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Ce DVD accompagné d'un livre sur la célèbre maison construite à Bordeaux par Rem Koolhaas, cherche moins à faire comprendre le bâtiment, sa structure, ses matériaux, etc. qu'à laisser entrer le spectateur dans la sphère invisible d'une icône de l'architecture contemporaine. C'est l'usage du lieu qui est mis en avant ici, à travers les parcours de ses utilisateurs actuels, avec, en particulier, les témoignages de Guadalupe Acedo, gardienne et femme de ménage. En "coda", un entretien exclusif avec Rem Koolhaas qui commente lui-même le film, ouvre sur un débat portant sur les représentations actuelles de l'architecture, ses contraintes et ses enjeux relatifs au marché ainsi qu'aux mutations urbaines en cours.
architectuur --- photography [process] --- fotografie --- Architecture --- Photography --- architecture [discipline] --- Koolhaas, Rem --- Netherlands --- Architecture, Domestic --- Women household employees --- Villas --- Employées de maison --- Koolhaas, Rem. --- Office for Metropolitan Architecture. --- OMA (Office for Metropolitan Architecture) --- Bordeaux --- 72.07 --- 72.039 --- Koolhaas, Rem ; OMA ; M. Van Severen ; woning te Floirac (Bordeaux) --- DVD's --- Woningbouw ; Bordeaux ; 1998 ; Rem Koolhaas ; Maison à Floirac --- Koolhaas, Rem °1944 (°Rotterdam, Nederland) --- Architecten. Stedenbouwkundigen A - Z --- Architectuurgeschiedenis ; 2000 - 2050 --- Contains audio-visual material --- Criticism and interpretation. --- Architecte --- Film --- Perception de l'architecture --- Employées de maison --- Koolhaas, Rem, --- Koolhaas, Rem, 1944 --- -Bordeaux
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In this book, the projects, buildings and theories of Koolhaas, as well as the other members of the Office for Metropolitan Architecture, are examined in chronological and thematic sequence, beginning with the period of Koolhaas’ education at the Architectural Association School of Architecture of London in the cultural context of the neo-avant-gardes at the end of the 60s and at the beginning of the 70s. The essay then discusses the period of his stay in New-York, his contact with Ungers, Eisenman, Rowe, as well as the polemic confrontation with the emerging post-modernism movement; and it concludes with the last critical contributions of Koolhaas. The starting point is design, which, in the case of Koolhaas, usually grows out of an alchemy of logic, influenced both by the proposed program (as viewed by the clients and institutions) and the metaphorical and autobiographical aspiration of the artist. The analysis is carried through to the details of construction, with special attention paid to the choice of materials, the configuration of the structure, and the role and position of the installation. The book is richly illustrated and includes an exhaustive bibliography.
Koolhaas, Rem --- Critique et interprétation --- Office for Metropolitan Architecture --- Architectuur ; 1970-2008 ; Rem Koolhaas ; OMA --- Architectuurtheorie ; essays ; over het werk van R. Koolhaas --- Kunst ; theorie, filosofie, esthetica --- OMA (Office for Metropolitan Architecture) --- 72.07 --- 7.01 --- Koolhaas, Rem °1944 (°Rotterdam, Nederland) --- 72 KOOLHAAS, REM --- 72.01 --- 72.039 --- 72.039 Hedendaagse architectuur. Bouwkunst sinds 1960 --- Hedendaagse architectuur. Bouwkunst sinds 1960 --- 72.01 Architectuurtheorie. Bouwprincipes. Esthetica van de bouwkunst. Filosofie van de bouwkunst --- Architectuurtheorie. Bouwprincipes. Esthetica van de bouwkunst. Filosofie van de bouwkunst --- 72 KOOLHAAS, REM Architectuur. Bouwkunst--KOOLHAAS, REM --- Architectuur. Bouwkunst--KOOLHAAS, REM --- Architecten. Stedenbouwkundigen A - Z --- Architecture, Modern --- Criticism and interpretation. --- Office for Metropolitan Architecture. --- 72.01 Theory and philosophy of architecture. Principles of design, proportion, optical effect --- Theory and philosophy of architecture. Principles of design, proportion, optical effect --- Koolhaas, Rem - Critique et interprétation
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Présentation de trente-deux gratte-ciel aux Etats-Unis, à Taiwan, à Hong Kong, dans les Emirats arabes unis, etc., qui témoignent des recherches d'architectes contemporains pour créer des buildings plus élevés, spectaculaires ou respectueux de l'environnement.
