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This work studies the conventions of music scoring in major film genres (e.g., science fiction, hardboiled detective, horror, historical romance, western), focusing on the artistic and technical methods that modern composers employ to underscore and accompany the visual events. Each chapter begins with an analysis of the major narrative and scoring conventions of a particular genre and concludes with an in-depth analysis of two film examples from different time periods. Several photographic stills and sheet music excerpts are included throughout the work, along with a select bibliography and discography.
Cinéma --- Cinéma américain --- Musique --- Motion picture music --- Film genres.
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Les films hollywoodiens traités ont pour point commun d'avoir déclenché l'émotion d'un questionnement éthique chez les spectateurs alors qu'ils n'avaient à leur sortie aucune prétention philosophique et qu'ils ne visaient qu'à offrir un loisir cinématographique. L'analyse des chefs-d'oeuvre àla qualité universelle invite à la culture de soi et contribue à pérenniser les valeurs humanistes.
Motion pictures --- Self in motion pictures --- Cinéma --- Moi au cinéma --- History --- Moral and ethical aspects --- Histoire --- Aspect moral --- Cinema --- Moi au cinema --- Cinéma --- Moi au cinéma --- Moi --- Au cinéma. --- Cinéma américain
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Peeren's book brings the work of Russian literary theorist Mikhail Bakhtin to bear on contemporary expressions of popular culture, including the novel and television series Sex and the City, the television series Queer as Folk, the films Nell and Flawless, and London's annual Notting Hill Carnival. This selection of artifacts and events is designed to show the continuing relevance of Bakhtin's ideas for present-day literary and cultural studies, and to theorize that the construction and political assertion of gender, racial, and sexual identities is fundamentally intersubjective. With Intersubjectivities and Popular Culture, Peeren models a new approach to Bakhtin that moves away from the study of Bakhtin's sources and historical context in order to situate him in relation to current debates about identity and agency. By working through various concepts - the chronotope, performativity, the look and the gaze, the cultural addressee, accents and speech genres, translation, and territory and versioning - she demonstrates how Bakhtin's ideas are tested, transformed, and extended by their interaction with specific instances of popular culture and with the other theoretical frameworks those instances invoke.
Carnival --- Motion pictures --- Popular culture --- Television programs --- 316.728.1 --- 316.772.22 --- 82.0 --- 82.0 Literatuurtheorie --- Literatuurtheorie --- 316.728.1 Popculture. Popular culture. Volkscultuur. --- Popculture. Popular culture. Volkscultuur. --- Fasnacht --- Fastnacht --- Mardi Gras (Festival) --- Pre-Lenten festivities --- Festivals --- Masks --- Shrove Tuesday --- 316.772.22 Audio-visuele, visuele communicatie. Beeldcommunicatie--(communicatiesociologie) --- Audio-visuele, visuele communicatie. Beeldcommunicatie--(communicatiesociologie) --- History --- Popculture. Popular culture. Volkscultuur --- Bakhtin, M. M. --- Bachtin, Michail, --- Bachtin, Michail M., --- Baxtin, Mixail Mixailovič, --- Bakhtine, Mikhaïl, --- Bajtin, Mijail, --- Bakhtin, Mikhail Mikhaĭlovich --- Bakhtin, Mikhail Mikhaĭlovich, --- Bahŭchʻin, --- Bahtyin, M. M. --- Bahtyin, Mihail Mihajlovics, --- Bahtin, M. M., --- Bachtinas, M. --- Bachtinas, Michailas, --- Бахтин, М. М. --- Bahtin, Mihail, --- Bakhtin, Mikhail, --- Бахтин, Михаил Михайлович, --- Criticism and interpretation. --- Bakhtin, Mikhayil, --- BAKHTINE (MIKHAIL), 1895-1975 --- Culture populaire --- CULTURE DE MASSE --- CINEMA AMERICAIN --- TELEVISION AMERICAINE --- CARNAVALS --- CRITIQUE ET INTERPRETATION --- 20e siècle --- GRANDE-BRETAGNE --- HISTOIRE
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