Listing 1 - 2 of 2 |
Sort by
|
Choose an application
The production of Wagner's operas is fiercely debated. In this groundbreaking stage history Patrick Carnegy vividly evokes the& often scandalous& great productions that have left their mark not only on our understanding of Wagner but on modern theatre as a whole. He examines the way in which Wagner himself staged his works, showing that the composer remained dissatisfied with even the best of his productions. After Wagner's death the scenic challenge was taken up by the Swiss visionary Adolphe Appia, by Gustav Mahler and Alfred Roller in Vienna, and by Otto Klemperer and Ewald Dlberg in Berlin. In Russia the Bolsheviks reinvented Wagner as a social revolutionary, while cinema left its indelible imprint on the Wagnerian stage with Eisenstein's 'Die Walkre 'in Moscow in 1940. Hitler famously appropriated Wagner for his own ends. Patrick Carnegy unscrambles the interaction of politics and stage production, describing how post-war German directors sought a way to bury the uncomfortable past. The book concludes with a critique of the iconoclastic interpretations by Patrice Che;reau, Ruth Berghaus, and Hans-Jrgen Syberberg.
Opera --- Opéra --- Production and direction --- History. --- Production et mise en scène --- Histoire --- Wagner, Richard, --- Performances. --- Dramaturgy. --- Opéra --- Production et mise en scène
Choose an application
This is the first book-length study of how point of view is manifested linguistically in dramatic texts. It examines such issues as how readers process the shifts in viewpoint that can occur within such texts. Using insights from cognitive linguistics, the book aims to explain how the analysis of point of view in drama can be undertaken, and how this is fruitful for understanding textual and discoursal effects in this genre. Following on from a consideration of existing frameworks for the analysis of point of view, a cognitive approach to deixis is suggested as being particularly profitable for explaining the viewpoint effects that can arise in dramatic texts. To expand on the large number of examples discussed throughout the book, the penultimate chapter consists of an extended analysis of a single play. This book is relevant to scholars in a range of areas, including linguistics, literary studies and cognitive science.
Drama --- Prose literature --- Point of view (Literature) --- Théâtre (genre littéraire) --- Prose --- Point de vue (littérature) --- Technique. --- Technique --- Art d'écrire --- Psycholinguistics --- Stilistics --- 82-2 --- 82-2 Toneel. Drama --- Toneel. Drama --- Fiction --- Narration (Rhetoric) --- Persona (Literature) --- Dramaturgy --- Authorship --- Playwriting --- Art d'écrire. --- 82-2 Drama. Plays --- Drama. Plays --- Théâtre (genre littéraire) --- Point de vue (littérature) --- Art d'écrire.
Listing 1 - 2 of 2 |
Sort by
|