Listing 1 - 7 of 7 |
Sort by
|
Choose an application
Sculpture, Classical. --- Statues. --- Sculpture antique --- Statues
Choose an application
Polychromy --- Polychromy --- Sculpture, Classical --- Relief (Sculpture), Ancient --- Sculpture, Classical --- Polychromie --- Polychromie --- Sculpture antique --- Relief (Sculpture), Ancienne --- Sculpture antique --- Exhibitions. --- Exhibitions. --- Reproduction --- Exhibitions. --- Reproduction --- Exhibitions. --- Exhibitions. --- Expositions --- Expositions --- Reproduction --- Exhibitions --- Reproduction --- Expositions --- Expositions
Choose an application
Sarcophagi, Greek --- Sarcophagi, Roman --- Sarcophagi --- Sepulchral monuments --- Sculpture, Ancient --- Sarcophages grecs --- Sarcophages romains --- Sarcophages --- Monuments funéraires --- Sculpture antique --- Congresses --- Congrès --- Congresses.
Choose an application
Sarcophagi, Greek --- Sarcophagi, Roman --- Relief (Sculpture), Ancient --- Inscriptions, Greek --- Sarcophages grecs --- Sarcophages romains --- Relief (Sculpture) antique --- Inscriptions grecques --- Catalogs --- Catalogues --- Aphrodisias (Extinct city) --- Aphrodisias de Carie (Ville ancienne)
Choose an application
Le stuc, un art à part entièreL’importance du stuc comme matériau et processus de décor a longtemps été ignorée. Les diverses contributions à ce colloque permettent, pour la première fois, d’en saisir la portée sur une longue durée. Avec ses origines antiques ou moyen-orientales, ses croisements avec la peinture ou la sculpture, sa diversité dans une grande partie de l’Europe, sa présence est désormais perçue comme permanente entre le ive et le xiie siècle. Une meilleure connaissance de sa fabrication grâce à de nombreuses analyses en laboratoire, une relecture d’ensembles jusque-là peu étudiés comme Disentis, ou découverts par l’archéologie comme Vouneuil-sous-Biard, Bordeaux ou Arles-sur-Tech, illustrent mieux aujourd’hui cette conception particulière de l’art du relief transmise et sans cesse renouvelée depuis l’Antiquité tardive.
Stucco --- Decoration and ornament, Architectural --- Decoration and ornament, Ancient --- Sculpture, Ancient --- Sculpture, Medieval --- Stuc --- Décoration et ornement architecturaux --- Décoration et ornement antiques --- Sculpture antique --- Sculpture médiévale --- History --- Congresses. --- Congresses --- Histoire --- Congrès --- Decoration and ornament, Medieval --- Architectural decoration and ornament --- Architecture --- Stonework, Decorative --- Architectural design --- Exterior walls --- Stuccowork (Decoration) --- Building materials --- Decoration and ornament --- Plaster
Choose an application
Laocoön (Legendary character) --- Laocoon (Personnage légendaire) --- Laocoön (Legendary character) --- Agesander --- Polydorus --- Athenodorus --- Criticism and interpretation --- Museo Pio-Clementino (Vatican City) --- Laocoon (Personnage légendaire) --- Sculpture, Hellenistic --- Hellenistic sculpture --- Sculpture, Greek --- Agesander. --- Polydōros --- Polydoros, --- Polidoro --- Polydorus Rhodus --- Athanodoros --- Athēnodōros --- Athenodorus. --- Polydorus. --- Pio-clementinisches Museum (Vatican City) --- Pio-Clementine Museum (Vatican City) --- Laocoön (Legendary character) - Art - Congresses --- Agesander - Laocoön group - Congresses --- Polydorus - Criticism and interpretation - Congresses --- Athenodorus - Criticism and interpretation - Congresses --- Agesander - Laocoön group --- Musei vaticani --- Laocoon (sculpture) --- Sculpture antique --- Influence
Choose an application
From its foundation in the fourth century to its fall to the Ottoman Turks in the fifteenth, the city of Constantinople boasted a collection of antiquities unrivalled by any city of the medieval world. The Urban Image of Late Antique Constantinople reconstructs the collection from the time that the city was founded by Constantine the Great through the sixth-century reign of the emperor Justinian. Drawing on medieval literary sources and, to a lesser extent, graphic and archaeological material, it identifies and describes the antiquities that were known to have stood in the city's public spaces. Individual displays of statues are analysed as well as examined in conjunction with one another against the city's topographical setting, in an effort to understand how ancient sculpture was used to create a distinct historical identity for Constantinople.
Sculpture, Classical --- Sculpture --- Public spaces --- History --- Istanbul (Turkey) --- Buildings, structures, etc. --- Sculpture, Classical. --- History. --- Sculpture antique --- Espaces publics --- Histoire --- Istanbul (Turquie) --- Constructions --- 711.424 --- 72.032.6 --- 73.032.6/.7 --- 73.032.6/.7 Beeldhouwkunst van de Klassieke Oudheid --- Beeldhouwkunst van de Klassieke Oudheid --- 72.032.6 Bouwstijlen van het Oude Griekenland (tot 323) --- Bouwstijlen van het Oude Griekenland (tot 323) --- 711.424 Historische plaatsen. Monumentale steden --- Historische plaatsen. Monumentale steden --- Public places --- Social areas --- Urban public spaces --- Urban spaces --- Cities and towns --- Stonework, Decorative --- Art --- Bas-relief --- Statues --- Classical sculpture --- Classical antiquities --- Sculpture, Primitive --- Sculpture - Turkey - Istanbul --- Public spaces - Turkey - Istanbul - History --- Istanbul (Turkey) - Buildings, structures, etc.
Listing 1 - 7 of 7 |
Sort by
|