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Documentary photography

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Nicht um Bilder, sondern um den Gebrauch von Bildern geht es Jörn Glasenapp in seinem reich illustrierten Buch. Mit ihm legt er die erste Gesamtdarstellung der deutschen Fotografie nach 1945 vor, welche Kontinuitäten und Brüche sowie zentrale Pradigmen und Tendenzen der fotografischen Praxis ausweist. Vom Ende des Zweiten Weltkriegs, das heißt, den Aufnahmen aus den befreiten Konzentrationslagern sowie den zerstörten deutschen Städten, bis zur Gegenwart, den Neorealismen der Becher-Schule und der Modefotografie eines Juergen Teller, spannt sich der zeitliche Horizont des Buches, das sich auch als eine in Bildern gefasste Mentalitätsgeschichte der Bundesrepublik Deutschland versteht.

Photography --- Documentary photography --- History --- Germany --- Civilization

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Contributors to this volume address the issue of the representation of warfare, in an attempt to assess the veracity or mendacity of war images and their probable impact upon the sequence of events. War images may trigger unfathomable horror or conversely and paradoxically attain sublimity. The margin is sometimes narrow between ethics and aesthetics, let alone the almost irrepressible shift from information to propaganda.

War photography --- Documentary photography --- Photography, Documentary --- Photography --- Combat photography --- Photography, Combat --- Photography, War --- Photojournalism

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Documentary photography --- Photography, Artistic --- Photography --- Gamazo de Abelló, Anna --- Photograph collections.

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Until recently, Albert Kahn's huge collection of 72,000 Autochromes remained relatively unheard of. This book and the BBC TV series it accompanies bring these pictures to a mass audience and put colour into what is thought of as an entirely monochrome age.

Photograph collections --- Civilization, Modern --- Photography, Artistic --- Documentary photography --- Color photography --- Autochrome process --- History --- Kahn, Albert, --- Photograph collections.