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Aesthetics of art --- art criticism --- Andre, Carl

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Aesthetics of art --- photography [process] --- art criticism --- kunstkritiek --- fotografie

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- The utopian institution? / Cecilia Gelin##- Art and its institutions / Nina Montmann##- The changing normative foundations of Nordic welfare state institutions / Nanna Kildal##- Curating with institutional visions / a roundtable talk with: Roger M. Buergel, Anselm Franke, Maria Linda, Nina Montmann##- Spaces of conflict / Mike Bode and Staffan Schmidt##- "A museum is not a business, It is run in a businesslike fashion" / Andrea Fraser##- Opacity: current considerations on art institutions and the economy of desire / Nina Montmann##- Institutional desires / Sven-Olov Wallenstein##- Game within the game: institution, institutionalisation and art education / Beatrice Von Bismarck##- This is not an exhibition. On the practical ties and symbolic differences between the agency of the art institution and the work of those on its outside / Jan Verwoert##- The trouble with institutions, or, art and its publics / Simon Sheikh##- Friends of the divided mind / an email conversation between Marita Muukkonen and Chris Evans##- There is no alternative: the future is self-organised. Part 1. / Anthony Davies, Stephan Dillemuth, Jakob Jakobsen##- Collective interest / 16 Beaver group in conversation with Tone Hansen and Trude Iversen.

Art and society. --- Art --- artists' collectives --- curating --- Art and society --- Art and state --- Arts facilities --- Art, Modern --- Economic aspects --- Management --- art criticism --- museology --- Museology --- Art criticism. --- kunstsociologie --- tentoonstellingsorganisme

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The Passionate Spectator collects essays, reviews, and art criticism by John Yau, an internationally lauded poet, critic, and curator. In this wide-ranging collection, Yau explores the intersection of art and poetry, dissolving boundaries between the artistic traditions and reimagining what it means to see and to write. Whether he is interpreting the poetic use of titles in Jessica Stockholder's paintings, reviewing the collaborative book project between American poet Robert Creeley and German artist Georg Baselitz, or considering the significance of Frank O'Hara's decision to have his portrait drawn wearing nothing but army boots, Yau is consistently daring, original, and contemporary. Yau's diverse critical sensibilities permeate The Passionate Spectator as he moves seamlessly between the visual and literary arts. Highlights of this collection include an essay on the poet as art critic, a study of the relationship between Kevin Young's poetry and the paintings of Jean-Michel Basquiat, and an imaginative piece in which Yau speculates about what Jorge Luis Borges would have created had he been a visual artist. In the title essay, Yau lays out the duty of the spectator---a duty shared by viewer, reader, critic, and artist: "it is up to us to experience art, to engage and believe in its power."

Poetry --- Art criticism. --- Arts, Modern --- Poetry and the arts. --- History and criticism.

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La récente entrée des écrits sur l'art d'André Malraux dans la Bibliothèque de la Pléiade les rend désormais accessibles dans leur intégralité. Les études rassemblées dans cet ouvrage les étudient comme des textes théoriques, critiques et littéraires, les confrontent avec d'autres écrits contemporains et en montrent la force et l'originalité.

Art criticism --- Critique d'art --- History --- Histoire --- Malraux, André, --- Malraux, André, --- Malraux, andré (1901-1976) --- Art --- Et l'art --- Appréciation