècle --- Dans la littérature --- Thèmes, motifs
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Ideas of home, place and identity have been continually questioned, re-imagined and re-constructed in Northern Irish poetry. Concentrating on the period since the outbreak of the Troubles in the late 1960s, this study provides a detailed consideration of the work of several generations of poets, from Hewitt and MacNeice, to Fiacc and Montague, to Simmons, Heaney, Mahon and Longley, to Muldoon, Carson, Paulin and McGuckian, to McDonald, Morrissey, Gillis and Flynn. It traces the extent to which their writing represents a move away from concepts of rootedness and towards a deterritorialized poetics of displacement, mobility, openness and pluralism in an era of accelerating migration and globalisation. In the new readings of place, inherited maps are no longer reliable, and home is no longer the stable ground of identity but seems instead to be always where it is not. The crossing of boundaries and the experience of diaspora open up new understandings of the relations between places, a new sense of the permeability and contingency of cultures, and new concepts of identity and home. Professor ELMER KENNEDY-ANDREWS teaches in the Department of English at the University of Ulster.
English poetry --- Home in literature. --- Place (Philosophy) in literature. --- Identity (Psychology) in literature. --- Irish authors --- History and criticism. --- Northern Ireland --- In literature. --- Native cultural identity. --- Northern Irish poetry. --- Troubles. --- contemporary Native writing. --- cultural displacement. --- generations of poets. --- globalization. --- home. --- identity. --- mobility. --- place.
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Focusing on the relationship between England and Scotland and the interaction between history and geography, Penny Fielding explores how Scottish literature in the Romantic period was shaped by the understanding of place and space. This book examines geography as a form of regional, national and global definition, addressing national surveys, local stories, place-names and travel writing, and argues that the case of Scotland complicates the identification of Romanticism with the local. Fielding considers Scotland as 'North Britain' in a period when the North of Europe was becoming a strong cultural and political identity, and explores ways in which Scotland was both formative and disruptive of British national consciousness. Containing studies of Robert Burns, Walter Scott and James Hogg, as well as the lesser-known figures of Anne Grant and Margaret Chalmers, this study discusses an exceptionally broad range of historical, geographical, scientific, linguistic, antiquarian and political writing from throughout North Britain.
Scottish literature --- English literature --- Place (Philosophy) in literature. --- Geographical perception --- Literature and society --- Human geography --- Romanticism --- Pseudo-romanticism --- Romanticism in literature --- Aesthetics --- Fiction --- Literary movements --- Anthropo-geography --- Anthropogeography --- Geographical distribution of humans --- Social geography --- Anthropology --- Geography --- Human ecology --- Literature --- Literature and sociology --- Society and literature --- Sociology and literature --- Sociolinguistics --- Environmental perception --- Maps, Mental --- Mental maps --- Perceptual cartography --- Perceptual maps --- Perception --- Orientation (Psychology) --- Space perception --- Scots literature --- British literature --- History and criticism. --- Scottish authors --- History. --- Social aspects --- Arts and Humanities
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