immeubles de grande hauteur --- ouvrages illustrés --- ouvrages illustres --- ouvrages illustrés --- Architecture contemporaine --- Détail de construction --- Gratte-ciel --- Tour --- Calatrava, Santiago --- Coss, Henry N. --- Fuksas, Massimiliano --- Koolhaas, Rem --- Lau, Denis --- Man, Ng Chun --- Peichl, Gustav --- Podrecca, Boris --- Scheeren, Ole --- Abu Dhabi --- Barcelone --- Bonn --- Chine --- Londres --- Malmö --- New york --- Paris (France) --- Pékin (Chine) --- Qatar --- Rotterdam --- Seoul --- Shanghai --- Calatrava, Santiago, --- Koolhaas, Rem, --- Fuksas, Massimiliano, --- Calatrava, Santiago, 1951 --- -Coss, Henry N. --- Fuksas, Massimiliano, 1944 --- -Koolhaas, Rem, 1944 --- -Lau, Denis --- Immeubles de grande hauteur --- 21e siècle
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Compte-rendu polémique des rapports incestueux qu’entretiennent la culture et le capitalisme contemporains, cet ouvrage s’intéresse plus particulièrement aux évolutions récentes du statut culturel du design et de l’architecture, de l’art et de la critique. Avec l’avènement de l’économie post-fordiste, de ses produits ciblés et de ses marchés de niche, nous vivons dans un circuit sans fin de production et de consommation, où le display (l’étalage ou l’exposition) joue un rôle essentiel, ainsi que le design et l’architecture. S’attacher à montrer le lien entre les formes culturelles et discursives et les forces sociales et technologiques, et les périodiser afin de souligner les singularités politiques du monde d’aujourd’hui, telle est la principale ambition de ce livre. Mais au-delà des possibilités critiques du temps présent, c’est bien « une insatiable prédilection pour l’alternative » qu’il s’agit de promouvoir. Deux chapitres s'intéressent particulièrement aux architectes : le premier à Frank Gehry et son oeuvre "spectaculaire", le deuxième à Rem Koolhaas et à ses ambiguités. Autres articles de Foster sur le site de la London.
Architecture and society --- Architecture --- Architectural criticism --- Design --- Art criticism --- Architecture et société --- Critique d'architecture --- Critique d'art --- History --- Philosophy --- Histoire --- Philosophie --- Architecture et société --- Théorie de l'art --- Modernisme --- Critique architecturale --- Sociologie de l'art --- Art contemporain --- Rapport art-architecture --- Mouvement moderne --- Média --- Koolhaas, Rem --- Gehry, Frank Owen --- Koolhaas, Rem, --- Architecture and society - History - 20th century --- Design - History - 20th century --- Art criticism - History - 20th century --- Koolhaas, Rem, 1944 --- -Gehry, Frank Owen --- 20th century.
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"Skyscrapers have sex and are caught in flagrante delicto. Between a pink torso and a buffed-up American GI, a nun spits fire. Synchronised swimmers, prize-winning vegetables and the mythic 'making' of Manhattan are all celebrated on countless postcards. A home-analysis kit combines the veneer of Freudian insight with the depth of Trivial Pursuit. Welcome to the world of artist Madelon Vriesendorp." "This publication reveals for the first time a significant - and near secret - corpus of work notable for its wild diversity. Though Vriesendorp is best known for her seminal cycle of anthropomorphic architectural paintings, her extensive 'art of generosity' embraces bad taste, pop, 'playground surrealism' and the touching beauty of culture's failed objects. Here, enlightenment emerges from distraction, whilst seriousness must surrender to the non-serious."
