Choose an application

• Reference Manager
• EndNote
• RefWorks (Direct export to RefWorks)

Ce livre aborde le concept de représentation sous l'angle de ce que l'on nomme communément la " peinture moderne ". Il s'attache à montrer que la notion de représentation n'a jamais été pensée sans contradiction et sans présupposé d'un certain " système classique " relatif aux transformations précédant la " modernité " comme catégorie historico-philosophique. Or, cette " modernité " a précisément montré à travers le champ spécifique de la peinture une autre transformation dans le concept de représentation : une transformation plus ancienne et plus vaste, qui dépasse toute limite historique pour étaler son influence " moderne " au-delà des paramètres usuellement établis.

Painting --- Painting, Modern --- Reality in art --- Modernism (Art) --- Representation (Philosophy)

Choose an application

• Reference Manager
• EndNote
• RefWorks (Direct export to RefWorks)

El arte naif se hizo popular por primera vez a finales del siglo diecinueve. Hasta ese momento, esta forma de expresión creada por artistas sin formación y caracterizados por su espontaneidad y simplicidad contaba con poco reconocimiento entre los artistas profesionales y los críticos de arte. Influenciada por las artes primitivas, la pintura naif se caracteriza por la fluidez de sus líneas, por su vivacidad y sus colores alegres, así como por sus formas más bien sencillas, claramente definidas.El arte naif está representado por artistas como Henri Rousseau, Séraphine de Senlis, André Bauchant

Primitivism in art. --- Outsider art. --- Painting, Modern --- Naive art --- Art --- Art brut --- Art, Modern --- Primitive influences

Choose an application

• Reference Manager
• EndNote
• RefWorks (Direct export to RefWorks)

Over the past seventy years, a staggering array of new pigments and binders has been developed and used in the production of paint, and twentieth-century artists readily applied these materials to their canvases. Paints intended for houses, boats, cars, and other industrial applications frequently turn up in modern art collections, posing new challenges for paintings conservators. This volume presents the papers and posters from "Modern Paints Uncovered," a symposium organized by the Getty Conservation Institute, Tate, and the National Gallery of Art and held at Tate Modern, London, in May 2006. Professionals from around the world shared the results of research on paints that have been available to artists since 1930?the date that synthetic materials began to significantly impact the paint industry. Modern Paints Uncovered showcases the varied strands of cutting-edge research into the conservation of contemporary painted surfaces. These include paint properties and surface characteristics, analysis and identification, aging behavior, and safe and effective conservation techniques

restauratie (kunst) --- restoration [process] --- conservatie --- Conservation. Restoration --- dye --- Dyes --- verfstoffen --- preserving --- Painting --- anno 1900-1999 --- anno 2000-2099 --- Paint materials --- Painting, Modern --- Museum conservation methods --- Analysis --- Conservation and restoration --- Technique

Choose an application

• Reference Manager
• EndNote
• RefWorks (Direct export to RefWorks)

geometric abstraction --- Art --- art [fine art] --- Leclercq, Guy --- Painting, Abstract --- Leclercq, Guy, --- kunst --- België --- schilderkunst --- 75.071 LECLERCQ --- Leclercq Guy --- abstracte schilderkunst --- geometrische abstractie --- abstractie --- Abstract painting --- Non-objective painting --- Painting, Non-objective --- Painting, Modern --- Criticism and interpretation. --- Kunst --- art [discipline]

Choose an application

• Reference Manager
• EndNote
• RefWorks (Direct export to RefWorks)

Recent experimental fashion has a dark side, a preoccupation with representations of death, trauma, alienation, and decay. This book looks closely at this strand of fashion design in the 1990s, exploring what its disturbing themes tell us about consumer culture and contemporary anxieties. Caroline Evans analyses the work of experimental designers, the images of fashion photographers, and the spectacular fashion shows that developed in the final decade of the twentieth century.

Art styles --- Painting --- anno 1800-1899 --- England --- 391 "19" --- 77.04 --- Kleding. Mode. Sieraden. Volksdracht--20e eeuw. Periode 1900-1999 --- Artistieke fotografie. Foto's naar het onderwerp --- 77.04 Artistieke fotografie. Foto's naar het onderwerp --- 391 "19" Kleding. Mode. Sieraden. Volksdracht--20e eeuw. Periode 1900-1999 --- Art for art's sake (Movement) --- Painting, English --- Painting, Victorian --- Victorian painting --- Painting, Modern --- Aestheticism --- Aesthetics --- Formalism (Art)