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Video demystified
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ISBN: 1281227684 9786611227685 0080553958 0750683953 9780080553955 9780750683951 9781281227683 6611227687 Year: 2007 Publisher: Amsterdam Boston Newnes/Elsevier

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What doesn't have a video component nowadays? IPod, cell phone, computer, they all have video. And, of course, television which is a major source of our entertainment and information. Any engineer involved in designing, manufacturing, or testing video electronics needs this book!Each edition of Video Demystified has sold thousands of copies and answered many questions for electrical engineers across the globe. This fifth edition will keep the engineer up-to-date with next-generation digital video formats - Blu-ray and HD-DVD, development of new audio and video codecs - Dolby Digital Pl

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Television --- Digital video

Video compression and communications
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ISBN: 9780470518496 9780470519929 0470519924 1281135364 9786611135362 0470519916 Year: 2007 Publisher: Hoboken, New Jersey [Piscataqay, New Jersey] IEEE Press IEEE Xplore

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Since the publication of Wireless Video Communications five years ago, the area of video compression and wireless transceivers has evolved even further. This new edition addresses a range of recent developments in these areas, giving cognizance to the associated transmission aspects and issues of error resilience. Video Compression and Communications has been updated and condensed yet remains all-encompassing, giving a comprehensive overview of the subject. Covering compression issues, coding delay, implementational complexity and bitrate, the book also looks at the historical perspective to video communication. . New edition of successful and informative text, Wireless Video Communications. Substantial new material has been added on areas such as H.264, MPEG4 coding and transceivers. Clear presentation and broad scope make it essential for anyone interested in wireless communications. Systematically converts the lessons of Shannon's information theory into design principles applicable to practical wireless systems. This book is ideal for postgraduates and researchers in communication systems but will also be a valuable reference to undergraduates, development and systems engineers of video compression applications as well as industrialists, managers and visual communications practitioners.


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A description on the second dataset of the U.S. Army Research Laboratory Force Protection Surveillance System
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Year: 2007 Publisher: Adelphi, MD : Army Research Laboratory,

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2007 IEEE International Symposium on Consumer Electronics : 20-23 June, 2007, Irving, TX
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ISBN: 1424411092 1424411106 1509090118 Year: 2007 Publisher: [Place of publication not identified] Institute of Electrical and Electronics Engineers

The filmmaker's handbook : a comprehensive guide for the digital age.
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ISBN: 9780452286788 Year: 2007 Publisher: New York Plume

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Widely acknowledged as the "bible" of film and video production and used in courses around the world, this indispensable guide to making movies is now updated with the latest advances in high- definition formats. For students and teachers, the professional and the novice filmmaker, this clear and comprehensive handbook remains the reliable reference to all aspects of moviemaking. Techniques for making narrative, documentary, corporate, experimental and feature films. Working with high-definition and standard-definition digital video formats, including DV, HD, and HDV. Extensive coverage of video editing with the latest nonlinear editing systems. Thorough grounding in lenses, lighting, sound recording, and sound editing. The business aspects of financing and producing movies. Written by filmmakers for filmmakers, this book will give you the skills you need to take your dreams from script to screen.


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DVD-Produktionen : gestalten, erstellen, nutzen ; Video interaktiv: DVD, Blu-ray Disc, HD DVD ; Audio-/Videotechnik: DVD-Formate, TV, Podcast
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ISBN: 354033131X Year: 2007 Publisher: Berlin : Springer,

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Im Allgemeinen bezieht sich dieses Buch auf Video-Produktionen mit Interaktion und im Besonderen auf die Formate DVD, Blu-ray Disc und HD DVD. In diesem Zusammenhang werden die Varianten der DVD nicht als Datenträger, sondern als Formate vorgestellt, die jeweils eigenständige Genres darstellen, etwa interaktives Video, Dokumentationen, Games, Event-Shows etc. Der Autor erläutert, wie im Rahmen dieser Formate Linearität, Nonlinearität und Interaktion für Erzählformen, für Spiele und zur Wissensvermittlung genutzt werden können und welche technologischen Spezifikationen zu berücksichtigen sind. Auch wenn sich die Betrachtung dabei auf DVD-Formate konzentriert, lassen sich viele Inhalte dieses Buches auch auf die Perspektiven von iTV, Video-PODcasting und Web-TV beziehen. Auf der beigefügten DVD befinden sich neben Check-Listen für DVD-Tests und zur Qualitätskontrolle u.a. auch 3,5 Stunden digital abgefilmte DVD-Ausschnitte als Anschauungsmaterial für den unterschiedlichen Einsatz von Interaktion. Außerdem liegen Videos vor, die 14,5 Stunden Vorlesungen von Prof. Dr. Karsten Morisse zum Thema „Audio-/Videotechnik" zeigen. Sie wurden für die Betrachtung mit einem Video-iPOD entsprechend gekürzt und im Video-PODcast-Format aufbereitet. .

Digital storytelling : the narrative power of visual effects in film
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ISBN: 0262134659 9780262134651 0262633698 9780262633697 9780262304184 026230418X 1280499079 9786613594303 0262304198 Year: 2007 Publisher: Cambridge, Mass. : MIT Press,

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"In Digital Storytelling, Shilo McClean shows how digital visual effects can be a tool of storytelling in film, adding narrative power as do sound, color, and "experimental" camera angles - other innovative film technologies that were once criticized for being distractions from the story. It is time, she says, to rethink the function of digital visual effects." "Digital Storytelling is grounded in filmmaking, the scriptwriting process in particular. McClean considers crucial questions about digital visual effects - whether they undermine classical storytelling structure, if they always call attention to themselves, whether their use is limited to certain genres - and looks at contemporary films (including a chapter-long analysis of Steven Spielberg's use of computer-generated effects) and contemporary film theory to find the answers. McClean argues that to consider digital visual effects as simply contributing the "wow" factor underestimates them. They are, she writes, the legitimate inheritors of film storycraft."--Jacket.

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