Vriesendorp, Madelon --- Art, Modern --- Art --- Exhibitions. --- Expositions --- Koolhaas, Rem --- 7.07 --- 75.07 --- Beeldende kunst ; 1967-2007 ; Madelon Vriesendorp --- OMA (Office for Metropolitan Architecture) --- Vriesendorp, Madelon °1945 (°Bilthoven, Nederland) --- Misconceptual art --- Verzamelingen ; postkaarten ; speelgoed --- Kunstenaars met verschillende disciplines, niet traditioneel klasseerbare, conceptuele kunstenaars A - Z --- Schilderkunst ; schilders --- Exhibitions --- Vriesendorp, Madelon, --- Art - 20e siècle - Expositions --- Gratte-ciel
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72 --- 72.039 --- 725.81 --- 72.092 --- Architectuur. Bouwkunst --- Hedendaagse architectuur. Bouwkunst sinds 1960 --- Gebouwen met nadruk op de akoestiek. Concertgebouwen. Concerthallen --- Architectuurwedstrijden --- 72.092 Architectuurwedstrijden --- 725.81 Gebouwen met nadruk op de akoestiek. Concertgebouwen. Concerthallen --- 72.039 Hedendaagse architectuur. Bouwkunst sinds 1960 --- 72 Architectuur. Bouwkunst --- 72 Architecture --- Architecture --- KOOLHAAS, Rem (1944 - ....) --- OFFICE FOR METROPOLITAN ARCHITECTURE --- PORTO (PORTUGAL) --- SALLES DE SPECTACLE --- PORTUGAL
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Architecture --- architectural theory --- Mies van der Rohe, Ludwig --- Kahn, Louis I. --- Corbusier, Le --- Libeskind, Daniel --- Stirling, James --- Koolhaas, Rem --- Rossi, Aldo --- Gehry, Frank --- Moretti, Luigi --- Venturi, Robert --- architectuur --- architectural criticism --- architecture [discipline] --- architectuurkritiek --- anno 1900-1999 --- Architecture, Modern --- Composition, proportion, etc. --- Philosophy. --- Composition, proportion, etc --- Philosophie --- Eisenman, Peter --- 72.036 --- 72.07 --- 72.01 --- Architectuur ; analyse van 10 gebouwen --- Architectuur; methodologie --- Eisenman, Peter °1932 (°Newark, New Jersey, Verenigde Staten) --- Architectuur ; 20ste eeuw 1950-2000 --- Proportion (Architecture) --- Architectural design --- Composition (Art) --- 20ste eeuw (architectuur) --- Twintigste eeuw (architectuur) --- Architecten. Stedenbouwkundigen A - Z --- Architectuur ; theorie, filosofie, esthetica --- History --- Proportion --- Philosophy
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Art --- Corillon, Patrick --- Starling, Simon --- Cleijne, Edgar --- Wuyts, Hans --- Tuerlinckx, Joëlle --- Becker, Jochen --- Bircken, Alexandra --- Buckminster Fuller, Richard --- Deleu, Luc --- Opsomer, Els --- Theys, Hans --- Dekyndt, Edith --- Wagner, Silke --- Robyns, Gert --- Althamer, Paweł --- Attia, Hamdi --- Colson, Vaast --- AMO --- Schraenen, Stéphane --- Buth, Peggy --- Corbusier, Le --- Black, Karla --- Arocha, Carla --- Theys, Koen --- Opałka, Roman --- Art & Language --- kunst --- Biënnale van Brussel --- Alimpiev Victor --- stedelijkheid --- kunst en stedelijkheid --- Zhunin Mariam --- Althamer Pawel --- Koolhaas Rem --- de