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Iconography --- Painting --- painting [image-making] --- dictatorships --- fascism --- kunst en politiek --- Entartete Kunst --- Beckmann, Max --- Nolde, Emil --- Lissitzky, El --- Kirchner, Ernst Ludwig --- Dix, Otto --- Ernst, Max --- Burger-Mühlfeld, Fritz --- Klee, Paul --- Schlemmer, Oskar --- Marc, Franz --- Kandinsky, Wassily --- Kokoschka, Oskar --- Mondriaan, Piet --- Belling, Rudolf --- Dexel, Walter --- Schwitters, Kurt --- Gleichmann, Otto --- Müller, Otto --- Macke, August --- Germany

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Art styles --- Art --- Sculpture --- History --- art history --- Secession Movement --- art theory --- sculpting --- Expressionist [style] --- Arbeitsrat für Kunst --- Novembergruppe --- Müller, Albert --- Scherer, Hermann --- Pechstein, Max --- Hoffmann, Eugen --- Schmidt-Rottluff, Karl --- Maillol, Aristide --- Heckel, Erich --- Barlach, Ernst H. --- Nolde, Emil --- Archipenko, Alexander --- Kirchner, Ernst Ludwig --- Wauer, William --- Roeder, Emy --- Harth, Philipp --- Karsch, Joachim --- Forster, Gela --- Garbe, Herbert --- Gies, Ludwig --- Hoetger, Bernhard --- Heise, Katharina --- Henning, Paul Rudolf --- Herzog, Oswald --- Knappe, Karl --- Krause, Max Reinhold --- Lammert, Will --- Leschnitzer, Georg --- Schwichtenberg, Martel --- Voll, Christoph --- Walther, Hans --- Lehmbruck, Wilhelm --- Marc, Franz --- Rodin, Auguste --- Minne, George --- Meunier, Constantin --- Belling, Rudolf --- Kolbe, Georg --- Scharff, Edwin --- Freundlich, Otto --- Gutfreund, Otto --- Hildebrand, von, Adolf Ernst Robert --- Marcks, Gerhard --- Scheibe, Richard --- Steger, Milly --- Mattis-Teutsch, Hans --- Zadkine, Ossip --- Der Sturm [Berlin] --- anno 1800-1899 --- anno 1900-1999 --- Berlin