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Italian director Michelangelo Antonioni claimed, three decades ago, that different conceptions of time helped define the split in film between European humanism and American science fiction. And as Garrett Stewart argues here, this transatlantic division has persisted since cinema's 1995 centenary, made more complex by the digital technology that has detached movies from their dependence on the sequential frames of the celluloid strip.Brilliantly interpreting dozens of recent films-from Being John Malkovich, Donnie Darko, and The Sixth Sense t

Motion pictures. --- Space and time in motion pictures. --- Motion pictures --- Cinema --- Feature films --- Films --- Movies --- Moving-pictures --- Audio-visual materials --- Mass media --- Performing arts --- History and criticism --- cinema, film, movies, english major, studies, director, time, humanism, science fiction, genre, international, transatlantic, digital, technology, celluloid, analysis, interpretation, critique, critical, being john malkovich, donnie darko, contemporary, modern, 20th century, sixth sense, la mala educacion, cache, reel, pixel, change, progress, hollywood, narrative, storytelling, visual, history, media, motion picture, the matrix, butterfly effect.