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Art --- Philosophy --- Art and philosophy. --- Art criticism. --- Intention.
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Art Criticism - 19th-21st Century. --- Art, Modern --- Art, Modern
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Art --- community art --- art criticism --- political art --- interactive art --- kunstsociologie
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Sociology of cultural policy --- Theatrical science --- art criticism
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Aesthetics of art --- Art and society --- Art criticism --- Art --- Political aspects
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Personne n'arrive innocent devant une œuvre d'art. Usages, pratiques, principes, voire règles, assignés à l'art sont légions. Même à ceux qui considèrent que le regard porté sur une œuvre doit être tout d'intuition et d'inspiration, non conceptuel, non intellectuel et qu'il ne faut aucune théorie, cette idée d'une disposition instinctive pour l'art est elle-même... théorique. Ces a priori sur l'art - parfois contradictoires - sont des échos de théories issues des écrits de Platon, Aristote, Kant, Hegel, Nietzsche, Benjamin, sans oublier les écrits des critiques et des artistes eux-mêmes. C'est du point de vue de leurs effets sur les pratiques que ces théories sont explorées ici.
Art --- Aesthetics. --- Art criticism. --- Esthétique --- Critique d'art --- Philosophy. --- Philosophie --- Désherbage --- Deselectie --- Esthétique
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Avant-Garde and Criticism sheds new light on the complex aims, functions, practices and contexts of art-criticism in relation to the European avant-garde. Although many avant-garde works and the avant-gardes of various countries have been analyzed, considerably less attention has been given to the reviews in newspapers and journals on avant-garde literature, art, architecture and film. This volume of Avant-Garde Critical Studies will look at how art critics operated in a strategic way. The strategies of avant-garde criticism are diverse. Art critics, especially when they are artists themselves, attempt to manipulate the cultural climate in their favour. They use their position to legitimize avant-garde concepts and to conquer a place in the cultural field. But they are also markedly influenced by the context in which they operate. The position of fellow-critics and the ideological bias of the papers in which they publish can be as important as the political climate in which their criticism flourishes. The analysis of avant-garde art criticism can also make clear how strategies sometimes fail and involuntarily display non-avant-garde characteristics. On the other hand traditionalist criticism on the avant-garde offers new insights into its status and reception in a given time and place. This volume is of interest for scholars, teachers and students who are interested in the avant-garde of the interbellum-period and work in the field of literature, art, film and architecture.
Avant-garde (Aesthetics) --- Arts, European --- Art criticism --- Aesthetics --- Modernism (Art) --- History
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