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This engaging book chronicles the first classes on the art and industry of cinema and the colorful pioneers who taught, wrote, and advocated on behalf of the new art form. Using extensive archival research, Dana Polan looks at, for example, Columbia University's early classes on Photoplay Composition; lectures at the New School for Social Research by famed movie historian Terry Ramsaye; the film industry's sponsorship of a business course on film at Harvard; and attempts by the Academy of Motion Picture Arts and Sciences to create programs of professionalized education at the University of Southern California, Stanford, and elsewhere. Polan examines a wide range of thinkers who engaged with the new art of film, from Marxist Harry Alan Potamkin to sociologist Frederic Thrasher to Great Books advocates Mortimer Adler and Mark Van Doren.

Motion pictures --- Cinema --- Feature films --- Films --- Movies --- Moving-pictures --- Audio-visual materials --- Mass media --- Performing arts --- Study and teaching --- History and criticism --- Motion picture industry. --- Film industry (Motion pictures) --- Moving-picture industry --- Cultural industries --- Cinéma --- Etude et enseignement --- Motion pictures - Study and teaching - United States. --- academy of motion picture arts and sciences. --- american cinema. --- american film history. --- art of cinema. --- business course on film. --- cinema. --- film industry. --- film studies. --- film. --- frederic thrasher. --- great books advocates. --- harry alan potamkin. --- historical. --- history of film studies. --- mark van doren. --- marxism. --- mortimer adler. --- movie studies. --- movies. --- new school for social research. --- photoplay composition. --- retrospective. --- sociology. --- terry ramsaye. --- united states of america.