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Manuel Vason (b. 1974) is a visionary artist exploring photography as a philosophical prism through which to engage with others, reflect on the self and expand the imaginal. In particular, he considers the act of photographing as a durational performance of focusing attention on the appearance of things and events with the intention of keep them unfixed and alive. Since 1999, Vason has collaborated with more than 250 international performance artists, produced seven publications and exhibited in numerous institutions worldwide. In 2019, Vason completed a PhD at the University for Creative Arts (UK) investigating the frictional interdependency between photography and performance art.
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Carsten Nicolai (*1965) is among the very few artists of our times who convincingly work in the conflictual zone between art, science, and sound. His works lay open the functional principles of codification, self-organization, and perception: the hand of the artist recedes and the classical notion of an oeuvre is put into question. The works of Carsten Nicolai create an elementary, universal language that attempts to elude simple rationality, requesting instead to be perceived by an individual subject. If systems of classification and their immediate elementary impact are at the basis of his work, Nicolai puts them to use in order to produce a space of experience. The book includes a survey of Nicolai's works, from his installation at Documenta X to the new pieces produced on the occasion of his major solo exhibition at Haus Konstruktiv in Zurich. Carsten Nicolai is also the first laureate of the newly established art award "Zurich-Prize." (http://www.jrp-ringier.com/)
Nicolai, Carsten --- Harrison, Rachel --- Performance-art --- Performance
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Art --- parody --- performance art --- Chetwynd, Spartacus
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In den Künsten der Gegenwart gehört die Überschreitung herkömmlicher Disziplin- und Mediengrenzen längst zum Alltag. Dieses Buch, verfasst von einem interdisziplinären Autorenteam, reflektiert diese Tendenzen, indem er folgenden Fragen nachgeht: Wie erscheinen bestimmte Themen und Motive – z.B. die Träne, die Ekstase, der Sport – in Kunst, Musik, Literatur und Film, wo zeigen sich ästhetische Differenzen und Analogien, wie kann man umgehen mit geschichtlichen Diskontinuitäten, die sich dabei im Vergleich der Künste ergeben? Thematisch bewegt sich der Band im Spannungsfeld von Hoch- und Alltagskultur.
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The collection of essays Fictional Realities / Real Fictions. Contemporary Theatre in Search of a New Mimetic Paradigm tackles the problem of fictionality and reality in contemporary theatre practice and playwriting. It approaches this hotly debated issue in a larger context of the theories of theatrical and dramatic mimesis. The volume provides an answer to the most recent developments in performative arts, such as the widespread use of new media technologies, the popularity of site specific...
Theater --- Performing arts. --- Show business --- Arts --- Performance art --- Philosophy.
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Performing arts --- Political aspects --- Social aspects --- Show business --- Arts --- Performance art
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An insight into the meaning and value of popular forms of expression during a time of political and social change in East Africa.
Performing arts --- Show business --- Arts --- Performance art --- Social aspects --- Political aspects
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Art --- Film --- art [discipline] --- video art --- performance art --- triptychs --- Gilbert and George --- Great Britain
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Art --- sculpture [visual works] --- video art --- performance art --- graphic arts --- Nauman, Bruce
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music [performing arts genre] --- performance art --- social anthropology --- artists' films --- cooperation --- Stokes, Matt
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