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Tim Yip, the art director of the motion picture "Red cliff" recorded in this book on how he and director John Wu produced the motion picture.
Art and motion pictures --- Chibi (Motion picture) --- Production and direction.
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Revenant sur l'origine du cinématographe comme expérience et comme technique, cet essai se penche sur le rapport à l'obscurité pour réfléchir à la dimension rituelle du spectacle cinématographique. Cinéaste et photographe, l'auteur évoque son itinéraire et ses rencontres et propose une étude sur le cinéma en tant qu'art de la durée, art du temps et de l'histoire, image par image.
Motion pictures --- Photography, Artistic --- Art and motion pictures --- Cinéma --- Photographie artistique --- Art et cinéma --- Aesthetics --- Esthétique --- Cinéma --- Art et cinéma --- Esthétique --- Arts du spectacle --- Photographie --- Biographies
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Picabia, Francis --- Duchamp, Marcel --- Man Ray --- Ray, Man --- kunst --- surrealisme --- Duchamp Marcel --- Picabia Francis --- twintigste eeuw --- schilderkunst --- fotografie --- ready-mades --- installaties --- Frankrijk --- 7.036 --- 7.071 DUCHAMP --- 77.071 RAY --- 75.071 PICABIA --- Exhibitions --- Art and motion pictures --- Art and photography --- Modernism (Art) --- Art, Modernist --- Modern art --- Modernism in art --- Modernist art --- Aesthetic movement (Art) --- Art, Modern --- Photography and art --- Photography --- Art and moving-pictures --- Motion pictures and art --- Motion pictures --- Duchamp, Marcel, --- Picabia, Francis, --- Picabia de la Torre, Francis-Marie Martínez, --- Martínez Picabia de la Torre, Francis-Marie, --- Torre, Francis-Marie Martínez de la, --- Sélavy, Rrose, --- Duchamp-Villon, Marcel, --- Villon, Marcel Duchamp-, --- Duchamp, Henri Robert Marcel, --- Dushan, Marsel, --- דושאן, מרסל --- デユシヤンマルセル, --- Duxiang, --- Sélavy, Rose, --- Sélavy, Rrose --- Villon, Marcel Duchamp --- -Duchamp, Henri Robert Marcel --- Dushan, Marsel --- Duxiang --- Sélavy, Rose --- Duchamp, Marcel. --- Man Ray. --- Picabia, Francis.
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R. Bruce Elder argues that the authors of many of the manifestoes that announced in such lively ways the appearance of yet another artistic movement shared a common aspiration: they proposed to reformulate the visual, literary, and performing arts so that they might take on attributes of the cinema. The cinema, Elder argues, became, in the early decades of the twentieth century, a pivotal artistic force around which a remarkable variety and number of aesthetic forms took shape. To demonstrate this, Elder begins with a wide-ranging discussion that opens up some broad topics concern
Modernisme (Art) --- Avant-garde (Esthetique) --- Art et cinema. --- Modernism (Art) --- Avant-garde (Aesthetics) --- Art and motion pictures. --- Art, Modernist --- Modern art --- Modernism in art --- Modernist art --- Aesthetic movement (Art) --- Art, Modern --- Aesthetics --- Art and moving-pictures --- Motion pictures and art --- Motion pictures --- Eisenstein, Sergei, --- Eisenstein, Sergei M., --- Eisenstein, Sergej, --- Эйзенштейн, Сергей Михайлович, --- Ėĭzenshteĭn, Sergeĭ Mikhaĭlovich, --- Айзенштайн, Сергей Михайлович, --- Aĭzenshtaĭn, Sergeĭ Mikhaĭlovich, --- Ejzenštejn, --- Ejzenštejn, S. M., --- Еисенстеин, Сергей Михайлович, --- Eisenstein, Sergeĭ Mikhaĭlovich, --- Ejzenstein, --- Ejzenstein, S. M., --- Eisenstein, --- Eisenstein, Serge, --- Eisenstein, S. M., --- Ejzenštejn, Sergej, --- Eisenstein, S. --- Эйзенштейн, С. М. --- Ėĭzenshteĭn, S. M. --- Aisan̲sṭin̲, Cerji, --- Aizenshṭain, Sergai, --- איזנשטיין , סרגיי --- Eisenstein, Serguei M., --- Eizenstein, Sergei, --- Critique et interpretation. --- Criticism and interpretation. --- Motion pictures and the arts. --- Art et cinéma --- Avant-garde (Esthétique) --- Cinéma et arts --- Eisenstein, Sergei --- Eisenstein, Serge M.,
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