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Tinguely, Jean --- Tinguely, Jean, --- 73.07 --- 7.07 --- Beeldhouwkunst ; 20ste eeuw --- Kinetische kunst ; assemblages ; Jean Tinguely --- Nouveau Réalisme --- Junk sculpture --- Tentoonstellingscatalogi ; Rotterdam ; Kunsthal --- Tinguely, Jean 1925-1991 (°Fribourg, Zwitserland) --- Zwitserland 727.8 --- Beeldhouwkunst ; beeldhouwers A - Z --- Kunstenaars met verschillende disciplines, niet traditioneel klasseerbare, conceptuele kunstenaars A - Z --- ruimtelijke kunst --- moderne kunst --- Kinetic sculpture --- Sculpture, Kinetic --- Sculpture in motion --- Kinetic art --- Sculpture, Abstract --- Dinggeli, Shang, --- outdoor sculpture --- installations [visual works] --- motion --- Kinetic [style] --- 790 --- hedendaagse kunst --- kunstenaars --- artistes --- Kinetic Art

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Kennismaking met de Zwitserse kunstenaar Jean Tinguely (1925-1991), die bewegende sculpturen en nutteloze machines van roestig ijzer en afvalmateriaal maakte. Met kleurenfoto's. Vanaf ca. 11 jaar.

Tinguely, Jean --- 7.07 --- 73.07 --- Beeldende kunst ; installaties ; 20ste eeuw ; Jean Tinguely --- Tinguely, Jean 1925-1991 (°Fribourg, Zwitserland) --- Kinetische kunst ; assemblages ; Jean Tinguely --- Nouveau Réalisme --- Junk sculpture --- Kinderboeken --- Kunstenaars met verschillende disciplines, niet traditioneel klasseerbare, conceptuele kunstenaars A - Z --- Beeldhouwkunst ; beeldhouwers A - Z --- Art styles --- Iconography --- Sculpture --- Kinetic [style] --- sculpting --- anno 1900-1999 --- anno 2000-2099 --- France --- Kinetic Art --- jongeren en kunst

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This debut volume establishes Steve Willard as a true original, an artist whose kinetic sense of wordplay is deft, smart, and unfailingly provocative. Intended to be read in repeated passes, these poems are Cubist in feel, multifaceted in syntax, and brilliant in coloration. By turns disjunctive, narrative, plaintive, and disruptive, Harm. makes use of a wide formal range in reaching toward its ambition, which is nothing short of reclaiming lost human potentiality from current norms. Syntax flexes and the world is refigured, observed as if through a different camera's open aperture, drawing the reader to a new and transformative interior landscape.

Nature --- Poetry. --- Poems --- Poetry --- Verses (Poetry) --- Literature --- Philosophy --- ambition. --- coloration. --- contemporary poetry. --- cubist. --- disjunctive. --- disruptive. --- honesty. --- human possibility. --- interior landscape. --- invention. --- kinetic sense. --- literary poetry. --- lost human potential. --- multifaceted. --- narrative. --- original poetry. --- plaintive. --- poems. --- poet. --- poetry. --- provocative. --- repeated readings. --- subject and object. --- transformative. --- wordplay. --- writing style.

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Art --- motion --- technology [general associated concept] --- Kinetic Art --- machines [general equipment] --- Horn, Rebecca --- Tinguely, Jean --- Lia --- Beutler, Michael --- Greenfort, Tue --- Lewis, Tim --- Manetas, Miltos --- Paine, Roxy --- Pippin, Steven --- Sollfrank, Cornelia --- Zgraggen, Antoine --- Zybach, Andreas --- Eliasson, Olafur --- Hirst, Damien --- Bulloch, Angela --- Althamer, Paweł --- Kessler, Jon

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The Scottish mathematician Colin MacLaurin (1698-1746) is best known for developing and extending Newton’s work in calculus, geometry and gravitation; his 2-volume work "Treatise of Fluxions" (1742) was the first systematic exposition of Newton’s methods. It is well known that MacLaurin was awarded prizes by the Royal Academy of Sciences, Paris, for his earlier work on the collision of bodies (1724) and the tides (1740); however, the contents of these essays are less familiar – although some of the material is discussed in the Treatise of Fluxions - and the essays themselves often hard to obtain. This book presents these important works in translation for the first time, preceded by a translation of MacLaurin’s MA dissertation on gravity (Glasgow, 1713) which provides evidence of his early study of Newtonian principles. In his essentially descriptive discussion of gravity MacLaurin ranges over planetary orbits, vortices and theology. His discussion of collisions includes a disputatious account of what should be understood by the force of a moving body, a contentious topic at the time. The essay on the tides has the original version of his celebrated theorem on the equilibrium of a spheroidal fluid mass and employs a remarkable combination of geometry and calculus to determine forces of attraction. The aim is to make this material more generally accessible to researchers and students in mathematics and physics, and indeed to anyone with an interest in the historical development of these subjects. A general introduction puts the works in context and gives an outline of MacLaurin's career. Each translation is then accompanied by an introduction and a series of notes and appendices in which individual results are analysed, both in modern terms and from a historical point of view. Background material is also provided.

Tides --- Collisions (Physics) --- Gravity --- MacLaurin, Colin, --- Geophysics --- Mechanics --- Pendulum --- Kinetic theory of matter --- Scattering (Physics) --- Equilibrium theory of tides --- Ocean circulation --- Mathematics. --- Geography. --- History of Mathematical Sciences. --- Applications of Mathematics. --- Classical and Continuum Physics. --- History and Philosophical Foundations of Physics. --- Earth Sciences, general. --- Cosmography --- Earth sciences --- World history --- Math --- Science --- History. --- Applied mathematics. --- Engineering mathematics. --- Continuum physics. --- Physics. --- Earth sciences. --- Geosciences --- Environmental sciences --- Physical sciences --- Natural philosophy --- Philosophy, Natural --- Dynamics --- Classical field theory --- Continuum physics --- Physics --- Continuum mechanics --- Engineering --- Engineering analysis --- Mathematical analysis --- Annals --- Auxiliary sciences of history --- Mathematics