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Culture and globalization --- Rap (Music) --- History and criticism. --- J4143 --- J6700 --- J4129 --- Japan: Sociology and anthropology -- cultural trends and movements -- popular culture --- Japan: Performing arts and entertainment -- music --- Japan: Sociology and anthropology -- cross-cultural contacts, contrasts and globalization --- Hip-hop music --- Rap songs --- Rappin' (Music) --- Rapping (Music) --- African Americans --- Monologues with music --- Popular music --- Trip hop (Music) --- Globalization and culture --- Globalization --- History and criticism
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Sociology of culture --- Mass communications --- Computer architecture. Operating systems --- Japan --- Internet --- Popular culture --- J4126 --- J4143 --- J4486 --- DARPA Internet --- Internet (Computer network) --- Wide area networks (Computer networks) --- World Wide Web --- Social aspects --- Japan: Sociology and anthropology -- media and (mass) communications --- Japan: Sociology and anthropology -- cultural trends and movements -- popular culture --- Japan: Economy and industry -- communication -- internet
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This history of Japanese mass culture during the decades preceding Pearl Harbor argues that the new gestures, relationship, and humor of ero-guro-nansensu (erotic grotesque nonsense) expressed a self-consciously modern ethos that challenged state ideology and expansionism. Miriam Silverberg uses sources such as movie magazines, ethnographies of the homeless, and the most famous photographs from this era to capture the spirit, textures, and language of a time when the media reached all classes, connecting the rural social order to urban mores. Employing the concept of montage as a metaphor that informed the organization of Japanese mass culture during the 1920's and 1930's, Silverberg challenges the erasure of Japanese colonialism and its legacies. She evokes vivid images from daily life during the 1920's and 1930's, including details about food, housing, fashion, modes of popular entertainment, and attitudes toward sexuality. Her innovative study demonstrates how new public spaces, new relationships within the family, and an ironic sensibility expressed the attitude of Japanese consumers who identified with the modern as providing a cosmopolitan break from tradition at the same time that they mobilized for war.
Popular culture --- Culture, Popular --- Mass culture --- Pop culture --- Popular arts --- Communication --- Intellectual life --- Mass society --- Recreation --- Culture --- History --- Japan --- Civilization --- J4143 --- J4172 --- Japan: Sociology and anthropology -- cultural trends and movements -- popular culture --- Japan: Sociology and anthropology -- family and interpersonal relations -- sex relations (identity, preference, community, customs and culture) --- Popular culture - Japan - History - 20th century --- Japan - Civilization - 1912-1926 --- Japan - Civilization - 1926-1945 --- Philosophy and psychology of culture --- Sociology of cultural policy --- cultuurbeleid --- 1920s. --- 1930s. --- academic. --- colonialism. --- consumerism. --- cultural studies. --- culture. --- daily life. --- erotic. --- ethnography. --- fashion. --- food. --- government. --- grotesque. --- homeless. --- housing. --- ideology. --- japan. --- japanese history. --- japanese. --- mass culture. --- modern world. --- movies. --- pearl harbor. --- photography. --- political. --- politics. --- pop culture. --- popular entertainment. --- postwar. --- rural. --- scholarly. --- social studies. --- television. --- urban. --- wartime. --- world war 2. --- wwii.
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