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Cet « Objet Beckett » propose les textes d'une vingtaine d'artistes, français et étrangers. Pour parler de Beckett, chacun a été invité à se saisir d'un lieu, d'une matière, d'un objet de l'oeuvre : c'est le vieux linge de Fin de partie, le magnétophone de La Dernière Bande, c'est la poubelle ou la berceuse, la barque ou le banc, ce sont des cailloux, un carrelage, c'est une étoile, c'est le Q de Quad ou le cabas de Winnie, c'est un ouvre-boîte, c'est une paire de chaussures... Avec les textes de Paul Auster, Pierre Bergounioux, Pascale Casanova, Eric Chevillard, Jean Demélier, André Derval, Georges Didi-Huberman, Stacy Doris, Raymond Federman, Alain Fleischer, Jean Frémon, Frédéric Pajak, Charles Pennequin, Anne Portugal, François Regnault, Jean-Loup Rivière, Clément Rosset, Jude Stefan, Isabelle Sobelman, Jean-Philippe Toussaint, Enrique Vila Matas. En complément à ces textes d'écrivains, quatre entretiens avec Stan Douglas, Pascal Dusapin, Robert Ryman et Sean Scully, qui ont lu et interprété l'oeuvre de Beckett. Mais le catalogue présente également deux textes importants de Samuel Beckett inédits en français (la « Lettre allemande » sur la peinture, et un court essai de l'époque joycienne (premier texte publié du jeune Beckett), intitulé « Dante...Bruno.Vico.. Joyce »). A ces documents s'ajoute un ensemble exceptionnel de reproduction d'oeuvres, de manuscrits, de photos et de documents.
Authors, Irish --- Ecrivains irlandais --- Biography --- Biographies --- Beckett, Samuel, --- Exhibitions. --- Art contemporain --- Exposition --- Littérature --- Beckett, Samuel --- Authors, Irish - 20th century - Biography - Exhibitions. --- Beckett, Samuel, - 1906-1989 - Exhibitions --- Beckett, Samuel, - 1906-1989
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In this 2007 book, Kate Chedgzoy explores the ways in which women writers of the early modern British Atlantic world imagined, visited, created and haunted textual sites of memory. Asking how women's writing from all parts of the British Isles and Britain's Atlantic colonies employed the resources of memory to make sense of the changes that were refashioning that world, the book suggests that memory is itself the textual site where the domestic echoes of national crisis can most insistently be heard. Offering readings of the work of poets who contributed to the oral traditions of Wales, Scotland and Ireland, and analysing poetry, fiction and life-writings by well-known and less familiar writers such as Hester Pulter, Lucy Hutchinson and Aphra Behn, this book explores how women's writing of memory gave expression to the everyday, intimate consequences of the major geopolitical changes that took place in the British Atlantic world in the seventeenth century.
Women authors, English --- Women authors, Irish --- English literature --- Irish literature --- Irish women authors --- English women authors --- History and criticism. --- Women authors --- Arts and Humanities --- Literature
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This book documents how Oscar Wilde was appropriated as a fictional character by no less than thirty-two of his contemporaries. Focusing on Wilde’s relationships with many of these writers, Kingston examines and critiques ‘Wildean’ portraits by such celebrated authors as Joseph Conrad, Arthur Conan Doyle, Henry James, George Bernard Shaw and Bram Stoker, as well as some lesser-known writers. Many fascinating, little-known biographical and literary connections are revealed. While this work will be of significant interest to scholars of Wilde, it is also written in a clear, accessible style which will appeal to the non-academic reader with a general interest in Wilde or the late Victorian period.
Authors, Irish --- Authors in literature. --- English fiction --- Ecrivains irlandais --- Ecrivains dans la littérature --- Roman anglais --- Biography --- History and criticism. --- Biographies --- Histoire et critique --- Wilde, Oscar, --- In literature. --- Authors, Irish, in literature --- Authors in literature --- History and criticism --- In literature --- English fiction - 19th century - History and criticism --- Wilde, Oscar, - 1854-1900 - In literature --- Wilde, Oscar, - 1854-1900
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"Drawing on sources such as the land, the Church, the past, changing politics, and literary styles, Irish writers ranging from W. B. Yeats, James Joyce, and Augusta Gregory to Roddy Doyle, Kate O'Brien, Colm Toibin, John Banville, and Seamus Heaney explore what it means to be a writer in Ireland"--Provided by publisher. What does it mean to be a writer in the context of a country's centuries of uncertainty and upheaval? How does an Irish writer define Irish writing? The writers here, who range from early legends like Yeats to modern masters like Roddy Doyle, address these questions through their sources: the land, the Church, the past, and changing politics and literary styles. The book begins with William Yeats and Augusta Gregory's dazzling meditations on the founding of the National Theatre as a venue for a new Irish imagination. Lady Gregory herself is the subject of pithy essays by Kate O'Brien and Colm Toibin. Poets discuss their peers & Corkery on the Gaelic poets; Frank O'Connor on Corkery; O'Casey on Yeats; Roddy Doyle on Synge. Emma Donoghue illuminates the life of a lesbian Irish writer, while John Banville excoriates Bloomsday and & the pervasiveness and bathos of the Joyce myth." 'Irish Writers on Writing' raises a toast to one of the world's most vital literary traditions.
Authors, Irish --- Civilization, Modern, in literature. --- English literature --- Literature and history --- Politics and literature --- Political and social views. --- Irish authors --- History and criticism. --- History. --- History --- Ireland --- Intellectual life. --- In literature.
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Irish poetry --- War poetry, Irish --- World War, 1914-1918 --- History and criticism --- Literature and the war --- 820 <417> --- 820-1 "19" --- English poetry --- -World War, 1914-1918 --- -English poetry --- -War poetry, English --- -820 <417> Ierse literatuur --- Ierse literatuur --- English war poetry --- English literature --- European War, 1914-1918 --- First World War, 1914-1918 --- Great War, 1914-1918 --- World War 1, 1914-1918 --- World War I, 1914-1918 --- World War One, 1914-1918 --- WW I (World War, 1914-1918) --- WWI (World War, 1914-1918) --- History, Modern --- 820-1 "19" Engelse literatuur: poëzie--20e eeuw. Periode 1900-1999 --- Engelse literatuur: poëzie--20e eeuw. Periode 1900-1999 --- Irish authors --- -History and criticism --- Ireland --- -Irish Free State --- In literature --- Poetry --- Thematology --- anno 1900-1999 --- War poetry, English --- History and criticism. --- Literature and the war. --- Authors [Irish ] --- 20th century --- War poetry [English ] --- -English literature --- 820 <417> Ierse literatuur --- Irish poetry - 20th century - History and criticism --- World War, 1914-1918 - Literature and the war --- -English war poetry --- -Irish authors --- -In literature --- POESIE ANGLAISE --- GUERRE MONDIALE (1914-1918) --- GUERRE DANS LA LITTERATURE --- AUTEURS IRLANDAIS --- HISTOIRE ET CRITIQUE --- 20E SIECLE --- POESIE
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