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Music in literature. --- Dance in literature. --- Goethe, Johann Wolfgang von, --- Dramatic works. --- Goethe, Johann Wolfgang von
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In his late novels, Goethe formulates a profound critique of language and thus challenges his own capacity to represent. Goethe's fundamental scepticism about language derives from an irresolvable ambiguity of words coupled with limitations on their expressiveness; in the case of Elective Affinities and Journeyman Years this leads to the conception of an open work of art. Using detailed textual analysis, Christian Mittermüller reconstructs a hitherto scarcely recognised connection between scepticism about language and poetic theory, and in so doing opens up a new avenue for approaching Goethe'
Goethe. --- Linguistic scepticism. --- Goethe, Johann Wolfgang von, --- Criticism and interpretation.
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" La vie philosophique ne consiste pas uniquement dans la parole et l'écriture, mais dans l'action communautaire et sociale. C'était déjà l'opinion d'Épictète et de Marc Aurèle. C'est aussi dans cette perspective de l'agir qu'il faut comprendre la maxime goethéenne "N'oublie pas de vivre", car elle résume l'extraordinaire amour de la vie que l'on peut observer chez Goethe. " Grand lecteur de Goethe, Pierre Hadot analyse ici comment le maître allemand se situe dans la longue tradition occidentale des " exercices spirituels " inspirés par la philosophe antique. Par cette pratique quotidienne, l'individu s'efforce de transformer sa manière de voir le monde afin de se transformer lui-même. A l'instar des Anciens, Goethe croyait à la nécessité de vivre dans le présent, dans la " santé du moment ", de saisir le bonheur dans l'instant au lieu de se perdre dans la nostalgie romantique du passé ou du futur. Le dépassement du " moi partiel et partial ", la concentration sur l'instant présent, le " regard d'en haut ", la " perspective universelle " sont autant de thèmes, chers à Pierre Hadot, que Goethe a abordés.
Classical literature --- Spiritual exercises. --- Littérature ancienne --- Exercices spirituels --- Influence. --- Influence --- Goethe, Johann Wolfgang von, --- Philosophy. --- Criticism and interpretation. --- Philosophy, Modern --- Goethe, Johann wolfgang von, --- Criticism and interpretation --- Knowledge --- Philosophy --- Littérature ancienne --- Exercices spirituels. --- Philosophie antique --- Goethe, Johann Kaspar --- Goethe, Johann Wolfgang von --- Nietzsche, Friedrich --- Philosophie. --- Philosophy, Modern - 19th century --- Goethe, Johann Wolfgang von, - 1749-1832 - Criticism and interpretation --- Goethe, Johann wolfgang von, - 1749-1832 - Knowledge - Philosophy --- Goethe, Johann Wolfgang von, - 1749-1832 --- Goethe, Johann wolfgang von, - 1749-1832
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German drama --- History and criticism --- Schiller, Friedrich --- Goethe, Johann Wolfgang von --- Dramatic works --- History and criticism. --- Goethe, Johann Wolfgang von, --- Schiller, Friedrich, --- Dramatic works. --- German drama - 18th century - History and criticism --- Schiller, Friedrich - 1759-1805 - Dramatic works --- Goethe, Johann Wolfgang von - 1749-1832 - Dramatic works --- Schiller, Friedrich - 1759-1805 --- Goethe, Johann Wolfgang von - 1749-1832
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Aufführung. --- Literatur. --- Euripides. --- Goethe, Johann Wolfgang von, --- Stemann, Nicolas, --- Euripides. --- Goethe, Johann Wolfgang{von. --- Iphigenie. --- Euripides, --- Iphigenie. --- Goethe, Johann Wolfgang von, --- Stemann, Nicolas, --- Iphigenia Aulidensis. --- Iphigenie auf Tauris. --- Iphigenia in Aulis (Euripides). --- Iphigenie auf Tauris (Goethe, Johann Wolfgang von). --- Geschichte 2007. --- Geschichte. --- Hamburg <2007>.
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Authors, German --- Goethe, Johann Wolfgang von, --- Anna Amalia, --- Relations with women
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Goethe, Johann Wolfgang von, --- Goethe, Johann Wolfgang --- Homes and haunts --- Weimar (Thuringia, Germany) --- Intellectual life.
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Dietrich Gerhardt takes as his starting point Goethe's poem Love Gods in the Market-place that was published in Voss' Muses Almanach in 1796 and later became known under the title Who will buy Gods of Love?, to trace the modern transformations undergone in the pictorial arts, literature and music by the late antique motif of love gods. The study moves from Stabiae and Pompeii via Goethe andThorvaldsen through to Pushkin and ends with reflections on the turn of the millennium.
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