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Altarpieces, Spanish --- Altarpieces, Gothic --- Painting, Spanish --- Painting, Late Gothic --- Painting --- Painters --- Artists' studios --- Economic aspects --- Job descriptions
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Religious articles --- Church vestments --- Altarpieces, Medieval --- Objets religieux --- Vêtements liturgiques --- Retables médiévaux --- Catalogs --- Catalogues --- Dom zu Halberstadt --- Vêtements liturgiques --- Retables médiévaux --- Halberstadt --- Trésor --- Cathédrale
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Painting --- History --- oil sketches --- altarpieces --- onderzoek in de kunsten --- geschiedenis --- schilderkunst --- adoration of the magi --- Rubens, Peter Paul --- Royal Museum of Fine Arts [Antwerp] --- anno 1600-1699 --- Flanders
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Le Retable de Gand, connu aussi sous l'appellation d'Agneau mystique, est l'un des plus grands chefs d'œuvre de la peinture européenne. Ayant mis leur génie artistique au service du génie du christianisme, les frères Van Eyck ont atteint au sommet du sublime. Le souffle de l'Esprit anime chaque partie de l'ouvrage, chaque recoin de chaque toile de cette véritable Bible picturale. Dès sa création, l'objet destiné avant tout aux besoins liturgiques n'a cessé de fasciner, de troubler, de convertir. Les plus grands artistes sont venus se recueillir devant lui, d'Albrecht Dürer à Paul Claudel. Les plus grands despotes ont tenté de s'en emparer, de Napoléon à Hitler. Mais, traversant tous les abattoirs de l'Histoire, L'Agneau mystique est arrivé jusqu'à nous en messager de l'éternité. En philosophe et en poète, Fabrice Hadjadj éclaire l'ouvrage à la lumière de la modernité. Sous sa plume, les vérités enfouies surgissent pour ancrer l'Agneau dans nos esprits et dans nos cœurs.
Iconography --- Eyck, van, Jan --- Eyck, van, Hubert --- Painting, Flemish --- Peinture flamande --- Eyck, Hubert van, --- Eyck, Jan van, 1390-1440. --- Altarpieces --- Eyck, Jan van, --- Flemish Christian Painting --- 15th Century --- Altarpieces - Belgium - Ghent --- Eyck, Jan van, - 1390-1440 - Ghent altarpiece --- Eyck, Hubert van, - 1366-1426
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sculpting --- altarpieces --- Medieval [European] --- Sculpture --- History --- retables [altar appendages] --- Gothic [Medieval] --- anno 1200-1499 --- Belgium --- Netherlands --- Altarpieces, Gothic --- Retables gothiques --- Themes, motives --- Social aspects --- Thèmes, motifs --- Aspect social --- retabels --- altaar --- gotiek --- iconografie --- 14de eeuw --- 15de eeuw --- 16de eeuw --- Nederlanden --- 730.9492 --- Arts Sculpture Netherlands --- retables [altar appendage] --- Thèmes, motifs --- Altarpieces [Gothic ] --- Christian art and symbolism --- Medieval, 500-1500 --- Sculpture [Gothic ] --- Image (Theology) --- 15th century --- Middle Ages, 500-1500 --- Gotiek --- Altaarstukken --- 15e eeuw --- Geschiedenis --- Functies --- Gebruiken --- Iconografie --- beeldhouwkunst, Nederlanden --- retabels. --- altaar. --- gotiek. --- iconografie. --- 14de eeuw. --- 15de eeuw. --- 16de eeuw. --- Nederlanden.
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A social history of reception, this study focuses on sacred art and Catholicism in Rome during the late sixteenth and seventeenth centuries. The five altarpieces examined here were painted by artists who are admired today - Caravaggio, Guercino, and Guido Reni - and by the less renowned but once influential Tommaso Laureti and Andrea Commodi. By shifting attention from artistic intentionality to reception, Pamela Jones reintegrates these altarpieces into the urban fabric of early modern Rome, allowing us to see the five paintings anew through the eyes of their original audiences, both women and men, rich and poor, pious and impious.
Altarpieces, Italian --- Christianity and art --- Art and society --- Catholic Church --- History --- altarpieces --- Baroque --- Retables italiens --- Christianisme et art --- Art et société --- altaarstukken --- kerk (interieur) --- Laureti, Tommaso --- Caravaggio --- Commodi, Andrea --- Guercino --- Art et société --- Religious architecture --- anno 1600-1699 --- anno 1500-1599 --- Rome --- religieuze kunst --- sociale geschiedenis --- 16de eeuw --- 17de eeuw --- Catholic Church. --- Eglise catholique --- Histoire --- interieur van een kerk --- Altarpieces, Italian - Italy - Rome --- Christianity and art - Catholic Church --- Art and society - Italy - Rome - History - 16th century --- Art and society - Italy - Rome - History - 17th century --- altaarstukken. --- religieuze kunst. --- interieur van een kerk. --- sociale geschiedenis. --- Laureti, Tommaso. --- Caravaggio. --- Commodi, Andrea. --- Guercino. --- 16de eeuw. --- 17de eeuw. --- Rome.
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Altarpieces --- Christian art and symbolism --- Painting, Spanish --- Retables --- Art et symbolisme chrétiens --- Peinture espagnole --- Gallego, Fernando, --- Bermejo, Bartolomé. --- Ciudad-Rodrigo (Spain) --- Ciudad Rodrigo (Espagne) --- Church history --- Histoire religieuse --- Art et symbolisme chrétiens --- Bermejo, Bartolomé.
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Goes, van der, Hugo --- Painters --- Painting, Flemish --- Altarpieces, Flemish --- Peintres --- Peinture flamande --- Retables flamands --- Biography --- Biographies --- Goes, Hugo van der, --- Criticism and interpretation. --- techniek --- Geloof --- altaarstukken --- Portinari triptiek --- Goes, Hugo van der --- Fra Angelico --- Portinari, Tommaso --- Wauters, Alphonse --- Destrée, Joseph --- Panofsky, Erwin --- Pächt, Otto --- -75:726.593 --- 75 VAN DER GOES, HUGO --- 247.2 --- 247.2 Altaar. Tabernakel. Retabel. Ambon --- Altaar. Tabernakel. Retabel. Ambon --- 75 VAN DER GOES, HUGO Schilderkunst--VAN DER GOES, HUGO --- Schilderkunst--VAN DER GOES, HUGO --- 75:726.593 Geschilderde altaarstukken. Retabels. Diptieken. Triptieken --- Geschilderde altaarstukken. Retabels. Diptieken. Triptieken --- Flemish altarpieces --- Flemish painting --- Van der Goes, Hugo, --- Van der Goes, Hugo (14..-1482) --- 75:726.593 --- Van der Goes, Hug, --- van der Goes, Hugo --- Van der Goes, Hugo --- techniek. --- Geloof. --- altaarstukken. --- Portinari triptiek. --- van der Goes, Hugo. --- Fra Angelico. --- Portinari, Tommaso. --- Wauters, Alphonse. --- Destrée, Joseph. --- Panofsky, Erwin. --- Pächt, Otto.
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