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"'An impressively complete survey of the play in its cultural, theatrical, historical and political contexts.' - David Bradby, co-editor of Contemporary Theatre Review. Samuel Beckett's Waiting for Godot is not only an indisputably important and influential dramatic text -it is also one of the most significant western cultural landmarks of the twentieth century. Originally written in French, the play first amazed and appalled Parisian theatre-goers and critics before receiving a harshly dismissive initial critical response in Britain in 1955. Its influence since then on the international stage has been significant, impacting on generations of actors, directors and audiences."--Bloomsbury Publishing.
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Beckett n'est pas l'écrivain du désespoir, de l'angoisse, comme une lecture convenue et trop inspirée par les thématiques existentialistes, des années 50 l'a crédité. Il n'est pas non plus une farce, dérision baroque moderne. Dans ce bref essai, l'auteur présente un autre Beckett, dont le langage cherche à dire la desnité et les failles de l'être humain. Il nous brosse un Beckett tendre et rugueux, soucieux de la beauté des mots, des impasses de la communication, et du surgissement de l'événement.
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