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On reconnaît en général dans l'oeuvre puissante de Geoffrey Hill (né en 1932) "l'une des plus hautes voix de la poésie anglaise contemporaine" (Patrick Kéchichian). G. Hill s'efforce de rendre à la poésie une légitimité publique après les dévoiements du langage et les immenses tragédies dont s'est montré capable le XXe siècle européen. La poésie de Geoffrey Hill et la modernité est le premier ensemble critique, international, à lui être consacré en français.

Hill, Geoffrey (1932-....) --- Poésie anglaise --- Histoire et critique --- 20e siècle --- Hill, Geoffrey (1932-....) --- Poésie anglaise --- Histoire et critique --- Congrès --- 20e siècle --- Histoire et critique --- Congrès

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Kerry McSweeney critiques such readings of Romantic, Victorian, and 19th-century American poems. In What's the Import? he proposes and exemplifies an aesthetic or intrinsic critical model rooted in literary-historical contextualization that considers the determination of meanings to be only one of the qualities that full engagement with a poem requires. His wide-ranging study discusses poems by Wordsworth, Keats, Tennyson, Browning, Whitman, Dickinson, Carroll, Dante and Christina Rossetti, Swinburne, Hopkins, Hardy, and the Michael Field poets. What's the Import? contributes to the current debates in North America about the state and direction of English studies and the teaching of literature in general.

Aesthetics. --- Criticism. --- English poetry --- American poetry --- History and criticism --- Theory, etc. --- Poesie anglaise --- Poesie americaine --- Critique. --- Esthetique. --- Histoire et critique --- Theorie, etc.

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Thirty-seven chapters, written by leading literary critics from across the world, describe the latest thinking about twentieth-century war poetry. The book maps both the uniqueness of each war and the continuities between poets of different wars, while the interconnections between the literatures of war and peacetime, and between combatant and civilian poets, are fully considered. The focus is on Britain and Ireland, but links are drawn with the poetry of the United States and continental Europe. The Oxford Handbook feeds a growing interest in war poetry and offers, in toto , a definitive survey of the terrain. It is intended for a broad audience, made up of specialists and also graduates and undergraduates, and is an essential resource for both scholars of particular poets and for those interested in wider debates about modern poetry. This scholarly and readable assessment of the field will provide an important point of reference for decades to come.

Poésie anglaise --- --Poésie irlandaise --- --Guerre mondiale, 1re, --- War poetry, English --- History and criticism --- Irish authors --- English poetry --- History and criticism. --- Poetry --- English literature --- Thematology --- oorlogen (themawoord fictie) --- anno 1900-1999 --- Ireland --- Great Britain --- English war poetry --- Irish authors&delete& --- Poésie irlandaise --- Guerre mondiale, 1re, 1914-1918 --- War poetry, English - History and criticism --- War poetry, English - Irish authors - History and criticism --- English poetry - Irish authors - History and criticism --- Poésie de guerre anglaise --- Histoire et critique

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English poetry --- Politics and literature --- Political poetry, English --- Poésie anglaise --- Politique et littérature --- Poésie politique anglaise --- History and criticism. --- History --- Histoire et critique --- Histoire --- Chaucer, Geoffrey, --- Gower, John, --- Langland, William, --- Political and social views. --- Great Britain. --- Great Britain --- Grande-Bretagne --- Constitutional history --- Histoire constitutionnelle --- Representative government and representation in literature --- Representative government and representation --- Middle English, 1100-1500 --- History and criticism --- Political and social views --- Poésie anglaise --- Politique et littérature --- Poésie politique anglaise --- English poetry - Middle English, 1100-1500 - History and criticism --- Politics and literature - Great Britain - History - To 1500 --- Political poetry, English - History and criticism --- Constitutional history - England --- Representative government and representation - England - History --- Chaucer, Geoffrey, - d. 1400 - Political and social views --- Gower, John, - 1325?-1408 - Political and social views --- Langland, William, - 1330?-1400? - Political and social views --- Chaucer, Geoffrey, - d. 1400 --- Gower, John, - 1325?-1408 --- Langland, William, - 1330?-1400?