Graaf Reinier --- Arocha Carla --- Schraenen Stéphane --- Art& Language --- Attia Hamdi --- Becker Jochen --- Bircken Alexandra --- Black Karla --- Fuller Richard Buckminster --- Buth Peggy --- Cleijne Edgard --- Colson Vaast --- Contact Press Images --- Convents Cherika --- Corillon Patrick --- Dabernig Josef --- Dekyndt Edith --- Deleu Luc --- Denny Simon --- Dockx Nico --- Vanpevenaege Yves --- Engh Marius --- Esber Ninar --- Farrell Seamus --- Farmer Geoffrey --- fatmi mounir --- Faust Daniel --- Gajaani --- Garber Pablo --- GIlje HC --- Gillam Adam --- Gomez-Egana Pedro --- Goyvaerts Nick --- Goto Masaru --- Haliti Flaka --- Hamza Agon --- Hohenbild Sonja --- Holloway David --- IRWIN --- Jodice Francesco --- Jouve Valérie --- Kelm Annette --- Früger Peter --- La cantine populaire --- Lambri Luisa --- Le Corbusier --- Leiderman Yuri --- Martens Renzo --- Matta-Clark Gordon --- Meisner Christine --- Metzel Olaf --- Micanovic Danijela --- Ming Jerome --- Monastirsky Andrei --- Mrkus Pavel --- Müller Andreas --- Fezer jesko --- Mustafa-carlo Fatmir --- Nayak Swapan --- Newby Kate --- Ntsoma Neo --- Opalka Roman --- Opsomer Els --- Orenli Fahrettin --- Otlet Paul --- Ots Jürgen --- Ottinger Ulrike --- Peljhan Marko --- Pisano Falke --- Pistoletto Michelangelo --- Cittadellarte --- Potential Estate --- Pumhösl Florian --- Robijns Gert --- Schaber Ines --- Pente Stefan --- Schillemans Juliaan --- Schmidt Dierk --- Schneider Florian --- Schneider Stefan --- Schuppli Susan --- S'Himi Batoul --- Sister Corita --- Starling Simon --- Steylaerts Roger --- Stilinovic Mladen --- Taller popular de serigrafia --- Al-Ghoussein Tarek --- Kienke Chris --- Tevet Nahum --- Theys Hans --- Theys Koen --- Tuerlinckx Joëlle --- Uriburu Nicolas --- Velonis Kostis --- Vermeersch Pieter --- Voss Jeronimo --- Votsis Stelios --- Wagner Silke --- Wuyts Hans --- 7.039 --- Exhibitions --- Fuller, Richard Buckminster --- Corbusier, le --- AMO [Mechelen] --- 700 --- hedendaagse kunst --- art contemporain --- kunst algemeen --- art généralités
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color [perceived attribute] --- philosophy of art --- Art --- art [fine art] --- Cash, Johnny --- Halley, Peter --- Vasarely, Victor --- Truitt, Anne --- Ono, Yoko --- Léger, Fernand --- Itten, Johannes --- Rothko, Mark --- Newman, Barnett --- Cruz-Diez, Carlos --- Melville, Herman --- Koolhaas, Rem --- Riley, Bridget --- Moreau, Gustave --- Corbusier, Le --- Shonibare, Yinka --- Ozenfant, Amédée --- Brusatin, Manlio --- Balla, Giacomo --- Smith, Melanie --- Denis, Maurice --- Marden, Brice --- Ruskin, John --- Durham, Jimmie --- Wittgenstein, Ludwig J.J. --- Judd, Donald --- Spengler, Oswald --- Buren, Daniel --- Gleizes, Albert --- Smithson, Robert --- Blanc, Charles-Alexandre-Philippe-Auguste --- Boccioni, Umberto --- Jung, Carl Gustav --- Merleau-Ponty, Maurice --- Bell, Clive --- Reis, Pedro Cabrita --- Michaux, Henri --- Brakhage, Stan --- Olitski, Jules --- Delaunay, Robert --- Stokes, Adrian --- Welling, James --- Matisse, Henri --- Kandinsky, Vasili Vassileevich --- Manzoni, Piero --- Metzinger, Jean --- Rimbaud, Arthur --- Lévi-Strauss, Claude --- Baudelaire, Charles --- Marcos [Subcomandante Insurgente] --- Kundera, Milan --- Gabo, Naum --- Fry, Roger Eliot --- Albers, Josef --- Stockholder, Jessica --- Batchelor, David --- Adorno, Theodor W. --- Pynchon, Thomas --- Frankenthaler, Helen --- Deleuze, Gilles --- Kelly, Ellsworth --- Reed, David --- Nordau, Max --- Eco, Umberto --- Rodtschenko, Alexander Michajlowitsch --- Delaunay, Sonia --- Auster, Paul --- Carrà, Carlo --- Gass, William H. --- Huysmans, Joris-Karl --- Severini, Gino --- Huxley, Aldous --- Whiteread, Rachel --- Doesburg, van, Theo --- Eisenstein, Sergei M. --- Gogh, van, Vincent --- Noland, Kenneth --- Baudrillard, Jean --- Tarantino, Quentin --- Rilke, Rainer Maria --- Kelley, Mike --- Milhazes, Beatriz --- Benjamin, Walter --- Jarman, Derek --- Oiticica, Hélio --- Signac, Paul --- Hiller, Susan --- Richter, Gerhard --- Allais, Alphonse --- Barthes, Roland --- Mondriaan, Piet --- Klein, Yves --- Morris, Robert --- Calvino, Italo --- Gauguin, Paul --- Klee, Paul --- Reinhardt, Ad --- Kristeva, Julia --- Malevitsj, Kasimir --- Derrida, Jacques --- Bochner, Mel --- Berenson, Bernard --- Dean, Tacita --- Russolo, Luigi --- anno 1900-1999 --- anno 2000-2099 --- Color in art --- Color (Philosophy) --- kunst --- kunsttheorie --- kleur --- kleurtheorie --- twintigste eeuw --- eenentwintigste eeuw --- Adorno Theodor --- Albers Josef --- Barthes Roland --- Baudelaire Charles --- Baudrillard Jean --- Benjamin Walter --- Blanc Charles --- Birren Faber --- Bochner Mel --- Brik Osip --- Brusatin Manlio --- Buren Daniel --- Le Corbusier --- Delaunay Robert --- Delaunay Sonia --- Denis Maurice --- van Doesburg Theo --- Durham Jimmie --- de Duve Thierry --- Eco Umberto --- Frankenthaler Helen --- Gauguin Paul --- Halley Peter --- Huysmans Joris-Karl --- Itten Johannes --- Kandinsky Wassily --- Kelley Mike --- Klee Paul --- Klein Yves --- Kristeva Julia --- Lévi-Strauss Claude --- Lichtenstein Jacqueline --- Magnetic Fields --- Malevich Kazimir --- Manzoni Piero --- Mondriaan Piet --- Newman Barnett --- Noland Kenneth --- Oiticica Hélio --- Olitski Jules --- Reinhardt Ad --- Richter Gerhard --- Riley Bridget --- Rilke Rainer Maria --- Rothko Mark --- Ruskin John --- Shonibare Yinka --- Signac Paul --- van Gogh Vincent --- Wittgenstein Ludwig --- 7.017 --- Color in art. --- Art, Modern. --- Kunst ; optische effecten, perspectief, illusie --- 7.048.3 --- Kleur in de kunst ; 20ste en 21ste eeuw --- Iconografie ; licht, beweging, kleur --- Wittgenstein, Ludwig --- Corbusier, le --- Art, Modern --- Colors in art --- Monochrome art --- Modern art --- Nieuwe Ploeg (Group of artists) --- art [discipline] --- Kandinsky, Wassily
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