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Mármoles de Lusitania
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Year: 2006 Publisher: Mérida: Fundación de Estudios Romanos,

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Marble --- Portugal


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Marbres, de carrières en palais : du Midi à Versailles, du sang des dieux à la gloire des rois : XVIe-XVIIIe siècle
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ISBN: 9782916073026 Year: 2006 Publisher: Manosque : Le bec en l'air éditions,

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The isotopic signature of classical marbles
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ISBN: 8882653781 Year: 2006 Publisher: Roma "L'Erma" di Bretschneider

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Oscilla : rilievi sospesi di età romana
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ISBN: 9788879163279 8879163272 Year: 2006 Volume: 243 Publisher: Milano : LED - Edizioni universitarie di lettere economia diritto.,

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Deformation von Fassadenplatten aus Marmor : Schadenskartierungen und gesteinstechnische Untersuchungen zur Verwitterungsdynamik von Marmorfassaden.
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ISBN: 3938616474 9783938616475 Year: 2006 Publisher: Göttingen : Universitätsverlag Göttingen,

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Identification des marbres
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ISBN: 2851010611 9782851010612 Year: 2006 Publisher: Dourdan : Editions Vial,

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Jan Timmer: beelden/sculptures
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ISBN: 9062166911 Year: 2006 Publisher: Venlo Van Spijk Art Projects

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Helaine Blumenfeld: Transcendence; A Collection of recent Work
Year: 2006 Publisher: Londen Robert Bowman

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Pietre dure and the art of Florentine inlay
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ISBN: 9780500512975 Year: 2006 Publisher: London Thames & Hudson

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From the ancient history of decorative stonework comes a very special artistic phenomenon, and this richly illustrated, large-format book tells its fascinating story. The phenomenon is *pietre dure*, or polychrome hardstone inlay, which resurfaced in Rome in the sixteenth century, within the context of the artistic flowering of the Italian Renaissance. Rome, where art took its inspiration from the cult of antiquity, fell in love with the evocative power of hardstones. Tabletops were covered in stones, inlaid into delicate floral panels or shining out, from ovals of opalescent alabaster.&#13;&#13;From Rome, pietre dure spread to Florence, where the Medici family founded a prestigious workshop in 1588, dedicated to the production of hardstone works using materials such as coral, garnet, jasper and lapis lazuli. The art flourished for three centuries, thanks to the virtuoso skills of the finest craftsmen. Other workshops were founded at the Court of Rudolf II in Prague, and of Louis XIV in France, before spreading to Naples and Madrid under the Bourbon dynasty. &#13;In this way, Florentine inlay grew to become a tirelessly imaginative artistic language, capable of imbuing works of decorative art with the most astonishing beauty and creating masterpieces which still glow just as brightly today, long after the fall of their royal patrons.&#13;&#13;This book brilliantly captures the beauty and craftsmanship of this ancient technique, illustrating in scores of dazzling photographs outstanding examples of pietre dure, including works designed for the Cappella dei Principi, Florence, and the Schloss Favorite, Rastatt.

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