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A compilation of seminal works by Robert Morris, influential artist and critic, a key figure in Minimalist sculpture, Process Art, and Earthworks.
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Andre, Carl --- LeWitt, Sol --- Morris, Robert --- Judd, Donald --- Flavin, Dan
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Art --- Sculpture --- Film --- art [discipline] --- video art --- performance art --- sculpting --- philosophy of art --- Morris, Robert --- United States of America
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Minimal art --- United States --- Minimal architecture --- Artists --- Biography --- Art [American ] --- 20th century --- Morris, Robert --- Judd, Donald --- LeWitt, Sol --- Flavin, Dan --- Smithson, Robert --- Andre, Carl --- Smith, Tony --- Bladen, Ronald --- Grosvenor, Robert --- Art minimal --- Art, American --- Art, American. --- Minimal art. --- 1900-1999.
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Iconography --- language [general communication] --- Bergvall, Caroline --- Deligny, Fernand --- Pistoletto, Michelangelo --- Morris, Robert --- Maher, Ciaran --- Pacquée, Ria --- Stidworthy, Imogen --- Erasmus, Desiderius --- Cage, John --- Durham, Jimmie --- Meireles, Cildo --- Sala, Anri --- Jaar, Alfredo --- Keyser, de, Raoul --- Kosuth, Joseph
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L'art du XXIe siècle est né sous le signe de l'émotion : le pathos et le rire, les stimulations sensorielles et l'empathie sont aujourd'hui les modes d'adresse privilégiés par les artistes. Au travers d'une analyse très documentée de la scène artistique contemporaine, Catherine Grenier met en lumière le passage "du concept à l'affect" dont témoignent des œuvres qui réaniment les forces vives de la tragédie, du drame ou de la comédie. Enfants terribles de la modernité, héritiers de Goya et de Shakespeare, les artistes convoqués par l'auteur répondent aux pulsions dépressives de notre temps par une interpellation directe du spectateur. Le trauma, la Vanité, le grotesque, l'animalité, l'immaturité sont les zones d'exploration dans lesquelles l'art nous invite à renouer avec une forme de connaissance sensible : la connaissance pathétique. Source : quatrième de couverture
Emotions in art --- Empathy in art --- Art, Modern --- Art --- Critique d'art --- Boltanski, Christian --- Cattelan, Maurizio --- Doig, Peter --- Goya, Francisco De --- Huyghe, Pierre --- Messager, Annette --- Morris, Robert --- 21e siècle --- 1945-.... --- Critique et interprétation --- 1990-.... --- Messager, Annette, --- Boltanski, Christian, --- Doig, Peter, --- Huyghe, Pierre, --- Cattelan, Maurizio, --- Critique et interprétation. --- Art, Modern - 21st century
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Art styles --- Iconography --- Art --- earthworks [sculpture] --- art [discipline] --- Minimal --- site-specific works --- public spaces --- Conceptual --- kunst in de openbare ruimte --- Andre, Carl --- Oppenheim, Dennis --- Oldenburg, Claes --- Morris, Robert --- Smithson, Robert --- Long, Richard --- Graham, Dan --- Meireles, Cildo --- Huebler, Douglas --- anno 1900-1999 --- anno 2000-2099
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Art --- Oppenheim, Dennis --- Ahn, Jaeguk --- Cornejo, Cesar --- Morris, Robert --- Gomi, Kenji --- Han, Wonsuk --- Ho, Christopher Keith --- Hunter, Kenny --- Hwang, Haesun --- Jung, Donghyun --- Moon, Seongjoo --- Rinck, Stefan --- Sandler, Ilan Arthur --- Schulenberg, Andreas --- Seo, Jungkug --- Shaw, Fiona --- Shin, Mookyoung --- Titarubi --- Yeo, Chee Kiong --- Yukutake, Harumi
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film [performing arts] --- visual culture --- Conrad, Tony --- Avant-garde (Aesthetics) --- Avant-garde (Music) --- Postmodernism --- 7.038 --- 7.071 CONRAD --- Cardew Cornelius --- Conrad Tony --- experimentele film --- film --- Flynt Henry --- Grant Beverly --- Kelley Mike --- kunst --- kunsttheorie --- Maciunas George --- Morris Robert --- muziek --- Oursler Tony --- Palestine Charlemagne --- Sherman Cindy --- sixties --- Smith Jack --- twintigste eeuw --- Verenigde Staten --- Young La Monte --- Experimental music --- Musical avant-garde --- Post-modernism --- Postmodernism (Philosophy) --- Arts, Modern --- Modernism (Art) --- Philosophy, Modern --- Post-postmodernism --- History --- Conrad, Anthony Schmaltz --- Criticism and interpretation. --- film [discipline] --- cultuurgeschiedenis --- cultuursociologie
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