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By investigating how cars can function as female space, reflect female identity, and reshape female agency, this engaging study opens up new angles from which to approach fiction by and about women and traces new directions in the intersection of literature, technology, and gender.
Automobiles --- American fiction --- Automobiles in literature. --- Social aspects --- Women authors --- History and criticism. --- American literature --- Roman américain --- Automobiles dans la littérature --- Ecrits de femmes américains --- Histoire et critique --- Aspect social
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The essays in this collection analyse major film adaptations of twentieth-century American fiction, from F. Scott Fitzgerald's The Last Tycoon to Toni Morrison's Beloved. During the century, films based on American literature came to play a central role in the history of the American cinema. Combining cinematic and literary approaches, this volume explores the adaptation process from conception through production and reception. The contributors explore the ways political and historical contexts have shaped the transfer from book to screen, and the new perspectives that films bring to literary works. In particular, they examine how the twentieth-century literary modes of realism, modernism, and postmodernism have influenced the forms of modern cinema. Written in a lively and accessible style, the book includes production stills and full filmographies. Together with its companion volume on nineteenth-century fiction, the volume offers a comprehensive account of the rich tradition of American literature on screen.
American fiction --- Motion pictures and literature --- Roman américain --- Cinéma et littérature --- Film and video adaptations --- Adaptations cinématographiques et télévisées --- Film adaptations --- Film adaptations. --- History and criticism. --- Roman américain --- Cinéma et littérature --- Adaptations cinématographiques et télévisées --- American literature --- Arts and Humanities --- Literature
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Countering previous studies of violent images based on representational and, consequently, moralistic assumptions, which, the author argues, inevitably reinforce the very violence they critique. He explains how violent images work upon the world.
American fiction --- Violence in literature. --- Violence in motion pictures. --- Roman américain --- Violence dans la littérature --- Violence au cinéma --- History and criticism. --- Histoire et critique --- Roman américain --- Violence dans la littérature --- Violence au cinéma --- Violence in literature --- Violence in motion pictures --- Violence in moving-pictures --- History and criticism --- Motion pictures
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"Style in Fiction is a welcome addition to a body of writings by stylisticians who have over the past two decades cumulatively increased our knowledge of the workings of language in a range of literary genres." "Applied Linguistics" (about the first edition) This book describes the ways in which the techniques of linguistic analysis and literary criticism can be combined, and illuminated, through the linguistic study of literary style. It draws on the prose fiction of the last 150 years to demonstrate the approach.
American fiction --- English fiction --- English language --- Fiction --- History and criticism. --- Style. --- Technique. --- Fiction writing --- Metafiction --- Writing, Fiction --- Authorship --- English literature --- History and criticism --- Style --- Technique --- Metrics and rhythmics --- Rhetoric --- Germanic languages --- Roman --- Anglais (langue) --- Roman anglais --- Roman américain --- Stylistique --- Histoire et critique
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For a while, tracing African roots in the artistic creations of blacks in the New World tended to generate much attention as if to suggest that the New World does not have profound impact on their creative spirit. In addition, few studies have tried to construct an interpretive model through which an array of works by New World writers could be meaningfully explored on the basis of their African diasporic identity. In Folklore in New World Black Fiction, Chiji Akọma offers an interpretive model for the reading of the African New World novel focusing on folklore, not as an ingredient, but as the basis for the narratives. The works examined do not contain folklore materials; they are folklore, constituted by the intersections of African oral narrative aesthetics, New World sensibility, and the written tradition. Specifically Akọma looks at four African Caribbean and African American novelists, Roy A.K. Heath, Wilson Harris, Toni Morrison, and Jean Toomer. The book seeks to expand the understanding of the forms of folklore as it pertains to black texts. For one, it broadens the dimensions of folklore by looking beyond the oral world of the “simple folk” to the kinds of narrative sophistication associated with writing; it also asserts the importance of performance art in folklore analysis. The study demonstrates the durability of the black aesthetic over artistic forms.
American fiction --- Literature and folklore --- African American oral tradition. --- African Americans --- African Americans in literature. --- Folklore in literature. --- Hermeneutics. --- African American authors --- History and criticism. --- History --- Intellectual life. --- African American intellectuals --- Roman américain --- Littérature et folklore --- Noirs américains dans la littérature --- Folklore --- Auteurs noirs américains --- États-Unis --- Dans la littérature --- Histoire et critique --- 20e siècle
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Theory of literary translation --- American literature --- French language --- Sociology of literature --- Thematology --- anno 1930-1939 --- anno 1940-1949 --- anno 1950-1959 --- anno 1920-1929 --- Translating and interpreting --- English language --- American fiction --- Traduction et interprétation --- Anglais (Langue) --- History --- Translating --- Translations into French --- History and criticism --- Histoire --- Traduction --- 82.03 --- Vertalen. Literaire vertaling --- 82.03 Vertalen. Literaire vertaling --- Traduction et interprétation --- Roman américain --- Sociologie --- France --- 20e siècle --- Traductions françaises --- Histoire et critique
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American fiction --- African Americans --- Music in literature. --- African Americans in literature. --- Roman américain --- Noirs américains --- Musique dans la littérature --- Noirs américains dans la littérature --- African American authors --- History and criticism. --- Music --- Intellectual life. --- Race identity. --- Ecrivains noirs américains --- Histoire et critique --- Musique --- Vie intellectuelle --- Identité ethnique --- Musique et littérature --- Littérature américaine --- Musique noire américaine --- Auteurs noirs américains --- Roman américain --- Noirs américains --- Musique dans la littérature --- Noirs américains dans la littérature --- Ecrivains noirs américains --- Identité ethnique --- Musique et littérature. --- Auteurs noirs américains. --- Histoire et critique. --- Musique et littérature. --- Littérature américaine --- Musique noire américaine --- Auteurs noirs américains.
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